Scarsellino, 1609 - Nwa agbọghọ na-amaghị nwoke nke Ndị nsọ na-asọpụrụ - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ọ bụ onye na-ese ihe kere ihe osise a Scarsellino. Ihe gafere 410 mbụ afọ nwere nha 19 1/4 x 29 1/4 na (48,9 x 74,3 cm) and was painted with the medium oil on copper. Besides, this work of art belongs to the art collection of Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Mary Jane Harris, in memory of Morton B. Harris and in honor of Keith Christiansen, 2001 (ikike ngalaba ọha). : Gift of Mary Jane Harris, in memory of Morton B. Harris and in honor of Keith Christiansen, 2001. On top of that, alignment is in landscape format and has a side ratio of 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The painter Scarsellino was an artist from Italy, whose artistic style can primarily be assigned to High Renaissance. The painter lived for 75 afọ and was born in the year 1545 in Ferrara and deceased in 1620.
Ngwa ngwaahịa ị nwere ike ịhọrọ
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:
- Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster print is a UV printed canvas with a fine surface finish. A poster print is particularly suited for placing your art print with a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2 - 6cm around the print, which facilitates the framing.
- Kwaaji: A UV printed canvas material applied on a wooden stretcher frame. Further, a printed canvas produces a lively, appealing ambience. A canvas print has the advantage of being relatively low in weight, meaning that it is easy to hang the Canvas print without the help of extra wall-mounts. Because of thata canvas print is suited for all kinds of walls in your house.
- Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an impressive depth - for a modern look and non-reflective surface structure. The Direct Print on Aluminum Dibond is the perfect introduction to fine art prints made with aluminum. The colors of the print are luminous, fine details appear very clear, and there’s a matte look that you can literally feel.
- Mbipụta enyo acrylic: An acrylic glass print, which is often labelled as a plexiglass print, will change the artwork into brilliant décor. The work of art will be custom-made with state-of-the-art UV direct print technology. This creates rich and stunning colors. The great upside of a plexiglass fine art print is that contrasts and also minor image details will be recognizeable due to the fine tonal gradation of the print.
Important note: We try what we can in order to describe the art products as precisely as possible and to showcase them visually on the respective product detail pages. Although, the colors of the print materials and the printing might diverge to a certain extent from the image on your monitor. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed 100% realistically. Because all our fine art prints are printed and processed by hand, there might as well be minor deviations in the motif's exact position and the size.
Tebụl ngwaahịa
Nkewa edemede: | mmepụta nka |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | Mbipụta UV ozugbo |
Ihe ngosi: | German mere |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | mgbidi ịchọ mma, ime ụlọ |
Nhazi: | usoro odida obodo |
Oke akụkụ onyonyo: | 3: 2 ogologo ruo obosara |
Ntụgharị nkọwa akụkụ: | ogologo bụ 50% ogologo karịa obosara |
Materials: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond) |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi mmeputa nka nka: | na-enweghị etiti |
Ozi ndabere na ọrụ nka pụrụ iche
Aha eserese: | "The Virgin Adored by Saints" |
Nhazi nka: | sere |
Otu izugbe: | nka ochie |
oge: | 17th narị afọ |
Afọ nka: | 1609 |
Ogologo afọ nka nka: | gbara afọ 410 |
Usoro izizi: | mmanụ na ọla kọpa |
Akụkụ izizi nka: | 19 1/4 x 29 1/4 na (48,9 x 74,3 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Gift of Mary Jane Harris, in memory of Morton B. Harris and in honor of Keith Christiansen, 2001 |
kreditline ọrụ nka: | Gift of Mary Jane Harris, in memory of Morton B. Harris and in honor of Keith Christiansen, 2001 |
Banyere onye na-ese ihe
Aha onye nka: | Scarsellino |
Obodo onye nka: | Italian |
Ọrụ: | onye na-ese ihe |
Country: | Italy |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Akwa Renaissance |
Akwụsị: | 75 afọ |
Afọ amụrụ: | 1545 |
Amụrụ na (ebe): | Ferrara |
Afọ ọnwụ: | 1620 |
Obodo ọnwụ: | Ferrara |
© echekwabara ikike nwebiisinka, Artprinta.com (Artprinta)
What does the original description of the The Metropolitan Museum of Art say about the 17th century artwork made by Scarsellino? (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
This picture shows the Virgin bestowing the scapular—a small piece of cloth symbolic of the yoke of Christ—on Saint Simon Stock, the English Carmelite who had a vision of this occurrence. Two donors kneel in the left middle distance with Saint Anthony of Padua. Among the other saints can be recognized Clare and Catherine of Siena, Dominic (with a dog holding a candle in his mouth), Nicholas of Tolentino (a sunburst on his habit), Peter Martyr (with a knife in his head), Francis (preaching on the shore to birds), and Raymond of Peñaforte (sailing across the sea with a banner as a sail).