Ridolfo Ghirlandaio, 1510 - Eserese nke onye Gentleman - mbipụta nka mara mma.

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Eserese nke onye Gentleman e kere nwoke Italian painter Ridolfo Ghirlandaio in the year 1510. Ihe gafere 510 mbụ dị afọ tụrụ nha: 68,2 × 49,2 cm (26 11/16 × 19 3/8 na) e were kwa ihe-ọcha tee ya oil, probably with some tempera, on panel; transferred to canvas. Nowadays, this piece of art is included in the digital art collection of Art Institute Chicago. We are delighted to mention that the ngalaba ọha A na-enye mpempe nka na nkwanye ùgwù nke Ụlọ ọrụ Art Chicago. : Mr. na Oriakụ Martin A. Ryerson mkpokọta. E wezụga nke ahụ, nhazi nke mmepụta dijitalụ dị n'ime Eserese usoro na nwere akụkụ ruru nke 1: 1.4, which means that the length is 29% shorter than the width. The painter Ridolfo Ghirlandaio was a European artist from Italy, whose style can mainly be attributed to High Renaissance. The European artist lived for a total of 78 afọ - a mụrụ n'afọ 1483 na Florence, mpaghara Firenze, Tuscany, Italy ma nwụọ n'afọ 1561.

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Ridolfo Ghirlandaio transformed the large workshop he inherited from his famous, fresco-painter father, Domenico, into one that specialized in portraits and festival decorations. One of Ridolfo’s most celebrated pictures, this work reveals his careful study of the portraits of Leonardo da Vinci and Raphael in its calm, pyramidal, and expansive presentation of the sitter and in its active, searching light. The foreground parapet, or ledge, over which a hand projects illusionistically into the viewer’s space and the glimpse of landscape through the window are devices Ridolfo borrowed from Flemish painting. The headpiece (cappuccio) and fur-cuffed robe of the unidentified sitter were customary apparel for well-to-do Florentine merchants.

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• Mpempe akwụkwọ (ihe kwaaji): The poster is a UV printed canvas with a slight texture on the surface, that reminds the original version of the artwork. Please keep in mind, that depending on the size of the poster we add a white margin 2-6 cm round about the painting, which facilitates the framing with your custom frame.
• Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are prints on metal with an outstanding depth. The bright & white parts of the work of art shimmer with a silky gloss but without glow. The colors are luminous, details of the print are crisp.
• Kwaaji: A canvas direct print is a printed canvas mounted on a wood stretcher. A canvas makes the sculptural effect of three dimensionality. The printed canvas creates a cosy and pleasing ambience. A canvas print of this work of art will let you turn your new into a large size collection piece as you would see in a gallery. Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Canvas prints are suited for all kinds of walls.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often named as a UV print on plexiglass, will transform your favorite original work of art into brilliant wall décor. The artwork is made with the help of state-of-the-art UV direct print machines. This has the impression of deep and rich colors.

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Disclaimer: We try everything to depict the art products in as much detail as possible and to display them visually. Nonetheless, the pigments of the printing material, as well as the printing may differ marginally from the image on the device's screen. Depending on your settings of your screen and the quality of the surface, not all colors will be printed as exactly as the digital version shown here. Since our art prints are processed and printed manually, there might also be slight discrepancies in the motif's exact position and the size.

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