Anders Zorn, 1896 - Eserese onwe - mbipụta nka mara mma

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

This more than 120 years old work of art was created by the male painter Anders Zorn. The version of the artpiece had the size: Ogologo: 118 cm (46,4 ″); Obosara: 91 cm (35,8 ″) Ekebere: Elu: 151 cm (59,4 ″); Obosara: 124 cm (48,8 ″); Omimi: 7 cm (2,7 ″). Ọzọkwa, a na-etinye ihe osise ahụ na National Museum nke Stockholm digital art collection, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. The nkà nke oge a masterpiece, which is in the public domain is being supplied with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.Creditline of the artwork: . In addition to this, the alignment is portrait with a ratio of 3 : 4, which means that ogologo bụ 25% mkpụmkpụ karịa obosara. Anders Zorn was a male photographer, engraver, painter, sculptor, watercolourist from Sweden, whose art style can be attributed mainly to Impressionism. The painter was born in the year 1860 na Mora, Dalarna, Sweden na nwụrụ na afọ nke 60 N'afọ 1920 na Mora, Dalarna, Sweden.

Nye iwu ihe ngwaahịa ị họọrọ

Na nhọrọ ndọpụta ngwaahịa ị nwere ike họrọ nha na akụrụngwa masịrị gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an outstanding depth effect, which creates a contemporary look by having a surface , which is non-reflective. For our Direct Print On Aluminum Dibond, we print your chosen work of art onto the aluminium composite white-primed surface. The white and bright parts of the artwork shimmer with a silk gloss, however without glare. The colors of the print are luminous, the fine details appear clear and crisp.
  • Akwụkwọ mmado ebipụtara (ihe kwaaji): A poster print is a printed flat canvas with a granular structure on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the work of art, which facilitates the framing.
  • Mbipụta kanvas: The printed canvas applied on a wood frame. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without the help of any wall-mounts. A canvas print is suitable for all types of walls in your home.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often denoted as a UV print on plexiglass, makes your original work of art into beautiful décor. Above all, it makes a good alternative option to dibond or canvas fine art prints. The artwork is being made with the help of modern UV print technology. The effect of this are deep, rich colors. The great upside of a plexiglass art print is that contrasts as well as details will be more exposed thanks to the granular gradation. Our real glass coating protects your chosen fine art print against light and heat for many decades.

Nkwupụta iwu: We try all that we can to describe the art products as accurate as possible and to exhibit them visually on the respective product detail pages. However, some tone of the print products and the print result can vary to a certain extent from the image on your monitor. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as realistically as the digital version depicted here. Since all the art prints are processed and printed manually, there might also be minor variations in the size and exact position of the motif.

Banyere ngwaahịa

Nkewa ngwaahịa: ọmarịcha nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ
Nlụpụta: German mmepụta
Stockdị ngwaahịa: a na-achọ
Ojiji ngwaahịa: mgbidi gallery, ụlọ ihe ngosi nka
Ndepụta: usoro eserese
Oke akụkụ onyonyo: 3: 4 ogologo: obosara
Nsonaazụ: ogologo bụ 25% mkpụmkpụ karịa obosara
Ụdị dị iche iche dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nha aluminom dibond (ihe aluminom) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mbipụta nka: biko mara na ngwaahịa a enweghị etiti

Ozi ndabere na nka pụrụ iche

Aha nke eserese ahụ: "Ihe osise onwe"
Nhazi nka: sere
Nhazi nka: nkà nke oge a
Time: 19th narị afọ
Afọ okike: 1896
Afọ nka: 120 afọ
Nha ihe osise izizi: Ogologo: 118 cm (46,4 ″); Obosara: 91 cm (35,8 ″) Ekebere: Elu: 151 cm (59,4 ″); Obosara: 124 cm (48,8 ″); Omimi: 7 cm (2,7 ″)
Egosiputara na: National Museum nke Stockholm
Ebe ngosi nka: Stockholm, Obodo Stockholm, Sweden
Weebụsaịtị ihe ngosi nka: National Museum nke Stockholm
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Nationalmuseum Stockholm na Wikimedia Commons

Ose okwu

aha: Anders Zörn
Aha ndi ozo: Anders Zorn, Anders Leonard Zorn, זורן אנדרס, Zorn, T︠S︡orn Anders, Zorn Anders, Zorn Anders Lenard, Zorn Anders Leonard, andreas zorn, a. zorn, zorn anders
okike onye nka: nwoke
Nationality: Swedish
Ọrụ: engraver, sculptor, photographer, painter, watercolourist
Obodo onye nka: Sweden
Nkewa onye nka: omenkà nke oge a
Ụdị nka: Mmetụta
Nwụrụ anwụ: 60 afọ
Amụrụ n'afọ: 1860
Obodo ọmụmụ: Mora, Dalarna, Sweden
Nwụrụ n'afọ: 1920
Nwuru na (ebe): Mora, Dalarna, Sweden

Enwere ikike nwebiisinka © | Artprinta.com

Additional artwork information by Nationalmuseum Stockholm (© - by Nationalmuseum Stockholm - National Museum nke Stockholm)

English: Dazzlingly bright slanting sunlight illuminates the artist’s white smock and highlights the side of his forehead. But Zorn’s studio is gloomy, and shapes and details are hard to discern. In the background, his model, an Italian girl, sits with her long, auburn hair wrapped around her. Zorn’s self-portrait was exhibited in Stockholm in 1897. Ett skarpt sidoljus belyser den vita målarblusen och får det att blänka i konstnärens tinning. Men i Zorns ateljé i Paris råder halvdunkel, former och detaljer är svåra att se. I bakgrunden sitter en modell, en italiensk flicka insvept i sitt långa rödbruna hår. Zorns självporträtt visades i Stockholm 1897.

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