Francesco Guardi, 1765 - Ọhaneze belatara na Palazzo Dandolo - mbipụta nka mara mma.

29,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

(© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

While Guardi is known for his landscapes and imaginary lagoon views, he also painted a few interiors such as the main hall of the Ridotto, the public gambling house in Palazzo Dandolo at San Moisè, as it looked before the remodelling of 1768. The elegant masked figures are sketched in an exceptionally fluid and sprightly technique.

Ozi zuru ezu na ngwaahịa

This classic art painting "The Reduced public at Palazzo Dandolo" was made by the baroque master Francesco Guardi in 1765. Ihe nka nwere nha - 13 3/8 x 20 inch (34 x 50,8 cm) ewe me ya ihe eji eme ihe mmanụ na kwaaji. Nowadays, this piece of art is in the the The Metropolitan Museum of Art's collection. With courtesy of: The Metropolitan Museum of Art, New York, Arịrịọ nke Lore Heinemann, na ebe nchekwa di ya, Dr. Rudolf J. Heinemann, 1996 (ọha na eze). : Arịrịọ nke Lore Heinemann, na ncheta di ya, Dr. Rudolf J. Heinemann, 1996. E wezụga nke ahụ, nghazi nke dijitalụ mmepụta bụ odida obodo na nwere a ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Francesco Guardi was a painter, whose style was mainly Baroque. The European painter was born in 1712 na Venice, Venezia n'ógbè, Veneto, Italy na nwụrụ anwụ na afọ nke 81 N'afọ 1793 na Venice, Venezia Province, Veneto, Italy.

Họrọ ụdị ihe dị iche iche

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

  • Mbipụta kwaaji: A canvas direct print is a printed cotton canvas stretched on a wood frame. Your canvas of your favorite work of art will provide you with the unique opportunity to transform your fine art print into a large size artpiece. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the use of extra wall-mounts. That is why, a canvas print is suited for any kind of wall.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a UV printed sheet of canvas with a slightly roughened finish on the surface. It is particularly used for framing your art replica using a custom frame. Please note, that depending on the absolute size of the poster we add a white margin 2 - 6cm around the work of art, which facilitates the framing with a custom frame.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often denoted as a UV print on plexiglass, changes your favorite original into gorgeous décor. With an acrylic glass fine art print contrasts plus minor details become more recognizeable because of the delicate tonal gradation.
  • Metal (aluminium debond mbipụta): An Aluminium Dibond print is a material with an impressive depth effect - for a modern look and a non-reflective surface. The Direct Print on Aluminum Dibond is your perfect introduction to fine art replicas on aluminum. The colors of the print are bright and vivid, details are crisp. This direct UV print on Aluminum Dibond is one of the most popular entry-level products and is a truly contemporary way to showcase artworks, since it draws attention on the whole artwork.

Nchịkọta dị mkpirikpi nke onye na-ese ihe

Aha onye nka: Francesco Guardi
Aha nka ndị ọzọ: Guarde Francesco, Guardo, francesco quardi, f. guardi, Gauda, Fran. Guardi, francesco de guardi, guardi franc., Guada, Gaurdy, Gauda Francesco, Guardet Francesco, Guada Francesco, François Guardi, guarde f., guardi f., guardi fr., guardi f., Francisco Wardi élève de Canaletti, Guardie, Gvardi Franchesko, גוארדי פרנצ'סקו, Garde, Gardis Francesco, Guardet, guardi francesco, Gardi, Francisco Guardi, Fr: Guardi, guardi francesco de, Fr. Guardi, Gardi Francesco, Franc. Guardi, Garde Francesco, Francesco Guarde, Gardis, franzesco guardi, Francesco Guardi, Guardi Francesco, Guarde, Gouardi, Guardi, Gaurdi, Giradi
okike onye nka: nwoke
Obodo onye nka: Italian
Ọrụ onye na-ese ihe: onye na-ese ihe
Mba onye si: Italy
Nhazi nke onye nka: nna ukwu ochie
styles: Baroque
Akwụsị: 81 afọ
Afọ amụrụ: 1712
Ebe omuma: Venice, mpaghara Venezia, Veneto, Italy
Afọ ọnwụ: 1793
Nwuru na (ebe): Venice, mpaghara Venezia, Veneto, Italy

Iberibe nkọwa nka

Iberibe aha nka: "The Reduced public at Palazzo Dandolo"
Nchịkọta nke ọrụ nka: sere
Okwu mkpokọta: nka ochie
Time: 18th narị afọ
Year: 1765
Afọ nka: 250 afọ
Usoro izizi: mmanụ na kwaaji
Nha nke ihe nka izizi: 13 3/8 x 20 inch (34 x 50,8 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
ibe weebụ: www.metmuseum.org
License: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Arịrịọ nke Lore Heinemann, na ebe nchekwa di ya, Dr. Rudolf J. Heinemann, 1996
kreditline ọrụ nka: Arịrịọ nke Lore Heinemann, na ncheta di ya, Dr. Rudolf J. Heinemann, 1996

Data ndabere ihe

Ụdị ngwaahịa: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Nlụpụta: emere na Germany
Stockdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: nka mgbidi, mma mgbidi
Nhazi nka nka: usoro odida obodo
Oke akụkụ: 3: 2 (ogologo: obosara)
Nsonaazụ: ogologo bụ 50% ogologo karịa obosara
Nhọrọ dị: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa.
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ nha mbipụta aluminom: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
ụba: mbipụta nka na-enweghị isi

Ederede iwu: We try to depict the art products as closely as possible and to display them visually. Nevertheless, the pigments of the print products, as well as the print result may vary somehwat from the presentation on the monitor. Depending on the screen settings and the condition of the surface, colors may not be printed as realisitcally as the digital version. Given that all our art reproductions are processed and printed manually, there might as well be minor discrepancies in the exact position and the size of the motif.

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