Simon Denis, 1786 - Ugwu ugwu na Tivoli - mbipụta nka mara mma

73,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Nkọwa nke ihe nka akpọrọ aha Mountainous Landscape at Tivoli

In 1786 onye na-ese ihe Simon Denis mere 18th narị afọ eserese na aha Mountainous Landscape at Tivoli. Ụdị izizi nke ọmarịcha ihe tụrụ nha: 7 x 12 1/2 na (17,8 x 31,8 cm). Mmanụ na akwụkwọ was applied by the Dutch painter as the medium of the painting. This artwork is part of the art collection of Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka nke gbasara puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke - Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Whitney, Onyinye Wheelock Whitney III, na Ịzụta, Onyinye nke Mr. na Oriakụ Charles S. McVeigh, site na mgbanwe, 2003 (nwere ikike - ngalaba ọha). Furthermore, the artwork has the creditline: The Whitney Collection, Gift of Wheelock Whitney III, and Purchase, Gift of Mr. and Mrs. Charles S. McVeigh, by exchange, 2003. Furthermore, alignment of the digital reproduction is odida obodo ya na oke nke 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara.

Họrọ ngwa ngwaahịa masịrị gị

The product dropdown menu ofers you the possibility to choose your individual size and material. The following options are available for individualization:

  • Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a printed cotton canvas with a fine finish on the surface, which resembles the original artwork. A print poster is excellently appropriate for framing your art replica using a personal frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6 cm round about the print in order to facilitate the framing with your custom frame.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often described as a plexiglass print, will convert the original artwork into great home decoration. Moreover, the acrylic glass art print forms a distinct alternative option to canvas and aluminidum dibond fine art prints. The work of art is printed with the help of modern UV direct printing machines. With an acrylic glass art print sharp contrasts as well as smaller painting details will be identifiable because of the delicate tonal gradation in the picture. The plexiglass with real glass coating protects your selected fine art print against sunlight and heat for up to 60 years.
  • Mbipụta kanvas: A printed canvas, which should not be mistaken with a painting on a canvas, is an image printed directly on cotton canvas. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up your Canvas print without the help of any wall-mounts. Canvas prints are suitable for all types of walls.
  • Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with a true depth. The non-reflective surface structure make a fashionable impression. For our Aluminium Dibond option, we print your artwork on the aluminium composite white-primed surface. The white and bright sections of the work of art shine with a silky gloss, however without the glow. The colors of the print are bright and luminous, fine details are crisp and clear.

Disclaimer: We do all that we can to describe our products as accurate as it is possible and to showcase them visually on the various product detail pages. However, the tone of the printed materials and the imprint may diverge slightly from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, colors might not be printed one hundret percent realistically. Considering that our fine art prints are processed and printed manually, there might also be slight discrepancies in the motif's size and exact position.

Banyere edemede a

Bipụta ngwaahịa: ọmarịcha nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV ozugbo (mbipụta dijitalụ)
Production: emepụtara na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Ihe eji eme atụmatụ: foto mgbidi, ụlọ ihe osise nka
Nhazi onyonyo: nhazi odida obodo
Ụdị anya: 16: 9 - ( Ogologo: obosara)
Ihe: ogologo bụ 78% ogologo karịa obosara
Akụrụngwa ị nwere ike ịhọrọ site na: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 90x50cm - 35x20"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 90x50cm - 35x20"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 90x50cm - 35x20"
Mpempe akwụkwọ Dibony (ihe alumnium) nha: 90x50cm - 35x20"
Nhazi mmeputa nka nka: na-enweghị etiti

Ozi ndabere gbasara mpempe nka

Aha ọrụ nka: "Mountainous Landscape at Tivoli"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
Nhazi oge: 18th narị afọ
Emepụtara na: 1786
Ogologo afọ nka nka: gbara afọ 230
Usoro izizi: mmanụ na akwụkwọ
Akụkụ izizi (ọrụ nka): 7 x 12 1/2 na (17,8 x 31,8 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Ebe nrụọrụ weebụ ihe ngosi nka: www.metmuseum.org
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Whitney, Onyinye Wheelock Whitney III, na Ịzụta, Onyinye nke Mr. na Oriakụ Charles S. McVeigh, site na mgbanwe, 2003
Ebe E Si Nweta: Nchịkọta Whitney, Onyinye Wheelock Whitney III, na Ịzụta, Onyinye nke Mr. na Oriakụ Charles S. McVeigh, site na mgbanwe, 2003

Ose okwu

Aha onye nka: Simon Denis
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Obodo onye nka: mba netherland
Nhazi nke onye nka: nna ukwu ochie
Afọ ọnwụ: 58 afọ
Afọ amụrụ: 1755
Nwụrụ n'afọ: 1813

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Nkọwa ihe osise izizi dị ka enyere ya site na ụlọ ngosi nka (© Nwebiisinka - The Metropolitan Museum of Art - www.metmuseum.org)

This sketch may depict the hills to the north of the road into Tivoli from Vicovaro, suggesting a kinship with the view Denis painted of the latter town (2003.42.22) that is underscored not only by its size but by its sensibility. Denis defines the recession of landscape elements—from the field in the foreground to the line of trees and the escarpment beyond—mostly in green tones, with contrasting pink in the sky.

Ị nwere ike na-amasị

Anya na nso nso a