Anthony van Dyck, 1620 - Foto nke onwe - mbipụta nka mara mma

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• Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an impressive effect of depth, which creates a contemporary impression thanks to a surface , which is not reflective. A direct Direct Print on Aluminum Dibond is the best start to fine replicas on aluminum. For our Print On Aluminum Dibond, we print the chosen artwork right on the surface of the white-primed aluminum composite. The white and bright parts of the original artwork shine with a silk gloss, however without glow. The colors are vivid and luminous, fine details appear crisp, and you can perceive a matte appearance of the product. The UV print on aluminium is the most popular entry-level product and is a truly stylish way to display fine art prints, because it puts the viewer’s focus on the image.
• Mpempe akwụkwọ (ihe kwaaji): A poster print is a printed sheet of canvas with a granular texture on the surface. It is perfectly suited for putting the art copy with the help of a personal frame. Please keep in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the print to facilitate the framing.
• Glass acrylic ebipụtara (nke nwere ezigbo mkpuchi iko n'elu): A glossy acrylic glass print, which is sometimes referenced as a fine art print on plexiglass, makes your favorite original artwork into beautiful décor and forms a great alternative to dibond or canvas fine art prints. The work of art is made with state-of-the-art UV direct printing machines. It creates impressive, rich colors.
• Mbipụta kanvas: The canvas print, which shall not be confused with a real canvas painting, is a digital image printed from a UV direct printing machine. It has a plastic look of three dimensionality. Besides, printed canvas makes a cosy and pleasant appearance. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.

Nkwupụta iwu: We try the best we can to depict our products as accurately as possible and to showcase them visually. Nevertheless, some tone of the printed materials and the imprint might differ to a certain extent from the representation on your device's screen. Depending on your screen settings and the nature of the surface, not all colors can be printed as realisitcally as the digital version depicted here. Considering that all art reproductions are printed and processed by hand, there may as well be minor variations in the exact position and the size of the motif.

Nkọwa ihe osise sitere na weebụsaịtị Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The young Van Dyck presents himself as a courtly gentleman, with no reference to his profession other than the painting itself. The portrait probably dates from the artist’s stay in London during the winter of 1620–21, and certainly before he left his native Antwerp for Italy in autumn 1621. That Van Dyck’s family dealt in fine fabrics partly explains his predilection for rich attire (which was remarked upon by Bellori, an early biographer) and perhaps his elegant descriptions of drapery.

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Onyonyo is an artpiece by the male artist Anthony van Dyck in the year 1620. The version of the artpiece had the size of 47 1/8 x 34 5/8 in (119,7 x 87,9 cm). Mmanụ na kwaaji was applied by the Dutch painter as the technique for the work of art. Moveover, the piece of art is part of the Ụlọ ihe ngosi nka nke Metropolitan collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are happy to reference that this artpiece, which is in the ngalaba ọha is being included with courtesy of The Metropolitan Museum of Art, New York, The Jules Bache Collection, 1949. In addition, the artwork has the following creditline: The Jules Bache Collection, 1949. In addition to this, the alignment of the digital reproduction is in Eserese format with a side ratio of 3 : 4, which means that the length is 25% shorter than the width. Anthony van Dyck was a male translator, author, dramaturge, painter, theater director, etcher from the Netherlands, whose art style can be attributed primarily to Baroque. The painter was born in the year 1599 in Antwerp, Antwerpen province, Flanders, Belgium and died at the age of 42 in 1641 in London, Greater London, England, United Kingdom.

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