Eastman Johnson, 1870 - Ezinụlọ Hatch - mbipụta nka mara mma

Ozi nka ndị ọzọ sitere na The Metropolitan Museum of Art (© Copyright - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Alfrederick Smith Hatch (1829–1904) was a prominent Wall Street broker in the firm of Fisk and Hatch and president of the New York Stock Exchange from 1883 to 1884. Like many of his business associates, he was an enthusiastic collector of art. One of the finest paintings in his collection was this commissioned group portrait showing three generations of his family. It depicts them in the library of their New York residence at 49 Park Avenue, on the northeast corner of 39th Street. Hatch is seated to the right at his desk, and his wife, the former Theodosia Ruggles (1829–1908), leans on the mantel. Other members of the family, including Theodosia's mother, Hatch's father, and their children are also present.

About the artpiece created by named Eastman Johnson

The nkà nke oge a Ibé nka aha The Hatch Family was made by the artist Eastman Johnson in 1870. The work of art had the size: 48 x 73 3/8 na (121,9 x 186,4 cm). Mmanụ na kwaaji was used by the North American artist as the medium of the artwork. What is more, the artpiece belongs to the The Metropolitan Museum of Art's art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are happy to reference that this ngalaba ọha artpiece is being included with courtesy of The Metropolitan Museum of Art, New York, Gift of Frederic H. Hatch, 1926. Creditline of the artwork: Gift of Frederic H. Hatch, 1926. Na mgbakwunye na nke ahụ, nhazi ahụ dị na odida obodo usoro na akụkụ ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

Ihe ndị a na-ahọrọ

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• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An print on acrylic glass, which is often denoted as a UV print on plexiglass, will convert your favorite artwork into brilliant home decoration and makes a distinct alternative to dibond and canvas art prints. The plexiglass protects your selected art print against light and external influences for decades.
• Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print material with an impressive effect of depth. A non-reflective surface make a modern look. The Aluminium Dibond Print is your perfect start to reproductions made with aluminum. The bright parts of the original work of art shimmer with a silky gloss, however without glow. The colors are bright and vivid in the highest definition, details appear very clear, and you can feel the matte appearance of the print. This UV print on aluminium is one of the most demanded entry-level products and is an extremely sophisticated way to display art, because it draws focus on the image.
• Mbipụta kanvas: The UV printed canvas applied on a wood stretcher frame. Besides, canvas print creates a lively and enjoyable ambience. Your canvas of your favorite work of art will let you turn your customized into a large size artwork as you know from art galleries. Hanging a canvas print: A canvas print has the great advantage of being relatively low in weight, which implies that it is quite simple to hang your Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster is a UV printed canvas paper with a slightly roughened structure on the surface. It is excellently designed for putting your art replica with the help of a customized frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm round about the print in order to facilitate the framing.

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Nkwupụta iwu: We try our utmost to describe our art products as closely as possible and to exhibit them visually in our shop. However, the colors of the print products, as well as the printing may differ somehwat from the presentation on your screen. Depending on the settings of your screen and the condition of the surface, not all color pigments will be printed one hundret percent realistically. Bearing in mind that our are processed and printed by hand, there may as well be minor differences in the exact position and the size of the motif.

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