George Inness, 1891 - Osisi mmiri, Montclair, New Jersey - mbipụta nka mara mma
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- Mbipụta kwaaji: A printed canvas material applied on a wooden frame. The canvas print generates a cosy and warm ambience. Your canvas of this masterpiece will allow you to transform your customized fine art print into a large size collection piece. A canvas print has the great advantage of being low in weight, which means that it is easy and straightforward to hang the Canvas print without the help of any wall-mounts. A canvas print is suitable for all kinds of walls.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The poster is a UV printed canvas with a slightly rough structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6 cm round about the work of art, which facilitates the framing.
- Ugogbe acrylic ebipụtara: An acrylic glass print, often described as a fine art print on plexiglass, will turn your favorite original work of art into beautiful home décor. Beyond that, the acrylic art print makes a viable alternative to canvas or aluminium dibond art prints. With an acrylic glass art print contrasts and color details become more visible thanks to the precise gradation.
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print material with an impressive depth effect, which creates a contemporary look with a surface , which is not reflective. For our Print On Aluminum Dibond, we print the chosen work of art right onto the aluminium surface. The bright parts of the work of art shimmer with a silk gloss, however without glare.
Nkwupụta iwu: We try everything to depict the products in as much detail as we can and to illustrate them visually in our shop. However, the colors of the print products, as well as the print result may vary somehwat from the representation on the device's screen. Depending on your screen settings and the quality of the surface, colors can unfortunately not be printed one hundret percent realistically. Considering that the fine art prints are printed and processed by hand, there may as well be slight discrepancies in the exact position and the size of the motif.
(© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)
George Inness, who began his career painting in the Hudson River School mode, embraced a variety of styles throughout his long career. Exposure to the work of French Barbizon artists as well as to the pantheistic philosophy of Swedish scientist and theologian Emanuel Swedenborg led him to develop a more personal approach to painting. Inness’s later landscapes, such as this work, grew increasingly expressive and atmospheric. By the 1880s, a younger generation of European-trained artists—whose work was informed by the French Barbizon and Impressionist painters as well as by the Aestheticism of James McNeill Whistler—celebrated Inness as an American Original.
Ngwaahịa nka
N'afọ 1891 nwoke American artist George Inness painted the piece of art called "Spring Blossoms, Montclair, New Jersey". Nke mbụ nwere nha ndị a 29 x 45 1/4 na (73,7 x 114,9 cm). Oil and crayon or charcoal on canvas was used by the North American artist as the medium of the artpiece. Nowadays, this artpiece can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta. Site n'ikike nke - The Metropolitan Museum of Art, New York, Onyinye George A. Hearn, na ebe nchekwa nke Arthur Hoppock Hearn, 1911 (licensed - public domain). In addition, the work of art has the following creditline: Gift of George A. Hearn, in memory of Arthur Hoppock Hearn, 1911. Besides, the alignment of the digital reproduction is in landscape format ya na nha onyonyo nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. George Inness was a painter, whose style can be classified as Impressionism. The American artist lived for a total of 69 afọ, amuru na 1825 and passed away in 1894 in Bridge of Allan, Scotland.
Nkọwapụta nka
Aha ọrụ nka: | "Spring Blossoms, Montclair, New Jersey" |
Nhazi nka: | sere |
Category: | nkà nke oge a |
Nhazi oge: | 19th narị afọ |
Emepụtara n'afọ: | 1891 |
Afọ nka: | 120 afọ |
Agba na: | oil and crayon or charcoal on canvas |
Nha ihe osise izizi: | 29 x 45 1/4 na (73,7 x 114,9 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | www.metmuseum.org |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Onyinye George A. Hearn, na ebe nchekwa nke Arthur Hoppock Hearn, 1911 |
Ebe E Si Nweta: | Onyinye nke George A. Hearn, na ebe nchekwa nke Arthur Hoppock Hearn, 1911 |
Ozi ndabere edemede
Nkewa edemede: | ọmarịcha nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo |
Mmalite ngwaahịa: | emere na Germany |
Stockdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | nchịkọta nka (mmeputakwa), imewe ụlọ |
Ndepụta: | nhazi odida obodo |
Oke akụkụ: | ogologo: obosara - 3: 2 |
Mmetụta nke akụkụ akụkụ: | ogologo bụ 50% ogologo karịa obosara |
Akwa mmeputakwa dị: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhọrọ mbipụta aluminom: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
ụba: | agunyeghi |
Tebụl nchịkọta ihe nkiri
Aha onye nka: | George Inness |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Country: | United States |
Nkewa onye nka: | omenkà nke oge a |
Ụdị nka: | Mmetụta |
Afọ ọnwụ: | 69 afọ |
A mụrụ: | 1825 |
Afọ ọnwụ: | 1894 |
Obodo ọnwụ: | Bridge nke Allan, Scotland |
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