Sir Lawrence Alma-Tadema, 1879 - Mmiri - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Họrọ nhọrọ akụrụngwa masịrị gị
Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ nha na akụrụngwa nke gị. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:
- Metal (aluminium debond mbipụta): This is a metal print manufactured on aluminium dibond with an outstanding depth. A direct Aluminium Dibond Print is your best start to art reproductions on alu. For the Direct Aluminium Dibond option, we print your chosen artwork onto the surface of the white-primed aluminum composite. The colors are bright and luminous, the fine details of the print appear crisp and clear, and you can notice the matte appearance. The UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely modern way to showcase art reproductions, because it draws focus on the artwork.
- Mpempe iko acrylic na-egbuke egbuke: A glossy print on acrylic glass, often referenced as a UV print on plexiglass, makes your favorite original work of art into lovely home décor. Your favorite artwork is custom-made with state-of-the-art UV direct print technology.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a UV printed canvas paper with a slightly rough structure on the surface. A print poster is excellently suited for putting the art replica in a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm around the artwork in order to facilitate the framing with a custom frame.
- Mbipụta kwaaji: The canvas direct print is a printed canvas stretched on a wooden stretcher. How can I hang a canvas on the wall? Canvas Prints have the advantage of being relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of additional wall-mounts. Canvas prints are suitable for any type of wall.
Ihe dị mkpa: We try our utmost in order to describe our art products as precisely as possible and to exhibit them visually. Please bear in mind that the pigments of the print materials and the print result may differ marginally from the image on the device's monitor. Depending on your settings of your screen and the quality of the surface, color pigments may not be printed 100% realistically. In view of the fact that all our art prints are printed and processed by hand, there might as well be minor differences in the motif's exact position and the size.
Ozi nkowa mgbakwunye from The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - www.metmuseum.org)
Roman girls gather flowers in a field for the fiesta to celebrate the start of the year. The central figure in a white tunic holds an anemone and the field is scattered with daffodils and asphodels. Based on an oil on canvas, dated April 9, 1877 (destroyed in World War II), derived from studies made in the garden of the villa Pamphili or Borghese, Rome. Commissioned by Pilgeram & L. H. Lefèvre, the painting was exhibited at the Royal Academy of Arts, London in 1877 (no.117).
Product nkọwa
Ọrụ nka a na-akpọ mmiri onye omenkà mere ya Sir Lawrence Alma-Tadema in 1879. The version of the work of art measures the size: Image: 13 1/16 × 6 9/16 in (33,1 × 16,6 cm) Plate: 18 7/8 x 10 1/2 in (48 x 26,6 cm) Sheet: 19 15/16 x 11 5/8 in (50,6 x 29,5 cm) and was made with the techinque engraving on chine collé, laid down on paper. N'oge a, ọrụ nka a bụ akụkụ nke Ụlọ ihe ngosi nka nke Metropolitan digital art collection. We are glad to state that this masterpiece, which is part of the ngalaba ọha is provided with courtesy of The Metropolitan Museum of Art, New York, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963. Creditline of the artwork: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963. Further, the alignment of the digital reproduction is in portrait format ma nwee oke nke 9: 16, nke pụtara na ogologo bụ 45% mkpụmkpụ karịa obosara.
Nkọwa ahaziri nke mpempe nka
Akụkụ nka: | "mmiri" |
Nhazi nka nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
oge: | 19th narị afọ |
Emepụtara n'afọ: | 1879 |
Afọ nka: | ihe karịrị afọ 140 |
Usoro izizi: | engraving on chine collé, laid down on paper |
Akụkụ ihe osise izizi: | Image: 13 1/16 × 6 9/16 in (33,1 × 16,6 cm) Plate: 18 7/8 x 10 1/2 in (48 x 26,6 cm) Sheet: 19 15/16 x 11 5/8 in (50,6 x 29,5 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
E Nwere na: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Elisha Whittelsey, Ego Elisha Whittelsey, 1963 |
kreditline ọrụ nka: | Mkpokọta Elisha Whittelsey, Ego Elisha Whittelsey, 1963 |
Ozi ngwaahịa ahaziri
Bipụta ngwaahịa: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite nke ngwaahịa a: | German mere |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa a chọrọ: | ihe ndozi ụlọ, mkpokọta nka (mmepụta) |
Ndepụta: | nhazi ihe osise |
Njikwa oyiyi: | 9: 16 |
Nkọwa: | ogologo bụ 45% mkpụmkpụ karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 50x90cm - 20x35", 100x180cm - 39x71" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 50x90cm - 20x35", 100x180cm - 39x71" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 50x90cm - 20x35" |
Mpempe aluminom (aluminium dibond ihe) nha: | 50x90cm - 20x35" |
Nhazi mmeputa nka nka: | enweghị etiti |
Onye na-ese ihe
Aha onye nka: | Sir Lawrence Alma-Tadema |
Obodo onye nka: | British |
Ọrụ: | onye na-ese ihe |
Country: | United Kingdom |
Nhazi nke onye nka: | omenkà nke oge a |
Afọ ọnwụ: | 76 afọ |
Afọ ọmụmụ: | 1836 |
Nwuru: | 1912 |
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