Onye na-ese ihe German, 1573 - Ngọzi Kraịst, Ezinụlọ nyere onyinye gbara ya gburugburu - mbipụta nka mara mma.

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• Mbipụta kanvas: A UV printed canvas mounted on a wooden frame. It has the unique impression of three dimensionality. A canvas of your favorite artwork will allow you to transform your very own art print into a large artpiece like you know from galleries. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. Hence, a canvas print is suited for any type of wall.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: The Artprinta poster is a printed canvas with a slightly rough texture on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin 2-6cm round about the print in order to facilitate the framing with your custom frame.
• Bipụta na enyo acrylic: An acrylic glass print, often labelled as a plexiglass print, will convert an original into décor. Your own replica of the work of art will be manufactured with the help of modern UV direct print machines. The special effect of this are sharp and vivid color tones. The plexiglass protects your selected art replica against sunlight and external influences for decades.
• Aluminom ihe eji eme ihe: These are metal prints on alu dibond material with a true depth effect, which makes a fashionable impression with a surface , which is not reflective. The Direct Print on Aluminum Dibond is your excellent start to the sophisticated world of fine art prints on aluminum. Colors are luminous, fine details are crisp and clear, and you can really perceive the matte appearance of the print.

Nkwupụta iwu: We try everythig possible to depict the products as precisely as we can and to demonstrate them visually. However, the colors of the printing material, as well as the printing may differ somehwat from the representation on the screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Since the are printed and processed manually, there may also be slight variations in the motif's exact position and the size.

General information as provided from The Metropolitan Museum of Art website (© - by The Metropolitan Museum of Art - www.metmuseum.org)

This triptych, formerly attributed to Ludger tom Ring the Younger, was painted by an anonymous northern German painter. The donor family remains unidentified, but they surely hailed from Hamburg, the city whose church spires are shown on the orb in Christ’s hand. The verses on salvation and afterlife inscribed on the tablets above the figures are in Low German, the vernacular of much of northern Germany. They were taken verbatim from a Low German edition of Martin Luther’s Bible translation. Christ’s presence in the midst of this domestic gathering bespeaks a deeply Lutheran understanding of Christ’s direct accessibility to believers.

Nchịkọta nke oyiri nka kpochapụwo

Ọ bụ onye na-ese ihe sere ihe osise a Onye na-ese ihe German in 1573. The work of art was painted with the size of Central panel 31 3/8 x 37 5/8 in (79,7 x 95,6 cm); each wing 32 x 14 5/8 in (81,3 x 37,1 cm). Mmanụ na ọla edo na osisi oak was applied by the artist as the medium of the artwork. Nowadays, the artpiece is in the the digital collection of Museumlọ ihe ngosi nka nke Obodo. Anyị na-enwe obi ụtọ banyere na nke a artpiece, nke bụ nke ngalaba ọha is being included with courtesy of The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917. Moreover, the work of art has the creditline: Onyinye nke J. Pierpont Morgan, 1917. Ọzọkwa, itinye n'usoro odida obodo format ma nwee oke nke 5: 2, nke pụtara na ogologo bụ ugboro abụọ na ọkara ogologo karịa obosara.

Nkọwa na ihe osise

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