Erastus Salisbury Field, 1848 - Nwa nwanyị nke ezinụlọ Bangs-Phelps - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Girl of the Bangs-Phelps Family is a masterpiece made by the painter Ebe Erastus Salisbury. The original version had the following size: 58 3/4 x 30 1/4 in (149,2 x 76,8 cm). Oil on canvas was applied by the North American painter as the technique for the piece of art. Nowadays, the artwork is part of the Ụlọ ihe ngosi nka nke Metropolitan collection. With courtesy of The Metropolitan Museum of Art, New York, Gift of Edgar William and Bernice Chrysler Garbisch, 1963 (ikikere: ngalaba ọha). Also, the artwork has the creditline: Gift of Edgar William and Bernice Chrysler Garbisch, 1963. Besides, the alignment is Eserese na nha nke 1: 2, nke pụtara na ogologo 50% dị mkpụmkpụ karịa obosara.
(© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Over a fifty-year career that included early training with Samuel F. B. Morse, Field became one of the most successful itinerant painters in antebellum New England and New York State. He developed a repertoire of compositional formulas to depict the features and surroundings of his sitters, who belonged to the emerging rural middle class. Field’s portrait of a female member of the Bangs-Phelps family of Springfield, Massachusetts, presents her wearing an oversized, nicely detailed costume and holding a book in her right hand. The background is a soft gray color, with Field’s distinctive shaded halo of space encircling the skillfully modeled face and sharply parted hair.
Ozi ndabere gbasara ọrụ nka mbụ
Aha ọrụ nka: | "Girl of the Bangs-Phelps Family" |
Nchịkọta nke ọrụ nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
Time: | 19th narị afọ |
Emepụtara n'afọ: | 1848 |
Ogologo afọ nka nka: | ihe karịrị afọ 170 |
Usoro nka izizi: | mmanụ na kwaaji |
Nha izizi: | 58 3/4 x 30 1/4 na (149,2 x 76,8 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Webụsaịtị ihe ngosi nka: | www.metmuseum.org |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye Edgar William na Bernice Chrysler Garbisch, 1963 |
Ebe E Si Nweta: | Onyinye nke Edgar William na Bernice Chrysler Garbisch, 1963 |
Ozi ndabere gbasara onye na-ese ihe
Ihe nkiri: | Ebe Erastus Salisbury |
Aha utu aha: | Field Erastus Salisbury, Erastus Salisbury Field, E. S. Field, Field E. S. |
okike onye nka: | nwoke |
Nationality: | American |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | United States |
Otu nka: | omenkà nke oge a |
Ndụ: | 95 afọ |
Afọ ọmụmụ: | 1805 |
Ebe amụrụ onye: | Leveret, Franklin County, Massachusetts, Njikota Obodo Amerika |
Afọ nwụrụ: | 1900 |
Obodo ọnwụ: | Sunderland, Franklin County, Massachusetts, Njikota Obodo Amerika |
Nye iwu ihe ị chọrọ
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Kwaaji: The printed canvas material mounted on a wooden stretcher frame. A canvas produces the distinctive impression of three dimensionality. Additionally, a canvas print produces a soft and pleasing effect. How do I hang a canvas on my wall? The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without the support of additional wall-mounts. Because of thatcanvas prints are suited for all kinds of walls.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often described as a UV print on plexiglass, will turn an original work of art into stunning décor. The work of art is being custom-made with modern UV direct print technology. The image effect of this are vivid and sharp colors. With a glossy acrylic glass art print contrasts and granular color details become exposed thanks to the very fine tonal gradation.
- Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with a true depth. A non-reflective surface structure make a contemporary impression. A direct Direct Print on Aluminum Dibond is your ideal introduction to fine art replicas on aluminum. The white & bright parts of the work of art shine with a silky gloss, however without glow.
- Bipụta akwụkwọ mmado n'ihe kwaaji: The poster print is a printed canvas with a nice texture on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the painting in order to facilitate the framing with a custom frame.
Nkọwapụta ngwaahịa
Nkewa ngwaahịa: | ọrụ mgbidi |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | UV kpọmkwem obibi |
Nlụpụta: | emepụtara na Germany |
Stockdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | ihe ndozi ụlọ, foto mgbidi |
Nhazi nka nka: | nhazi ihe osise |
Oke akụkụ: | ogologo: obosara 1:2 |
Nkọwa nke oke akụkụ: | ogologo bụ 50% mkpụmkpụ karịa obosara |
Ihe mmeputakwa dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 20x40cm - 8x16 ", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47", 80x160cm - 31x63", 90-x180cm |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 20x40cm - 8x16 ", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47", 80x160cm - 31x63", 90-x180cm |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47" |
Mbipụta nke aluminom: | 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47" |
Igwe onyonyo: | agunyeghi |
Disclaimer: We try our best in order to describe our products as closely as possible and to illustrate them visually in our shop. Although, the colors of the printing material, as well as the print result can differ to a certain extent from the image on your monitor. Depending on your settings of your screen and the quality of the surface, not all colors are printed one hundret percent realistically. Given that all fine art prints are processed and printed by hand, there might also be slight discrepancies in the size and exact position of the motif.
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