Francesco Guardi, 1760 - Nnukwu ọwa mmiri dị n'elu Rialto - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi ndị ọzọ artwork from The Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
Guardi depicts the Rialto Bridge with the Palazzo dei Camerlenghi, and, on the right, the vegetable market. He has created an effect of snapshot-like immediacy by arbitrarily cropping the house and palace at the left.
Nkọwa nka ahaziri
Akụkụ nka: | "The Grand Canal above the Rialto" |
nhazi ọkwa: | sere |
Otu izugbe: | nka ochie |
Time: | 18th narị afọ |
Ekepụtara: | 1760 |
Afọ nka: | 260 afọ |
Agba na: | mmanụ na kwaaji |
Akụkụ nke ọrụ nka mbụ: | 21 x 33 3/4 na (53,3 x 85,7 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Ịzụta, 1871 |
kreditline ọrụ nka: | Ịzụta, 1871 |
Banyere omenka
aha: | Francesco Guardi |
Aha ndị ọzọ: | Guardet, Guardo, François Guardi, Franc. Guardi, Garde Francesco, Francisco Wardi élève de Canaletti, Gauda Francesco, Guada Francesco, Guarde, guarde f., Gaurdi, guardi fr., Fr: Guardi, franzesco guardi, francesco quardi, guardi f., guardi francesco de, Gardis Francesco, Fran. Guardi, Giradi, Gauda, f. guardi, Guardi, Gardi Francesco, Guardi Francesco, Guardet Francesco, Francisco Guardi, Gardi, Gaurdy, guardi franc., Gardis, Francesco Guardi, Fr. Guardi, Guarde Francesco, גוארדי פרנצ'סקו, Guada, guardi f., francesco de guardi, Gouardi, Guardie, Francesco Guarde, Gvardi Franchesko, guardi francesco, Garde |
okike nke onye nka: | nwoke |
Obodo onye nka: | Italian |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Country: | Italy |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Nwụrụ na afọ nke: | 81 afọ |
Afọ amụrụ: | 1712 |
Ebe amụrụ onye: | Venice, mpaghara Venezia, Veneto, Italy |
Nwụrụ n'afọ: | 1793 |
Nwuru na (ebe): | Venice, mpaghara Venezia, Veneto, Italy |
Nkọwa ngwaahịa ahaziri ahazi
Ụdị ngwaahịa: | ọmarịcha nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Production: | German mere |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa a chọrọ: | art ebipụta gallery, mgbidi ịchọ mma |
Nhazi onyonyo: | usoro odida obodo |
Oke akụkụ onyonyo: | 3: 2 |
Nsonaazụ: | ogologo bụ 50% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi mmeputa nka nka: | na-enweghị etiti |
Họrọ ụdị ngwaahịa ngwaahịa gị
The product dropdown menu ofers you the possibility to choose the size and materialaccording to your individual preferences. Therefore, we allow you to choose among the following options:
- Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond with an outstanding depth effect. A direct Direct Print on Aluminum Dibond is the best introduction to fine art prints on aluminum. This UV print on aluminium is the most popular entry-level product and is an extremely modern way to showcase fine art reproductions, since it draws focus on the image.
- Mbipụta kanvas: The printed canvas material stretched on a wood frame. It makes the unique effect of three dimensionality. In addition to that, a canvas creates a familiar and enjoyable feeling. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without the help of extra wall-mounts. That is why, a canvas print is suited for any kind of wall.
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The acrylic glass print, which is often labelled as a plexiglass print, will transform the original work of art into beautiful décor. The work of art is manufactured with modern UV direct printing technology. The major upside of a plexiglass print is that contrasts and granular image details become identifiable thanks to the subtle tonal gradation. Our acrylic glass protects your selected fine art print against light and external influences for many years.
- Akwụkwọ mmado na ihe kwaaji: Our poster is a printed canvas paper with a fine structure on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the print motif in order to facilitate the framing with your custom frame.
Background information on this artwork painted by the Italian artist Francesco Guardi
The Grand Canal above the Rialto was made by Francesco Guardi in 1760. A na-ese ihe osise ahụ na nha: 21 x 33 3/4 na (53,3 x 85,7 cm) ma were ihe osise ese Usoro mmanụ na kwaaji. Ihe osise a bụ nke Ụlọ ihe ngosi nka nke Metropolitan nchịkọta nka dijitalụ, nke dị na New York City, New York, Njikota Obodo Amerika. Site n'ikike nke - Ụlọ ihe ngosi nka nke Metropolitan, New York, Ịzụta, 1871 (nwere ikike: ngalaba ọha). Ọzọkwa, ihe nkiri ahụ nwere akara kredit ndị a: Ịzụta, 1871. Furthermore, alignment is landscape and has an image ratio of 3: 2, which means that the length is 50% longer than the width. The painter Francesco Guardi was a European artist, whose style was primarily Baroque. The European artist was born in the year 1712 na Venice, Venezia Province, Veneto, Italy ma nwụọ mgbe ọ dị afọ 81 n'afọ 1793.
Ihe dị mkpa: We try in order to describe our products as accurate as possible and to illustrate them visually in our shop. Although, the colors of the printed materials, as well as the imprint might diverge marginally from the presentation on your screen. Depending on your screen settings and the condition of the surface, not all colors are printed as realisitcally as the digital version depicted here. Considering that all the art prints are processed and printed by hand, there may also be minor differences in the size and exact position of the motif.
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