Adam Partnership, 1765 - Ihe ngosi emume - mbipụta nka mara mma

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In the dropdown lists next to the product you can choose the size and material of your choice. In order match your personal requirements perfectly, you can choose among the following product customization options:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often referenced as a plexiglass print, will change the original artwork into décor. In addition, it is a distinct alternative to dibond and canvas fine art prints. The acrylic glass protects your custom fine art print against light and heat for many years to come.
• Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a print with a true depth - for a modern impression and non-reflective surface structure. A direct Direct Print on Aluminum Dibond is the perfect start to art reproductions with aluminum. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely contemporary way to display fine art reproductions, since it puts the viewer’s attention on the artwork.
• Mbipụta kanvas: The canvas print is a printed cotton canvas stretched on a wooden stretcher. It makes the unique look of three dimensionality. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suited for any kind of wall.
• Mpempe akwụkwọ (ihe kwaaji): Our poster is a printed canvas paper with a slightly roughened surface texture. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6cm around the print to facilitate the framing with your custom frame.

Nkwupụta iwu: We try all that we can to depict our art products as closely as possible and to showcase them visually on the respective product detail pages. Nonetheless, the tone of the printed materials and the printing may vary slightly from the presentation on your screen. Depending on the screen settings and the nature of the surface, colors might not be printed as realisitcally as the digital version shown here. In view of the fact that all the are printed and processed manually, there might also be minor variations in the exact position and the size of the motif.

Ozi nkowa mgbakwunye site na museum's website (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The painting comes from the Long Gallery at Croome Court, the decoration of which had been commissioned from Robert Adam by the sixth earl of Coventry and substantially completed in 1765. Sefferin Alken was the maker of the original frame (see 60.50b), which the Museum does not exhibit; his bill dates to August of that same year and the chiaroscuro must be more or less contemporaneous. It was acquired to hang over the mantel in the Lansdowne Room, surrounded by a slightly enlarged but original molding which, curiously enough, had been left empty. While the subject is in the antique taste, only Abundance, crowned with a wreath and supporting a cornucopia, and the piping Pan behind her can be identified.

Nchịkọta ngwaahịa

The nka ochie e kere eserese Mmekọrịta Adam n’afọ 1765. Ụdị mbụ nke eserese a tụrụ nha: N'ozuzu: 60 1/4 × 68 na (153 × 172,7 cm). Mmanụ na kwaaji was used by the British painter as the technique for the piece of art. Besides, this artpiece is in the the digital art collection of Museumlọ ihe ngosi nka nke Obodo, nke dị na New York City, New York, Njikota Obodo Amerika. Site n'ikike nke The Metropolitan Museum of Art, New York, Fletcher Fund, 1960 (nwere ikike - ngalaba ọha). : Fletcher Fund, 1960. On top of that, alignment of the digital reproduction is in odida obodo format na a akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.

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