Antoine-Jean Gros, 1835 - Ezinụlọ Egypt (Sketch for The Battle of the Pyramids) - mbipụta nka mara mma.

Nchịkọta nke oyiri

Ihe karịrị 180 ihe nka dị afọ ka ndị ahụ sere ya nwoke French omenka Antoine-Jean Gros. Nke mbụ tụrụ nha: Framed: 377,2 x 154,9 x 12,7 cm (148 1/2 x 61 x 5 in); Unframed: 353,1 x 132,1 cm (139 x 52 in); Former: 306,8 x 131,5 cm (120 13/16 x 51 3/4 in) na e mere na ọkara mmanụ na linen. Nowadays, the artwork belongs to the collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of - Velọ ihe ngosi nka nke Cleveland (nwere ikike: ngalaba ọha). In addition to that, the artwork has the creditline: John L. Severance Fund. Moreover, alignment is in portrait format and has a side ratio of 1 : 3, which implies that the length is is 66% shorter than the width. The artist, painter Antoine-Jean Gros was a European artist, whose art style can be attributed primarily to Neoclassicism. The European artist lived for 64 afọ a mụrụ ya n'afọ 1771 na Paris, Ile-de-France, France na nwụrụ n'afọ 1835.

Nkọwapụta nka nke Cleveland Museum of Art (© Nwebiisinka - site na Cleveland Museum of Art - www.clevelandart.org)

N'afọ 1810, Gros gosipụtara nnukwu eserese nke Napoleon na 1798 Agha nke Pyramids, otu n'ime mmeri ndị France na-adịghị ahụkebe na mkpọsa dara ada iji merie Egypt (1789-1801). Mgbe Napoleon bu ụzọ daa n'ike na 1814, eserese ahụ wee banye na nchekwa, ruo mgbe eze ọhụrụ Louis-Philippe họọrọ ịkpọlite ​​ya maka ụlọ ngosi ihe mgbe ochie na Paris. Agbanyeghị, ikekwe iji belata mkpa Napoleon, gọọmentị gwara Gros ka ọ gbasaa nke mbụ yana mgbakwunye na njedebe ọ bụla. Eserese a gụnyere General Kléber, onye ndu ndị agha ama ama ama ama nke ewepụrụ na eserese mbụ ahụ.

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• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a UV printed sheet of canvas paper with a slight surface finish. The poster is qualified for placing the art replica with the help of a personal frame. Please note, that depending on the size of the poster we add a white margin of approximately 2-6cm round about the print, which facilitates the framing.
• Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an impressive depth - for a modern impression and a non-reflective surface structure. The bright and white components of the artwork shine with a silk gloss, however without glow. The colors are luminous, the fine details of the print appear crisp and clear.
• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The acrylic glass print, often labelled as a an art print on plexiglass, makes the original work of art into magnificient décor and offers a viable alternative option to dibond and canvas prints. With an acrylic glass fine art print sharp contrasts plus small details become more identifiable thanks to the delicate tonal gradation in the print. The plexiglass protects your chosen art replica against light and heat for many years.
• Mbipụta kanvas: A UV printed canvas material applied on a wooden stretcher frame. A canvas has a typical look of three dimensionality. Additionally, a printed canvas makes a cosy and comfy effect. Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without the support of any wall-mounts. A canvas print is suitable for all kinds of walls.

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Nkwupụta iwu: We try in order to depict our products in as much detail as we can and to display them visually in our shop. However, the pigments of the printing material, as well as the printing might diverge slightly from the presentation on the device's screen. Depending on your settings of your screen and the condition of the surface, not all colors will be printed one hundret percent realistically. Bearing in mind that all the art reproductions are printed and processed manually, there might also be slight discrepancies in the motif's size and exact position.

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