William P. Chappel, 1870 - Berg's Ship Yard - ọmarịcha nka

63,99 €

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Ngwaahịa nka

Berg's Ship Yard was created by William P. Chappel. The original was made with the following size: 6 1/8 x 9 1/8 in (15,6 x 23,2 cm). Mmanụ na slate akwụkwọ was applied by the American painter as the technique for the work of art. Furthermore, the work of art is part of the The Metropolitan Museum of Art's digital collection, which is located in New York City, New York, United States of America. We are happy to mention that this ngalaba ọha A na-etinye ihe osise na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Edward W.C. Arnold mkpokọta nke New York Mbipụta, Map, na Foto, Arịrịọ nke Edward W.C. Arnold, 1954. Na mgbakwunye na nke ahụ, ọrụ nka nwere akara kredit ndị a: Mkpokọta Edward W.C. Arnold nke New York Mbipụta, Map, na Foto, Arịrịọ nke Edward W.C. Arnold, 1954. What is more, the alignment of the digital reproduction is landscape and has a ratio of 1.4 : 1, meaning that the length is 40% longer than the width.

Nkọwapụta nka sitere na ụlọ ngosi nka (© Copyright - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

By the 1820s, New York City controlled more than thirty percent of the nation’s import trade. With the port’s rise came the revitalization of the shipbuilding industry. Corlear’s Hook, where Christian Bergh established his business, was the center of the industry that stretched from Stanton to Catherine Streets along the East River. The surrounding neighborhood would have buzzed with the activity of hundreds of riggers, rope and sail makers, and joiners. The wooden-hulled ships, as Chappel depicts, were constructed waterside near workrooms and blacksmith shops. In 1806, a local paper noted the launch from Bergh’s yard of the 350-ton "Galloway" bound for the "India trade."

Nkọwa na mpempe nka mbụ

Aha nka: "Berg's Ship Yard"
Nhazi nke ọrụ nka: sere
Okwu nche anwụ: nkà nke oge a
oge: 19th narị afọ
Afọ nka: 1870
Afọ nka: karịa afọ 150
Ọkara nke ihe osise izizi: mmanụ na slate akwụkwọ
Akụkụ izizi: 6 1/8 x 9 1/8 na (15,6 x 23,2 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
URL webụ: Museumlọ ihe ngosi nka nke Obodo
Ụdị nka nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Edward W.C. Arnold mkpokọta nke New York Mbipụta, Map, na Foto, Arịrịọ nke Edward W.C. Arnold, 1954
Ebe E Si Nweta: Mkpokọta Edward W.C. Arnold nke New York Mbipụta, Map, na Foto, Arịrịọ nke Edward W.C. Arnold, 1954

Tebụl nchịkọta ihe nkiri

aha: William P. Chappel
Nationality: American
Ọrụ: onye na-ese ihe
Mba onye si: United States
Nhazi nke onye nka: omenkà nke oge a
Ndụ: 77 afọ
Afọ ọmụmụ: 1801
Nwuru: 1878

Nhọrọ akụrụngwa gị

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta kwaaji: A printed canvas material applied on a wooden stretcher frame. Furthermore, a canvas print generates a homelike, pleasant feeling. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Because of thatcanvas prints are suitable for all kinds of walls.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often referred to as a an art print on plexiglass, will change an original work of art into wall décor.
  • Mpempe akwụkwọ (ihe kwaaji): A poster print is a UV printed flat canvas paper with a slightly rough surface structure. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2 - 6cm around the print motif in order to facilitate the framing.
  • Aluminom ihe eji eme ihe: An Aluminium Dibond print is a print with a true effect of depth - for a modern impression and a non-reflective surface. For our Direct Print On Aluminum Dibond, we print the favorite artwork on the aluminium surface. The white and bright parts of the original artwork shimmer with a silky gloss, however without any glare. Colors are luminous and vivid, the fine details are clear and crisp. This UV print on aluminium is the most popular entry-level product and is a truly contemporary way to display artworks, since it puts 100% of the viewer’s attention on the whole artwork.

Nkọwa ngwaahịa ahaziri ahazi

Nkewa edemede: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite ngwaahịa: emepụtara na Germany
Ụdị ngwaahịa: a na-achọ
Eji ngwaahịa emebere: ihe ndozi ụlọ, nka mgbidi
Nhazi nka nka: usoro odida obodo
Njikwa oyiyi: 1.4: 1
Ihe: ogologo bụ 40% ogologo karịa obosara
Ụdị dị iche iche dị: mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): 70x50cm - 28x20", 140x100cm - 55x39"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 70x50cm - 28x20", 140x100cm - 55x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 70x50cm - 28x20"
Aluminom dibond ọdịdị nha ebipụta: 70x50cm - 28x20", 140x100cm - 55x39"
Nhazi mbipụta nka: agunyeghi

Ihe dị mkpa: We try everything in order to depict the products with as many details as possible and to showcase them visually. Please keep in mind that the pigments of the print products and the printing can diverge to a certain extent from the representation on the screen. Depending on your screen settings and the condition of the surface, not all colors are printed 100% realistically. Because all the art prints are processed and printed by hand, there may as well be slight variations in the exact position and the size of the motif.

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