George Inness, 1870 - Ugwu Catskill - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Kedu ụdị ngwaahịa anyị na-enye gị?
In 1870 onye omenkà George Inness mere nkà nke oge a work of art "Catskill Mountains". The painting had the size - 123,8 × 184,5 cm (48 3/4 × 72 5/8 na). Mmanụ na kwaaji was applied by the painter as the medium of the artwork. The artwork has the following text as inscrption: "signed, lower left: "G. Inness 1870"". Today, the artwork can be viewed in in the collection of Art Institute Chicago, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of - Ụlọ ọrụ Art Chicago (ikike ngalaba ọha). : Nchịkọta Edward B. Butler. Ọzọkwa, nhazi ahụ bụ odida obodo and has a ratio of 3 : 2, meaning that the length is 50% longer than the width. The painter George Inness was a North American artist from United States, whose style can mainly be classified as Impressionism. The North American artist lived for a total of 69 afọ, amuru na afo 1825 and passed away in the year 1894 in Bridge of Allan, Scotland.
Ngwa ngwaahịa ị nwere ike ịhọrọ
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta kanvas: The printed canvas, not to be confused with a canvas painting, is an image applied on a canvas material. How can I hang a canvas print on the wall? Canvas prints are relatively low in weight, which implies that it is easy to hang up your Canvas print without the support of additional wall-mounts. That is why, a canvas print is suitable for any kind of wall.
- Mbipụta enyo acrylic: The acrylic glass print, which is sometimes named as a plexiglass print, makes your original artwork into wonderful décor and makes a distinct alternative option to dibond and canvas fine art prints. The work of art will be manufactured with state-of-the-art UV printing machines.
- Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with an impressive effect of depth, which makes a fashionable impression thanks to a non-reflective surface structure. The Aluminium Dibond Print is your ideal introduction to fine art prints with aluminum. For our Print On Aluminum Dibond, we print the work of art onto the surface of the aluminum. The bright and white parts of the work of art shine with a silky gloss, however without any glare. The direct print on aluminium is one of the most demanded entry-level products and is an extremely modern way to display art prints, since it draws attention on the replica of the artwork.
- Mpempe akwụkwọ (ihe kwaaji): The poster is a printed canvas with a slight surface structure, which resembles the original masterpiece. It is ideally used for framing your fine art print with a customized frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm round about the painting in order to facilitate the framing with a custom frame.
Ozi dị mkpa: We try everything to describe our products in as much detail as possible and to showcase them visually in our shop. Nonetheless, the pigments of the printing material and the print result may differ slightly from the image on your device's monitor. Depending on your screen settings and the quality of the surface, not all color pigments are printed as exactly as the digital version. Considering that all the are processed and printed by hand, there might also be minor differences in the size and exact position of the motif.
Ozi ngwaahịa ahaziri
Nkewa bipụta: | ezi nka mmeputakwa |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Production usoro: | Mbipụta UV ozugbo |
Mmalite nke ngwaahịa a: | German mere |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa a chọrọ: | mgbidi mgbidi, ime ụlọ |
Nhazi: | usoro odida obodo |
Njikwa oyiyi: | ogologo ruo obosara 3: 2 |
Mmetụta akụkụ: | ogologo bụ 50% ogologo karịa obosara |
Nhọrọ akwa: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Aluminom dibond ọdịdị nha ebipụta: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
ụba: | enweghị etiti |
Iberibe ozi nka
Aha nka: | "Catskill Mountains" |
Nhazi nka: | sere |
Otu izugbe: | nkà nke oge a |
oge: | 19th narị afọ |
Afọ nka: | 1870 |
Afọ nka: | 150 afọ |
Usoro izizi: | mmanụ na kwaaji |
Akụkụ izizi (ọrụ nka): | 123,8 × 184,5 cm (48 3/4 × 72 5/8 na) |
Akara mbinye aka: | signed, lower left: "G. Inness 1870" |
Ụlọ ihe ngosi nka: | Ụlọ ọrụ Art Chicago |
Ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Ụlọ ọrụ Art Chicago |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
Ebe E Si Nweta: | Nchịkọta Edward B. Butler |
Ozi omenka
Aha onye nka: | George Inness |
Gender: | nwoke |
Nationality: | American |
Ọrụ: | onye na-ese ihe |
Country: | United States |
Nhazi nke onye nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Mmetụta |
Ndụ: | 69 afọ |
A mụrụ: | 1825 |
Afọ ọnwụ: | 1894 |
Ebe ọnwụ: | Bridge nke Allan, Scotland |
© Nchekwa ikike nwebisiinka | Artprinta.com
Additional information from the museum (© Copyright - Art Institute Chicago - www.artic.edu)
George Inness’s Catskill Mountains depicts a land tamed by human presence. The church, the carefully tended fields, and the hayrick on the right are all finely delineated in a manner typical of Inness’s early style. Although the artist’s reverent handling of color and light in this image has often been linked to his interest in Swedenborgian spirituality, it also relates to his admiration for this particular expanse of the American landscape. During the mid-19th century, the Catskill Mountain range was America’s premiere tourist site. The region’s close proximity to urban centers and abundant spectacular views made the Catskills a popular destination for those who wanted to escape from the bustle of modern life.