Thomas Ender, 1840 - Okirikiri ọhịa dị n'elu ugwu - ọmarịcha ihe osise
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Nweta ihe ebipụta nka mara mma ịchọrọ
N'ime ndetu ndetu ngwaahịa ị nwere ike ịhọrọ nha na ihe gị n'otu n'otu. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is sometimes referenced as a an art print on plexiglass, changes the artwork into gorgeous décor. In addition to that, the acrylic print makes a good alternative to aluminium or canvas art prints. With an acrylic glass art print contrasts and also artwork details will be more visible thanks to the very subtle tonal gradation. The real glass coating protects your chosen fine art print against sunlight and external influences for up to 60 years.
- Mbipụta kwaaji: The canvas direct print is a printed canvas mounted on a wood stretcher. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of additional wall-mounts. Canvas prints are suitable for all kinds of walls.
- Akwụkwọ mmado na ihe kwaaji: The poster is a printed cotton canvas paper with a slightly rough texture on the surface. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6 cm round about the print motif in order to facilitate the framing with a custom frame.
- Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond with a true effect of depth. For your Print On Aluminum Dibond, we print the selected work of art onto the aluminium composite white-primed surface. The white and bright components of the artwork shine with a silk gloss but without the glow. Colors are luminous, the details are clear and crisp, and there’s a matte appearance you can literally feel. This direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a stylish way to showcase art, because it puts the viewer’s attention on the replica of the artwork.
Nkwupụta iwu: We try what we can in order to depict the products as clearly as it is possible and to illustrate them visually. Please bear in mind that the tone of the printed materials and the imprint may diverge marginally from the presentation on the device's monitor. Depending on the settings of your screen and the condition of the surface, colors might not be printed as exactly as the digital version shown here. In view of the fact that all our are processed and printed by hand, there might as well be minor differences in the motif's exact position and the size.
Ozi ndabere gbasara ngwaahịa a
Ihe nka akpọrọ Forest landscape in the high mountains e sere ya onye n’ezie onye na-ese ihe Thomas Ender in 1840. Nke mbụ nwere nha ndị a: 89 x 119 cm - akụkụ etiti: 104,5 x 134 x 7,5 cm. Mmanụ na kwaaji was applied by the painter as the technique for the artpiece. The original artwork was inscribed with the information: signed lower center: Tho. Ender.. Ọrụ nka dị na nchịkọta nke Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. We are happy to reference that the public domain work of art is included with courtesy of © Belvedere, Vienna, nọmba ngwa ahịa: 7869. : nyefee site na Kunsthistorisches Museum, Vienna na 1987. Furthermore, alignment is landscape with a ratio of 4 : 3, meaning that the length is 33% longer than the width. Thomas Ender was a painter, landscape painter from Austria, whose artistic style can primarily be assigned to Realism. The Realist artist lived for a total of 82 years - born in 1793 na Vienna, Vienna steeti, Austria wee nwụọ na 1875.
Nkọwa ahaziri nke ihe osise
Aha eserese: | "Forest landscape in the high mountains" |
Nhazi nka: | sere |
Nhazi nka: | nkà nke oge a |
Nhazi oge: | 19th narị afọ |
Afọ okike: | 1840 |
Afọ nka: | 180 afọ |
Usoro izizi: | mmanụ na kwaaji |
Akụkụ izizi: | 89 x 119 cm - akụkụ etiti: 104,5 x 134 x 7,5 cm |
Akara aka nka nka: | signed lower center: Tho. Ender. |
Egosiputara na: | Belvedere |
Ebe ngosi nka: | Vienna, Austria |
Ebe nrụọrụ weebụ ihe ngosi nka: | www.belvedere.at |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | © Belvedere, Vienna, nọmba ngwa ahịa: 7869 |
Ebe E Si Nweta: | nyefee site na Kunsthistorisches Museum, Vienna na 1987 |
Nkọwa ngwaahịa
Nkewa ngwaahịa: | ọrụ mgbidi |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ |
Mmalite nke ngwaahịa a: | German mere |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ihe eji eme atụmatụ: | nka mgbidi, mma mgbidi |
Nhazi onyonyo: | usoro odida obodo |
Oke akụkụ: | 4: 3 ogologo ruo obosara |
Ntụgharị nkọwa akụkụ: | ogologo bụ 33% ogologo karịa obosara |
Ụdị ihe dị iche iche dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Igwe onyonyo: | adịghị |
Onye na-ese ihe
Ihe nkiri: | Thomas Ender |
Aha nka ndị ọzọ: | ender t., joh. thomas ender, ender thomas, Ender Thomas, thomas enders, thom. ender, ender th., tho. ender, ender th., Thomas Ender, th. ender |
okike onye nka: | nwoke |
Nationality: | Ọstrịa |
Ọrụ nke onye na-ese ihe: | odida obodo, onye na-ese ihe |
Mba onye si: | Austria |
nhazi ọkwa: | omenkà nke oge a |
styles: | Ihe ngosi |
Nwụrụ na afọ nke: | 82 afọ |
Amụrụ n'afọ: | 1793 |
Amụrụ na (ebe): | Vienna, Vienna steeti, Austria |
Nwuru: | 1875 |
Nwuru na (ebe): | Vienna, Vienna steeti, Austria |
© Nwebiisinka nke | Artprinta (www.artprinta.com)