Paul Bril, 1592 - Ugwu ugwu ya na Saint Jerome - mbipụta nka mara mma

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

What does the website of the Mauritshuis state about this 16th century work of art created by Paul Bril? (© Nwebiisinka - nke Mauritshuis - Maurithuis)

Shillinglee Park, Chiddingfold, Surrey, Edward Turnour, 6th Earl Winterton Collection; sale London, Christie's, 12 December 1947, lot 43 (as by Jan Brueghel; for £399 to Hallsborough); J.C. Morris Collection; London, Mrs. M.Q. Morris Collection; sale London, Sotheby’s, 29 November 1961, lot 49 (with fig., for £3000 to A. Duits); sale London, Sotheby’s, 26 March 1969, lot 82; sale London, Christie’s, 4-5 December 2012, lot 5; Johnny Van Haeften Gallery, London; acquired with support from the BankGiro Loterij and the Rembrandt Association, in association with the A.M. Roeters van Lennep Fund, and Mr H.B. van der Ven, 2013

Tebụl ihe osise

Aha nka: "Mountainous Landscape with Saint Jerome"
Nhazi: sere
Otu izugbe: nka ochie
Nhazi oge: 16th narị afọ
Emepụtara n'afọ: 1592
Ogologo afọ nka nka: karịa afọ 420
Agba na: mmanụ na ọla kọpa na panel
Akụkụ nke ihe osise izizi: elu: 25,7 cm obosara: 32,8 cm
Akanyere (ọrụ nka): signed: PBsigned and dated: PB / 1592
Ụlọ ihe ngosi nka / ebe: Maurithuis
Ebe ebe ngosi nka: Hague, South Holland, Netherlands
URL webụ: www.mauritshuis.nl
Licensedị ikike: ngalaba ọha
Site n'aka: Maurithuis, Hague
kreditline ọrụ nka: Shillinglee Park, Chiddingfold, Surrey, Edward Turnour, 6th Earl Winterton Collection; sale London, Christie's, 12 December 1947, lot 43 (as by Jan Brueghel; for £399 to Hallsborough); J.C. Morris Collection; London, Mrs. M.Q. Morris Collection; sale London, Sotheby’s, 29 November 1961, lot 49 (with fig., for £3000 to A. Duits); sale London, Sotheby’s, 26 March 1969, lot 82; sale London, Christie’s, 4-5 December 2012, lot 5; Johnny Van Haeften Gallery, London; acquired with support from the BankGiro Loterij and the Rembrandt Association, in association with the A.M. Roeters van Lennep Fund, and Mr H.B. van der Ven, 2013

Nyocha ngwa ngwa nke onye na-ese ihe

aha: Paul Bril
Aha nka ndị ọzọ: Bril Paulus, Brill Paul, Paul. Briell, Brini, Paulo Brill, Brill, P. Bril, Paulo Brilli, Paul Brillo, Paul Brile, Paolo Brilli, Bril, Poulie Bril, Pavolo Brilla, Paul Briell, Paullo Brillo, Brilli, Pietro Brille, Pauolo Brillo, Paul [Brill], P. Brill, brillo, Pou. Bril, Paulo Brillo, Paulos Brill, Paul-Bril, paulo brin, Paul Brül, brill paulus, Paul Bruel, Paul Bril, Paolo Bril, Polbrille, Bule, P. Briel, c., brilla, Paolo Bryl, Paul Brill, Pauolo Brill, Paul Prill, Paul Brie, Pablos bril, Paul Brille, Brill Paul, Briel Paul, Paulus Brill, Paolo Bili, Paullebrille, Pauolo Brilli, P. Brille, Pablos Brill, paulo brilla, Pablo Bril, Paolo Brilla, Bril P., Brilli Paul, Pavolo Brillo, Pavolo Brilli, Bril Paolo, Paolo Brillo, Pablo brill, Polo Brilli, pablo brili, Paul Bryl, Paolo Brille, Paolo Brill, Breill, Paolo Brilo, Brill P., Paul Brib, Briel, Paul Briel, Paulus Prill, Paul Brice, P. Brilli, Paul Brühlen, Bril Paul, Paul Brilli, P. Brill &amp, Paulus Bril, Paolo Brüll, Breil, Pablo brie, Bril Paul, Paul Pril, Prüll Paul, Paolo Brini, Polbril, Paulle Brille, paulo vril, pablo gril, Brilli Payl, Pavol brilli, Paulo Bril, Pollebrille, Paulo Brilo, P Brill
okike nke onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Obodo onye nka: mba netherland
nhazi ọkwa: nna ukwu ochie
Ụdị nka: Baroque
Nwụrụ na afọ nke: 73 afọ
Amụrụ n'afọ: 1553
Amụrụ na (ebe): Antwerp, Antwerpen n'ógbè, Flanders, Belgium
Nwuru: 1626
Obodo ọnwụ: Rome, Rome Province, Lazio, Italy

Ngwaahịa a

Bipụta ngwaahịa: ọrụ mgbidi
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Ihe ngosi: emepụtara na Germany
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa emebere: nka mgbidi, foto mgbidi
Nhazi: usoro odida obodo
Ụdị anya: ogologo: obosara - 4: 3
Oke onyonyo pụtara: ogologo bụ 33% ogologo karịa obosara
Nhọrọ akwa: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa.
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nha aluminom dibond (ihe aluminom) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi mbipụta nka: ngwaahịa anaghị emebi emebi

Họrọ ngwa ngwaahịa gị

Maka akwụkwọ nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a printed cotton canvas paper with a nice surface finish. Please note, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the painting, which facilitates the framing with your custom frame.
  • Kwaaji: A canvas print, not to be confused with a canvas painting, is a digital replica printed onto cotton canvas. It has a special impression of three dimensionality. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up your Canvas print without the use of additional wall-mounts. Therefore, a canvas print is suited for any type of wall.
  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true depth. For the Direct Aluminium Dibond print, we print the favorite artpiece right onto the surface of the aluminum composite. The colors of the print are vivid and luminous in the highest definition, details appear very clear, and there’s a matte appearance that you can literally feel.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often referenced as a UV print on plexiglass, transforms the original work of art into great wall décor and makes a good alternative to canvas and aluminidum dibond fine art replicas. The great advantage of an acrylic glass print is that contrasts and small painting details become recognizeable due to the subtle tonal gradation of the picture.

Mountainous Landscape with Saint Jerome was painted by the painter Paul Bril. The artwork measures the size: height: 25,7 cm width: 32,8 cm | height: 10,1 in width: 12,9 in and was manufactured with the medium mmanụ na ọla kọpa na panel. Ederede ihe osise a bụ nke a: signed: PBsigned and dated: PB / 1592. Ọrụ nka gụnyere na mkpokọta nka nke Maurithuis in Hague, South Holland, Netherlands. Site n'ikike nke: Maurithuis, Hague (ọha na eze). Ebe kredit nke ọrụ nka: Shillinglee Park, Chiddingfold, Surrey, Edward Turnour, 6th Earl Winterton Collection; sale London, Christie's, 12 December 1947, lot 43 (as by Jan Brueghel; for £399 to Hallsborough); J.C. Morris Collection; London, Mrs. M.Q. Morris Collection; sale London, Sotheby’s, 29 November 1961, lot 49 (with fig., for £3000 to A. Duits); sale London, Sotheby’s, 26 March 1969, lot 82; sale London, Christie’s, 4-5 December 2012, lot 5; Johnny Van Haeften Gallery, London; acquired with support from the BankGiro Loterij and the Rembrandt Association, in association with the A.M. Roeters van Lennep Fund, and Mr H.B. van der Ven, 2013. Ihe ọzọ, na itinye n'ọnọdụ bụ odida obodo na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Paul Bril was a European artist from the Netherlands, whose art style can be classified as Baroque. The artist lived for 73 years, born in 1553 in Antwerp, Antwerpen province, Flanders, Belgium and died in the year 1626.

Ederede iwu: We try everything in order to depict our products as clearly as it is possible and to showcase them visually. Nonetheless, the pigments of the print products, as well as the print result might diverge marginally from the presentation on the device's monitor. Depending on your screen settings and the nature of the surface, not all colors are printed as exactly as the digital version depicted here. Since all our are printed and processed manually, there might also be minor variations in the size and exact position of the motif.

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