Francis Wheatley, 1785 - Ezinụlọ Saithwaite - mbipụta nka mara mma

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Wheatley was among the best painters of the small-scale group portrait, or conversation piece, which is so typical of the mid-eighteenth-century English school. Here he shows a couple and their little girl, traditionally identified as members of the Saithwaite family. The lady's dress, with its elaborate starched white muslin trim, her puffy powdered hair, and her elaborate plumed hat indicate a date of about 1785. The red figured damask upholstery and the Turkey carpet are painted with attention to detail, but the pattern of the carpet is too steeply foreshortened and it seems to slope forward.

a nka ochie artpiece was created by the male British artist Francis Wheatley in 1785. Ihe osise a tụrụ nha: 38 3/4 x 50 inch (98,4 x 127 cm) na e mere ya na Usoro of oil on canvas. It belongs to the Ụlọ ihe ngosi nka nke Metropolitan art collection in New York City, New York, United States of America. We are delighted to reference that the masterpiece, which belongs to the ngalaba ọha is supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of Mrs. Charles Wrightsman, 2009. Additionally, the artwork has the following creditline: Onyinye nke Oriakụ Charles Wrightsman, 2009. E wezụga nke ahụ, nhazi nke mmepụta dijitalụ dị na odida obodo format na a akụkụ ruru nke 1.2: 1, which implies that the length is 20% longer than the width. The painter Francis Wheatley was a European artist from the United Kingdom, whose style was mainly Rococo. The painter lived for a total of 54 afọ - amuru n'ime 1747 na London, Greater London, England, United Kingdom na nwụrụ na 1801.

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N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ ihe na nha nke nhọrọ gị. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:

• Mbipụta kwaaji: A canvas print is a printed canvas stretched on a wooden stretcher. A canvas print has the advantage of being low in weight, which means that it is quite simple to hang the Canvas print without any wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
• Poster (akwa akwa akwa): Our poster print is a printed canvas with a fine texture on the surface. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the painting, which facilitates the framing with your custom frame.
• Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond material with an impressive effect of depth - for a modern impression and non-reflective surface structure. The white & bright sections of the artpiece shimmer with a silky gloss but without the glow. Colors are bright and vivid, details are very clear, and you can really perceive the matte appearance of the fine art print. This print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely stylish way to display fine art prints, as it draws attention on the replica of the artwork.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An acrylic glass print, often referred to as a an art print on plexiglass, will convert the artwork into great décor. In addition, the acrylic print forms a distinct alternative option to canvas and aluminidum dibond fine art prints. The major benefit of an acrylic glass art print is that contrasts and granular artwork details become identifiable due to the precise gradation in the print.

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Nkwupụta iwu: We try everythig possible in order to describe our art products as accurately as possible and to demonstrate them visually. Although, the pigments of the printing material and the print result can vary slightly from the representation on the device's screen. Depending on the screen settings and the condition of the surface, colors might not be printed as exactly as the digital version on this website. In view of the fact that the fine art prints are printed and processed by hand, there might also be slight differences in the motif's exact position and the size.

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