Anton Raphael Meng, 1776 - Foto nke onwe - mbipụta nka mara mma

63,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Kedu ihe m nwere ike iburu?

The product dropdown menu provides you with the chance to choose the size and material of your choice. We allow yout to choose among the following variants:

  • Ugogbe acrylic ebipụtara: A glossy print on acrylic glass, often denoted as a plexiglass print, will transform your favorite original artwork into great wall décor. With an acrylic glass art print contrasts and painting details will be more visible due to the delicate gradation of the picture. The acrylic glass protects your custom fine art print against light and heat for between 40-60 years.
  • Akwụkwọ mmado na ihe kwaaji: The poster print is a UV printed sheet of canvas with a fine surface texture. Please note, that depending on the absolute size of the poster we add a white margin 2-6 cm round about the work of art, which facilitates the framing with your custom frame.
  • Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond with an outstanding effect of depth, creating a contemporary look by having a non-reflective surface structure. The Direct Print on Aluminum Dibond is the ideal introduction to the sophisticated world of replicas with aluminum. The bright sections of the artpiece shimmer with a silky gloss but without the glare. The colors are luminous in the highest definition, details appear crisp. The direct UV print on Aluminum Dibond is the most popular entry-level product and is a truly sophisticated way to display art, as it draws attention on the replica of the artwork.
  • Mbipụta kanvas: The UV printed canvas material mounted on a wooden stretcher frame. Further, a printed canvas makes a charming and positive effect. How do I hang a canvas print on my wall? A canvas print has the advantage of being relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without the support of any wall-mounts. Hence, a canvas print is suitable for any kind of wall.

Ozi dị mkpa: We try the best we can to describe our products in as much detail as possible and to showcase them visually. Please keep in mind that the tone of the printed materials, as well as the imprint may vary somehwat from the image on the device's screen. Depending on the screen settings and the nature of the surface, not all color pigments are printed one hundret percent realistically. Given that our are processed and printed manually, there might as well be slight differences in the size and exact position of the motif.

Ozi izugbe sitere na The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Born in Bohemia, Mengs became the most important painter in Dresden, Rome, and Madrid in the third quarter of the eighteenth century. Whereas Mengs's portraits of prominent sitters are notable for their delicacy, meticulous detail, and refined beauty, his self-portraits are essays in truthfulness. The discolored swelling on his forehead is a physical defect visible from about 1760; declining health forced him to leave his position as court painter at Madrid in 1769, though he returned there between 1774 and 1777. This self-portrait was painted in Madrid in 1776 and dispatched to Genoa; three other versions of lesser quality are known.

Nkọwa nke ngwaahịa nka

Onyonyo was created by Anton Raphael Mengs. The artwork was made with the size: 35 1/2 x 25 7/8 na (90 x 65,5 cm). Mmanụ na kwaaji was applied by the European artist as the medium of the masterpiece. The work of art is in the the Ụlọ ihe ngosi nka nke Metropolitan digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 2010 (ikike - ngalaba ọha). Tụkwasị na nke ahụ, ihe nkiri ahụ nwere kreditline: Harris Brisbane Dick Fund, 2010. Ọzọkwa, alignment bụ Eserese na nwere akụkụ ruru nke 1: 1.4, which implies that the length is 29% shorter than the width. Anton Raphael Mengs was a male painter, art historian, whose artistic style was mainly Baroque. The German artist lived for 51 afọ and was born in the year 1728 in Usti nad Labem, Ustecky Kraj, Czech Republic and passed away in 1779 in Rome, Roma province, Lazio, Italy.

Nkọwa nka ahaziri

Aha nka nka: "Ihe osise onwe"
Nhazi nka: sere
Okwu nche anwụ: nka ochie
Narị afọ nka: 18th narị afọ
Afọ nka: 1776
Afọ nka: ihe dị ka afọ 240
Usoro izizi: mmanụ na kwaaji
Akụkụ nke ihe osise izizi: 35 1/2 x 25 7/8 na (90 x 65,5 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị nke ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ụdị nka nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 2010
Ebe kredit nke ọrụ nka: Harris Brisbane Dick Fund, 2010

Banyere ihe

Nkewa edemede: mmepụta nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Production: German mere
Ụdị ngwaahịa: a na-achọ
Ihe eji eme atụmatụ: mgbidi gallery, ime ụlọ
Nhazi nka nka: nhazi ihe osise
Oke akụkụ: ogologo: obosara - 1: 1.4
Mmetụta akụkụ: ogologo bụ 29% mkpụmkpụ karịa obosara
Akwa ngwaahịa dị: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x70cm - 20x28", 100x140cm - 39x55"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 50x70cm - 20x28", 100x140cm - 39x55"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 50x70cm - 20x28"
Mbipụta aluminom (aluminium dibond ihe) dị iche iche: 50x70cm - 20x28", 100x140cm - 39x55"
Igwe onyonyo: enweghị etiti

metadata omenka ahaziri ahazi

Ihe nkiri: Anton Raphael Meng
Aha nka ndị ọzọ: Chev. Mengs, mengs raphael, Cav.e Antonio mengs, Raffaele Mengs, Meins, Raphael Minx, Mengz Antonio Raffaele, Menges, Raphl. Mengs, anton rafael mengs, Raph. Mengs, Raphael Menghs, Chevalier Mengs, Mengs Raphael, Mengs B., rafael mengs, Rap. Mienks, Raffaelle Mengs, mengs r., Mengs Antonio Rafael, Meng, Mengs, Antoine Raphael Mengs, Raffaele Morghen, Antoine Raphael dit Le Chevalier Mengs, Mengzs, Mengs Rafael, Raphl. Menghs, Mengs R., Anton Raphael Mengs, Mengs Anton Raph., Mengs Anton Raphael, mengs raphael anton, Raphel Mengs, Antonio Raphael Mengs, Mings premier Peintre du Roi d'Espagne, Raphael Mengs, anton raffael mengs, Cav. Mengs, Ralph Mengs, Antoine-Raphael Mengs, A. Raphael Mengs, Mengs A. R., mengs anton rafael, Antoine Raphael ^Idit^R Le Chevalier Mengs, A. R. Mengs, Anthon Raphael Mengs, Mengs Anton Raffael, Le Ch. Raphaël Mengs, mengs anton r., R. Mengs, Raffael Mengs
okike onye nka: nwoke
Obodo onye nka: German
Ọrụ nke onye na-ese ihe: onye ọkọ akụkọ ihe mere eme, onye na-ese ihe
Country: Germany
nhazi ọkwa: nna ukwu ochie
styles: Baroque
Ndụ: 51 afọ
Afọ ọmụmụ: 1728
Ebe amụrụ onye: Usti nad Labem, Ustecky Kraj, Czech Republic
Afọ ọnwụ: 1779
Ebe ọnwụ: Rome, Rome Province, Lazio, Italy

© nwebisiinka, Artprinta (www.artprinta.com)

Ị nwere ike na-amasị

Anya na nso nso a