Théodule-Augustin Ribot, 1880 - Ndị ọkụ azụ Breton na ezinụlọ ha - mbipụta nka mara mma.

Ozi ngwaahịa zuru ezu

N’afọ 1880 na nwoke artist Théodule-Augustin Ribot mere nkà nke oge a ihe omimi "Breton Fishermen and Their Families". Ihe gafere 140 a na-ese ihe mbụ dị afọ na akụkụ ndị a: 21 3/4 x 18 1/4 na (55,2 x 46,4 cm) ma jiri usoro ihe arụpụtara ya mmanụ na kwaaji. Nowadays, the work of art is in the the digital art collection of The Metropolitan Museum of Art in New York City, New York, Njikota Obodo Amerika. Ọha nka nka ọgbara ọhụrụ a gụnyere n'ikike nke Ụlọ ihe ngosi nka nke obodo ukwu, New York, Arịrịọ nke Catherine D. Wentworth, 1948. Ebe kredit nke ọrụ nka: Arịrịọ nke Catherine D. Wentworth, 1948. On top of that, alignment is portrait and has a ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Théodule-Augustin Ribot was a male painter, whose artistic style was primarily Realism. The European artist was born in the year 1823 and passed away at the age of 68 na 1891.

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• Glass acrylic ebipụtara (nke nwere ezigbo mkpuchi iko n'elu): A glossy acrylic glass print, which is sometimes labelled as a plexiglass print, makes your favorite artwork into décor and is a distinct alternative to canvas and dibond fine art replicas. Our real glass coating protects your custom art print against light and heat for up to 60 years.
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Nkwupụta iwu: We try what we can in order to depict the products in as much detail as possible and to display them visually in our shop. Although, the colors of the printed materials, as well as the print result might vary marginally from the representation on your device's screen. Depending on the screen settings and the nature of the surface, not all color pigments are printed 100% realistically. Since our art prints are processed and printed by hand, there may as well be slight deviations in the size and exact position of the motif.

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Additional description as provided by The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Toward the end of his life, Ribot, who was strongly influenced by seventeenth-century Spanish painters, especially Ribera, brought a vigorous realism and a predilection for contrasting values to the subject of Breton and Norman peasants. Beginning in the 1870s, he painted several group portraits similar to this one.