Theodore Robinson, 1884 - Foto nke onwe - mbipụta nka mara mma

Họrọ ngwa ngwaahịa nke ị họọrọ

Maka mbipụta nka ọ bụla, anyị na-enye nha & ihe dị iche iche. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Kwaaji: The printed canvas stretched on a wooden stretcher frame. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight. This means, it is easy to hang up the Canvas print without the support of additional wall-mounts. A canvas print is suited for all kinds of walls.
• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an impressive effect of depth, which makes a modern impression with a surface , which is not reflective. The UV print on aluminium is one of the most demanded entry-level products and is a truly contemporary way to display fine art reproductions, as it puts 100% of the viewer’s focus on the image.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a printed sheet of flat cotton canvas with a slightly rough surface finish, that reminds the actual work of art. Please note, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the artwork in order to facilitate the framing with a custom frame.
• Bipụta na iko acrylic na-egbuke egbuke: An print on acrylic glass, often referenced as a an art print on plexiglass, makes your selected original artwork into marvellous wall décor.

Ozi dị mkpa: We try whatever we can to describe the products with as many details as we can and to demonstrate them visually on the different product detail pages. Still, the tone of the print materials and the printing might diverge to a certain extent from the image on the screen. Depending on the settings of your screen and the condition of the surface, color pigments may not be printed as realistically as the digital version shown here. In view of the fact that all our art prints are printed and processed by hand, there might as well be slight deviations in the size and exact position of the motif.

Akụkụ nke art"Onyonyo" nke onye omenkà nke oge a na-ese Theodore Robinson dị ka ihe osise gị pụrụ iche

In 1884 Theodore Robinson kere ihe osise ọgbara ọhụrụ a "Ihe osise onwe". The original of the masterpiece had the following size: 13 1/4 x 10 1/4 in (33,7 x 26 cm). Mmanụ na kwaaji was used by the North American artist as the technique for the work of art. Moveover, the work of art can be viewed in in the digital art collection of Museumlọ ihe ngosi nka nke Obodo. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Margaret and Raymond J. Horowitz, 2007 (nwere ikike: ngalaba ọha). Moreover, the artpiece has the following creditline: Gift of Margaret and Raymond J. Horowitz, 2007. Besides, the alignment of the digital reproduction is in Eserese format and has a side ratio of 1 : 1.4, which means that the length is 29% shorter than the width. The painter Theodore Robinson was a North American artist, whose art style was primarily Impressionism. The artist lived for 44 afọ - a mụrụ n'afọ 1852 in Irasburg, Orleans county, Vermont, United States and deceased in the year 1896.

Ozi ndabere ihe nka

Ngwaahịa a

metadata nka nka

Ederede a bụ ikike ọgụgụ isi ma chekwaa ya site na nwebisiinka ©, Artprinta.com