Fitz Henry Lane, 1848 - New England Inlet nwere ihe osise onwe - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nweta nhọrọ ihe ebipụta nka
Maka ngwaahịa ọ bụla anyị na-enye nha na ihe dị iche iche. N'ihi ya, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An print on acrylic glass, which is often denoted as a an art print on plexiglass, will turn your favorite original work of art into brilliant wall décor. With an acrylic glass fine art print sharp contrasts and also minor painting details will be more identifiable due to the fine gradation. The plexiglass with real glass coating protects your chosen fine art print against light and heat for many years.
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print with a true effect of depth. The bright components of the artpiece shimmer with a silky gloss but without glare. The colors of the print are luminous, the fine details appear crisp and clear.
- Bipụta akwụkwọ mmado n'ihe kwaaji: The poster print is a printed canvas with a nice surface finish, which reminds the original version of the work of art. It is best suited for placing your art print with a custom frame. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the print motif to facilitate the framing.
- Mbipụta kwaaji: The canvas direct print is a printed cotton canvas mounted on a wood frame. In addition to that, a canvas print generates a attractive and pleasant feeling. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Therefore, a canvas print is suited for any type of wall.
Disclaimer: We try everything to describe the products with as many details as possible and to display them visually. Although, the pigments of the print materials and the print result may vary marginally from the presentation on your device's screen. Depending on your screen settings and the nature of the surface, not all color pigments can be printed as exactly as the digital version. Considering that all our art reproductions are printed and processed by hand, there might also be slight discrepancies in the size and exact position of the motif.
Supplemental information by Yale University Art Gallery (© - Yale University Art Gallery - artgallery.yale.edu)
This landscape by Fitz Henry Lane depicts the Annisquam River near Gloucester, Massachusetts, where the artist lived for much of his life. Cows graze serenely in the foreground, while at left a man, likely Lane himself, carefully sketches the view. The train in the background records the Eastern Railroad’s new Gloucester line, completed the previous year. The railroad made the region rapidly accessible from Boston, facilitating a boom in tourism and trade.
Nkọwa ngwaahịa nka
New England Inlet with Self-Portrait bụ site na American artist Fitz Henry Lane in 1848. A na-ese ọrụ nka nke afọ 170 na nha: 17 3/4 x 25 7/8 na (45,1 x 65,7 cm). Mmanụ na kwaaji was applied by the artist as the technique for the artwork. Nowadays, the piece of art belongs to the Ụlọ ihe ngosi nka nke Mahadum Yale digital art collection. With courtesy of - Yale University Art Gallery (ikike ngalaba ọha). Creditline of the artwork: Gift of Kenneth A. Householder, B. Arch. 1947, in memory of Royal A. Basich, and partially purchased with the Stephen Carlton Clark, 1903, and John Hill Morgan, 1893, Funds. Furthermore, alignment of the digital reproduction is odida obodo na a akụkụ ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.
Iberibe nkọwa nka
Aha nke ihe nka: | "New England Inlet with Self-Portrait" |
Nhazi nka: | sere |
Nhazi nka: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Emepụtara n'afọ: | 1848 |
Ogologo afọ nka nka: | 170 afọ |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Nha ihe osise izizi: | 17 3/4 x 25 7/8 na (45,1 x 65,7 cm) |
Egosiputara na: | Artlọ Osisi Mahadum Yale |
Ebe ngosi nka: | New Haven, Connecticut, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | artgallery.yale.edu |
License: | ngalaba ọha |
Site n'aka: | Artlọ Osisi Mahadum Yale |
kreditline ọrụ nka: | Gift of Kenneth A. Householder, B. Arch. 1947, in memory of Royal A. Basich, and partially purchased with the Stephen Carlton Clark, 1903, and John Hill Morgan, 1893, Funds |
Banyere akụkọ
Nkewa ngwaahịa: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite nke ngwaahịa a: | emepụtara na Germany |
Stockdị ngwaahịa: | a na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | ihe ndozi ụlọ, foto mgbidi |
Nhazi: | usoro odida obodo |
Oke akụkụ onyonyo: | 3: 2 ogologo ruo obosara |
Ihe: | ogologo bụ 50% ogologo karịa obosara |
Nhọrọ dị: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Mbipụta nke aluminom (ihe aluminom): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi mbipụta nka: | enweghị etiti |
Tebụl nyocha nke onye na-ese ihe
aha: | Fitz Henry Lane |
okike nke onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo obibi: | United States |
Nkewa onye nka: | omenkà nke oge a |
Akwụsị: | 61 afọ |
Afọ ọmụmụ: | 1804 |
Nwụrụ n'afọ: | 1865 |
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