Henri-Edmond Cross, 1909 - Ndagwurugwu nwere Fir (Shade na Ugwu) - mbipụta nka mara mma.

Nkọwa si na ihe ngosi nka (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Henri-Edmond Cross was a practitioner of the Neoimpressionist style of painting, a short-lived avantgarde movement in the late nineteenth century which emphasized the use of separate touches of interwoven pigment to achieve greater vibrancy of color in the observer’s eye. Cross executed this landscape with a palette of contrasting hues, employing a technique that he adapted from Georges Seurat earlier in his career. Strokes of paint are layered across the canvas in varying density, while also leaving areas of primed ground exposed in the foreground and at the left side of the composition. The effect of Cross’s playful variation in brushwork is decorative as it draws attention to the flat, patterned designs of color strokes.

The artwork with the title "Valley with Fir (Shade on the Mountain)" as an art print

Valley with Fir (Shade on the Mountain) is a piece of art created by Henri-Edmond Cross. The more than 110 year-old original was painted with the size: 29 x 35 1/2 na (73,7 x 90,2 cm). Oil on canvas was applied by the French artist as the medium of the masterpiece. It belongs to the The Metropolitan Museum of Art's art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This modern art public domain masterpiece is included with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Robert Lehman, 1975. : Robert Lehman Collection, 1975. What is more, the alignment of the digital reproduction is in landscape format and has a side ratio of 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. Henri-Edmond Cross was a painter, whose artistic style was mainly Impressionism. The French painter lived for 54 afọ - a mụrụ n'afọ 1856 ma nwụọ na 1910.

Họrọ ụdị ihe ebipụta nka masịrị gị

Maka ngwaahịa ọ bụla anyị na-enye nha & ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Mbipụta ọla (aluminium dibbond): This is a metal print made on aluminium dibond with a true effect of depth - for a modern look and non-reflective surface. For our Aluminium Dibond option, we print the favorite work of art on the aluminium surface. The white and bright parts of the artwork shimmer with a silk gloss but without any glow. The colors are bright and luminous, details of the print appear crisp.
• Akwụkwọ mmado na ihe kwaaji: A poster print is a printed canvas paper with a fine surface texture. It is particularly appropriate for framing the art print using a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm around the print motif, which facilitates the framing with your custom frame.
• Kwaaji: The printed canvas material applied on a wooden frame. A canvas creates a extra look of three dimensionality. In addition to that, a printed canvas generates a soft and warm atmosphere. Your canvas of your favorite artpiece will let you turn your own fine art print into a large size work of art. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without any wall-mounts. A canvas print is suitable for any type of wall.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes referred to as a plexiglass print, will transform the original work of art into décor and is a distinct alternative to aluminium or canvas fine art replicas. With an acrylic glass fine art print sharp contrasts plus artwork details will be recognizeable thanks to the precise gradation.

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Ederede iwu: We try in order to depict the products as precisely as possible and to exhibit them visually on the various product detail pages. Although, the colors of the print materials, as well as the printing might differ slightly from the representation on your screen. Depending on your settings of your screen and the quality of the surface, not all colors will be printed 100% realistically. Considering that all the art prints are printed and processed by hand, there may also be slight discrepancies in the motif's exact position and the size.

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