Joseph Mallord William Turner, 1808 - Ụgbọ mmiri na ikuku (Liber Studiorum, akụkụ II, efere 10) - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ihe osise izizi dị ka ewepụtara site na The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)
Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe five fully rigged ships passing close to an anchored three-masted vessel as figures watch from a wooden pier. The image is based on a painting owned by the Earl of Egremeont, and the letter "M" in the upper margin indicates Turner's category of Marine landscape.
Nkọwa na mpempe nka
Aha eserese ahụ: | "Ships in a Breeze (Liber Studiorum, part II, plate 10)" |
Nhazi nke ọrụ nka: | sere |
Category: | nkà nke oge a |
Time: | 19th narị afọ |
Afọ nka: | 1808 |
Ogologo afọ nka nka: | ihe karịrị 210 afọ |
Usoro nka izizi: | etching and mezzotint; first state of five (finberg) |
Akụkụ izizi (ọrụ nka): | plate: 7 3/16 x 10 3/16 in (18,3 x 25,9 cm) sheet: 8 1/8 x 11 7/16 in (20,6 x 29,1 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1928 |
Ebe E Si Nweta: | Harris Brisbane Dick Fund, 1928 |
Ozi omenka
Aha onye nka: | Joseph Mallord William Turner |
Aha ndị ọzọ: | Tŭrnŭr Dzhouzef Mŭlord Uili︠a︡m, J.W.M. Turner R.A., J.M.W. Turner RA, turner j.m.w., I.M.W. Turner, W. M. Turner R.A., Turner R.A., Tʻou-na, W. Turner, Turner J M. W., J. M. W. Turner, Joseph Mallord William Turner, Tarner Tzozeph Mallornt Ouilliam, Turnor, jmw turner, Tʻou-na Yüeh-se-fu Ma-lo-te Wei-lien, Turner William, I.W.M. Turner RA, j.m.w. turner, Turner J. M. W., Turner Joseph Mallord William, J. W. Turner, J.M.W. Turner R.A., טרנר ג׳וזף מאלור ויליאם, Turner J.M.W. (Joseph Mallord William), j. m. w. turner r. a., J.M.W. (Joseph Mallord William) Turner, Turner Joseph Mallord William, J. M. W. Turner R. A., J.W.M. Turner RA, טרנר ג'וזף מאלורד ויליאם, Turner, Turner RA, Turner James Mallord William, Turner J.M.W., joseph m. w. turner, Terner Dzhozef Mallord Uilʹi︠a︡m |
Gender: | nwoke |
Obodo onye nka: | British |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | United Kingdom |
Nkewa onye nka: | omenkà nke oge a |
Ụdị nka: | Ihunanya |
Ndụ: | 76 afọ |
Afọ amụrụ: | 1775 |
Ebe amụrụ onye: | London, Greater London, England, United Kingdom |
Nwụrụ n'afọ: | 1851 |
Nwụrụ na (ebe): | Chelsea, London, Greater London, England, United Kingdom, agbataobi |
Banyere akụkọ
Bipụta ụdị ngwaahịa: | ọrụ mgbidi |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Production usoro: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | German mere |
Stockdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | Ụlọ mgbidi, nchịkọta nka (mmepụta) |
Ntuziaka onyonyo: | nhazi odida obodo |
Oke akụkụ onyonyo: | 1.4: 1 |
Pụtara nke akụkụ akụkụ: | ogologo bụ 40% ogologo karịa obosara |
Nhọrọ akụrụngwa: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 70x50cm - 28x20" |
Aluminom dibond ọdịdị nha ebipụta: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhazi nke nnomi nka: | ngwaahịa anaghị emebi emebi |
Nye iwu ngwaahịa ị ga-achọ ka kpọgidere na mgbidi gị
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- Kwaaji: A canvas direct print is a printed canvas mounted on a wood frame. What is more, canvas produces a lovely and comfortable effect. Your printed canvas of your favorite masterpiece will give you the unique chance of turning your art print into a large artwork like you know from galleries. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang the Canvas print without extra wall-mounts. Therefore, a canvas print is suitable for all types of walls in your house.
- Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with an outstanding depth. The Aluminium Dibond Print is the ideal start to art prints on aluminum. For our Print On Aluminum Dibond, we print your favorite work of art right onto the surface of the white-primed aluminum material. The colors are vivid and luminous, the details of the print appear very clear. This print on aluminium is one of the most demanded entry-level products and is a contemporary way to showcase art, as it puts 100% of the viewer’s attention on the whole artwork.
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- Mbipụta enyo acrylic: The print on acrylic glass, which is often described as a print on plexiglass, changes an original artwork into brilliant décor. Additionally, the acrylic glass art print is a great alternative to canvas or dibond fine art prints. The artwork is being manufactured with the help of state-of-the-art UV print technology.
Ama
Ihe osise a bụ nke mere nwoke British artist Joseph Mallord William Turner in 1808. The 210 afọ version nke ọrụ nka tụrụ nha plate: 7 3/16 x 10 3/16 in (18,3 x 25,9 cm) sheet: 8 1/8 x 11 7/16 in (20,6 x 29,1 cm). Etching and mezzotint; first state of five (finberg) was used by the British artist as the technique for the masterpiece. Moveover, this piece of art can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan collection, nke bụ otu n'ime ụwa kasị na kasị mma art ngosi nka, nke na-agụnye ihe karịrị nde abụọ ọrụ nka na-eru puku afọ ise nke omenala ụwa, site prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1928 (ikike ngalaba ọha). Besides, the work of art has the creditline: Harris Brisbane Dick Fund, 1928. On top of that, alignment is odida obodo ya na oke onyonyo nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. The painter Joseph Mallord William Turner was an artist from the United Kingdom, whose art style can be classified as Romanticism. The painter was born in the year 1775 na London, Greater London, England, United Kingdom ma nwụọ mgbe ọ dị afọ 76 in the year 1851 in Chelsea, London, Greater London, England, United Kingdom, neighborhood.
Nkwupụta iwu: We try the best we can to describe our products in as much detail as we can and to display them visually. Please keep in mind that the colors of the print products, as well as the print result can diverge to a certain extent from the presentation on the screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed 100% realistically. Since all art prints are printed and processed manually, there may also be minor variations in the size and exact position of the motif.
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