Bruno Liljefors - N'akụkụ Oké Osimiri. Ụbọchị mmiri - ọmarịcha nka

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"By the Sea. A Spring Day" is a work of art created by the male artist Bruno Liljefors. Emere ụdị izizi ya na nha: Ogologo: 54,5 cm (21,4 ″); Obosara: 33,5 cm (13,1 ″) Ekebere: Elu: 58 cm (22,8 ″); Obosara: 37 cm (14,5 ″); Omimi: 4 cm (1,5 ″). Mmanụ na kwaaji was used by the European artist as the technique for the masterpiece. What is more, the work of art can be viewed in in the art collection of Nationalmuseum Stockholm, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. With courtesy of - Nationalmuseum Stockholm na Wikimedia Commons (licensed - public domain).Creditline of the artwork: . On top of that, alignment of the digital reproduction is portrait with a ratio of 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara.

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Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes described as a print on plexiglass, will change your favorite original work of art into marvellous home décor. Your work of art will be custom-made with the help of state-of-the-art UV printing machines. The great benefit of a plexiglass fine art print is that contrasts as well as color details become visible thanks to the delicate gradation of the print.
• Poster (akwa akwa akwa): The poster is a UV printed sheet of flat canvas paper with a slight structure on the surface, which resembles the original work of art. The printed poster is particularly designed for framing the art copy using a special frame. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the artwork, which facilitates the framing with a custom frame.
• Mbipụta kanvas: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. Further, a canvas creates a homelike and positive look. Canvas Prints have the advantage of being low in weight, which means that it is easy to hang up your Canvas print without any wall-mounts. A canvas print is suitable for all kinds of walls.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with an impressive effect of depth, which makes a modern look by having a surface structure, which is non-reflective. The Aluminium Dibond Print is your best introduction to fine art reproductions made with aluminum. For our Direct Aluminium Dibond print, we print the selected work of art on the surface of the aluminum composite.

Ederede iwu: We try everythig possible in order to depict our products as exact as possible and to showcase them visually. At the same time, the pigments of the print materials, as well as the printing may vary marginally from the image on your device's monitor. Depending on the settings of your screen and the nature of the surface, colors might not be printed as exactly as the digital version. Because our art reproductions are printed and processed manually, there might also be minor differences in the size and exact position of the motif.

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Original information about the work of art from Nationalmuseum Stockholm (© - nke Nationalmuseum Stockholm - www.nationalmuseum.se)

English: Unlike many of his friends, Liljefors only lived for short periods in France. On his travels in 1883, 1884 and 1887, he visited the artist colony in Grez-sur-Loing. This is where he painted this unexpected composition of the view across the Loing – with the red prow of a boat only just visible at the left edge. In a letter dated spring 1884, Liljefors describes Grez: “A river flows through the village, surrounded by fields and willows along the banks, dry reeds remain from last year, looking so heavenly in colour against the new, bright-green grass.” I jämförelse med många av sina kamrater vistades Liljefors bara kortare perioder i Frankrike. Vid resor 1883, 1884 och 1887 besökte han målarkolonin i Grez-sur-Loing. Där tillkom den här utsikten över Loing med sin oväntade beskärning – den rödmålade båtstäven knappt mer än skymtar i vänsterkant. I ett brev från våren 1884 beskriver Liljefors Grez: ”En å flyter genom byn, ängar omkring med pilar i åkanten, torr vass ligger qvar sen i fjol och ser så gudomligt treflig ut i färgen mot det nya klargröna gräset”.