Roelant Roghman, 1670 - Ugwu ugwu nwere mmiri mmiri - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Overview
Nke a kpochapụwo art masterpiece mere site na Dutch artist Roelant Roghman in 1670. Ụdị ihe osise a tụrụ nha: elu: 83 cm obosara: 102,3 cm | elu: 32,7 n'obosara: 40,3 inch. Oil on canvas was applied by the Dutch painter as the technique for the work of art. The masterpiece has the following text as inscrption: bears inscription: No 44 Landscape Rembrant van Rijn / Born 1606-[...]. Ọzọkwa, ọrụ nka a nwere ike ile anya na Ndị Maurithuis nchịkọta dijitalụ. Nke a masterpiece, nke dị na ngalaba ọha is provided with courtesy of Mauritshuis, The Hague. The creditline of the artwork is the following: Possibly sale London, Greenwood, 8-9 May 1795, lot 44 or sale London, Foster, 13 April 1825, lot 44 (as by Rembrandt); Sir Alfred Chester Beatty (1875-1968), England; J. Leger & Sons, London, 1958; D. Cevat, Worthing, Sussex; S. Nijstad Gallery, The Hague, 1972; acquired by H.J. (Hans) de Koster (1914-1992), 2 October 1972, Wassenaar; bequeathed to his son, Patrick de Koster, Amsterdam 1992; gift of Mr and Mrs De Koster-van Rijckevorsel, 2010. On top of that, alignment of the digital reproduction is odida obodo ma nwee oke nke 1.2: 1, nke na-egosi na ogologo bụ 20% ogologo karịa obosara.
Ozi nka site na ngosi nka (© - nke Mauritshuis - Maurithuis)
Possibly sale London, Greenwood, 8-9 May 1795, lot 44 or sale London, Foster, 13 April 1825, lot 44 (as by Rembrandt); Sir Alfred Chester Beatty (1875-1968), England; J. Leger & Sons, London, 1958; D. Cevat, Worthing, Sussex; S. Nijstad Gallery, The Hague, 1972; acquired by H.J. (Hans) de Koster (1914-1992), 2 October 1972, Wassenaar; bequeathed to his son, Patrick de Koster, Amsterdam 1992; gift of Mr and Mrs De Koster-van Rijckevorsel, 2010
Ozi ndabere na nka pụrụ iche
Aha nka nka: | "Mountainous Landscape with Waterfall" |
Nhazi nke ọrụ nka: | sere |
Okwu mkpokọta: | nka ochie |
Century: | 17th narị afọ |
Emepụtara n'afọ: | 1670 |
Afọ nka: | ihe dị ka afọ 350 |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ nke ọrụ nka mbụ: | elu: 83 cm obosara: 102,3 cm |
Akara mbinye aka: | bears inscription: No 44 Landscape Rembrant van Rijn / Born 1606-[...] |
Ụlọ ihe ngosi nka: | Maurithuis |
Ebe ngosi nka: | Hague, South Holland, Netherlands |
Weebụsaịtị ihe ngosi nka: | Maurithuis |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
Ebe E Si Nweta: | Possibly sale London, Greenwood, 8-9 May 1795, lot 44 or sale London, Foster, 13 April 1825, lot 44 (as by Rembrandt); Sir Alfred Chester Beatty (1875-1968), England; J. Leger & Sons, London, 1958; D. Cevat, Worthing, Sussex; S. Nijstad Gallery, The Hague, 1972; acquired by H.J. (Hans) de Koster (1914-1992), 2 October 1972, Wassenaar; bequeathed to his son, Patrick de Koster, Amsterdam 1992; gift of Mr and Mrs De Koster-van Rijckevorsel, 2010 |
Ozi ndabere gbasara onye na-ese ihe
Aha onye nka: | Roelant Roghman |
Aha ndị ọzọ: | Roland Roghman, Roch Mance élève de Rembrand, R. Roghmann, Rogmens, Rogmann Roeland, Rolant Kogkman, Roelant Rogman, Roghman R., Roghmann Roeland, Roelant Rochmann, Roeland Roghman, Rogman Rolandt, Roeland Roghmann, R. Rogman, Roelant Royman, Rogmans, Rogman Roelant, Roland Roughman, R. Roghman, Roggemans, Roghman, Roelant Rochman, Roghman Roelant, Royman, Rochmann, Rogeman, Rogmann, Roelant Roghmann, Roghmau, Roghman Roeland, Rogoman, Roelant Roghman, Roelant Roghmau, Rogman, Rochman, R. Roghrnau, Rogman Roeland, Royman Roelant, Roghmau Roelant, Rogmaan |
Gender: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ nke onye na-ese ihe: | baptized, etcher, painter, draftsman |
Country: | mba netherland |
nhazi ọkwa: | nna ukwu ochie |
Oge ndu: | 65 afọ |
Amụrụ n'afọ: | 1627 |
Ebe amụrụ onye: | Amsterdam, North Holland, Netherlands |
Nwuru: | 1692 |
Obodo ọnwụ: | Amsterdam, North Holland, Netherlands |
Nhọrọ akụrụngwa ngwaahịa
The product dropdown menu provides you with the opportunity to choose a material and a sizeaccording to your preferences. You can choose among the following product customization options:
- Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster print is a UV printed flat canvas with a slight surface structure. The printed poster is appropriate for putting the art copy with the help of a customized frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing.
- Mbipụta kanvas: The printed canvas, which should not be confused with a real artwork painted on a canvas, is a digital replica printed from a UV direct printing machine. A canvas print has the advantage of being low in weight, which means that it is easy to hang up the Canvas print without extra wall-mounts. Therefore, a canvas print is suitable for any type of wall.
- Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are prints on metal with an impressive effect of depth. Its non-reflective surface structure make a contemporary impression. A direct Aluminium Dibond Print is your perfect introduction to replicas on aluminum. For our Aluminium Dibond print, we print the artpiece right on the aluminium surface. The bright and white parts of the artwork shine with a silk gloss, however without any glow. Colors are vivid and luminous in the highest definition, the fine details are clear and crisp, and there’s a matte look you can literally feel.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The print on acrylic glass, often referred to as a print on plexiglass, will convert your favorite original work of art into brilliant wall décor. The acrylic glass protects your selected fine art print against sunlight and external influences for decades.
Nkọwa ngwaahịa
Bipụta ụdị ngwaahịa: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | German mmepụta |
Stockdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa emebere: | ihe ndozi ụlọ, ihe ndozi mgbidi |
Ndepụta: | usoro odida obodo |
Njikwa oyiyi: | ogologo ruo obosara 1.2: 1 |
Mmetụta akụkụ onyonyo: | ogologo bụ 20% ogologo karịa obosara |
Nhọrọ dị: | Mbipụta iko acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhọrọ nke mbipụta aluminom (aluminium dibond material) | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhazi mmeputa nka nka: | na-enweghị etiti |
Ederede iwu dị mkpa: We try what we can to describe our products as precisely as possible and to exhibit them visually on the product detail pages. Nevertheless, the tone of the print materials, as well as the imprint can diverge somehwat from the representation on your device's monitor. Depending on your screen settings and the condition of the surface, color pigments can unfortunately not be printed as exactly as the digital version shown here. Since all our fine art prints are processed and printed by hand, there might also be slight discrepancies in the exact position and the size of the motif.
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