Eastman Johnson, 1864 - Oge ekeresimesi, Ezinụlọ Blodgett - mbipụta nka mara mma

59,99 €

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Ozi ngwaahịa nka dị omimi

N'elu 150 years old artwork was created by Eastman Johnson. The original was painted with the following size 30 x 25in (76,2 x 63,5cm). Oil on canvas was used by the North American artist as the medium of the piece of art. Besides, the piece of art is included in the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka, nke dị na New York City, New York, Njikota Obodo Amerika. Nkà ọgbara ọhụrụ a ngalaba ọha piece of art is being included with courtesy of The Metropolitan Museum of Art, New York, Gift of Mr. and Mrs. Stephen Whitney Blodgett, 1983. The creditline of the artwork is the following: Gift of Mr. and Mrs. Stephen Whitney Blodgett, 1983. Ọzọkwa, alignment bụ Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Original artwork information from the museum's website (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

This conversation piece—a group portrait with narrative elements—was the first commissioned work of a type that Johnson would often paint. It shows William Tilden Blodgett (1823–1875), a supporter of the Union cause and a founding trustee of the Metropolitan Museum, with his family in the Renaissance Revival parlor of their house at 27 West 25th Street. Depicted during the Civil War, at a time of urban upheaval, the serene interior decorated for Christmas, embodies "the best sentiment of home," as a critic observed in 1865. Only the toy of a caricatured black male dancer held by the young boy hints at pressing issues of racial strife and emancipation.

Tebụl a haziri ahazi nke ihe osise

Aha eserese: "Christmas-Time, The Blodgett Family"
Nhazi nka nka: sere
Okwu mkpokọta: nkà nke oge a
Time: 19th narị afọ
Emepụtara n'afọ: 1864
Ogologo afọ nka nka: karịa afọ 150
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Ogo nke ọrụ nka izizi: 30 x 25in (76,2 x 63,5cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Ebe nrụọrụ weebụ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Licensedị ikike: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Gift of Mr. and Mrs. Stephen Whitney Blodgett, 1983
Ebe E Si Nweta: Gift of Mr. and Mrs. Stephen Whitney Blodgett, 1983

Ozi ndabere gbasara onye na-ese ihe

aha: Eastman Johnson
Aha ndị ọzọ: Johnson Eastman, j. eastman johnson, Johnson, Johnson Jonathan Eastman, Eastman Johnson, Johnson Jonathan-Eastman
okike onye nka: nwoke
Obodo onye nka: American
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo obibi: United States
Otu nka: omenkà nke oge a
Akwụsị: 82 afọ
Afọ amụrụ: 1824
Obodo amụrụ: Lovell, Oxford County, Maine, Njikota Obodo Amerika
Nwuru: 1906
Obodo ọnwụ: New York City, New York State, Njikota Obodo Amerika

Nweta nhọrọ akụrụngwa masịrị gị

Maka akwụkwọ nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

  • Mpempe akwụkwọ ederede (akwa akwa akwa): The poster is a UV printed sheet of cotton canvas with a slight structure on the surface. A poster print is ideally used for placing your art replica in a custom-made frame. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2 - 6cm around the print in order to facilitate the framing with a custom frame.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond with an impressive depth effect. The Aluminium Dibond Print is the excellent start to art prints on aluminum.
  • Mbipụta kanvas: The canvas print, which should not be confused with a real painting on a canvas, is a digital image printed from a UV direct printer. Your canvas print of your favorite artpiece will let you turn your fine art print into a large size artwork like you know from art galleries. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without extra wall-mounts. A canvas print is suited for any kind of wall.
  • Ihe odide acrylic glass: The print on acrylic glass, often labelled as a print on plexiglass, will transform your favorite original artwork into beautiful décor.

Banyere ihe a

Nkewa edemede: ọmarịcha nka
Mmeputakwa: dijitalụ mmeputakwa
Produzọ mmepụta: Mbipụta UV / dijitalụ
Ihe ngosi: emepụtara na Germany
Stockdị ngwaahịa: a na-achọ
A na-atụ aro iji ngwaahịa eme ihe: nchịkọta nka (mmeputakwa), mma mgbidi
Nhazi: usoro eserese
Ụdị anya: ogologo: obosara - 1: 1.2
Nsonaazụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Ụdị dị iche iche dị: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Ụdị mbipụta aluminom: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mbipụta nka: enweghị etiti

Nkwupụta iwu: We strive to depict the products as precisely as we can and to showcase them visually. Nevertheless, the tone of the printed materials and the printing might vary to a certain extent from the image on your device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments are printed as realistically as the digital version. Because all the are processed and printed manually, there may also be minor deviations in the motif's size and exact position.

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