Francesco Guardi, 1765 - Venice si Bacino di San Marco - ọmarịcha nka

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N'elu 250 ihe nka afọ Venice from the Bacino di San Marco bụ nwoke onye Ịtali na-ese ihe kere ya Francesco Guardi. The beyond 250 year-old original had the following size: 48 x 60 in (121,9 x 152,4 cm). Mmanụ na kwaaji was applied by the Italian artist as the technique for the work of art. Today, the artpiece is part of the collection of The Metropolitan Museum of Art in New York City, New York, United States of America. With courtesy of - The Metropolitan Museum of Art, New York, Bequest of Adele L. Lehman, in memory of Arthur Lehman, l965 (ikike ngalaba ọha). The creditline of the artpiece is the following: Bequest of Adele L. Lehman, in memory of Arthur Lehman, l965. On top of that, alignment of the digital reproduction is in odida obodo format ya na oke nke 4: 3, meaning that the length is 33% longer than the width. Francesco Guardi was a painter, whose style was mainly Baroque. The Italian artist lived for 81 years - born in 1712 na Venice, mpaghara Venezia, Veneto, Italy ma nwụọ na 1793 na Venice, Venezia Province, Veneto, Italy.

Nkọwa ndị ọzọ sitere na weebụsaịtị The Metropolitan Museum of Art (© Copyright - site The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The view is among the most famous that Venice affords and shows the harbor basin and shipping, and the waterfront from the Mint, at left, to the incomplete façade of the church of the Pietà and beyond. Toward the left are the library, the bell tower and the clock tower, San Marco, the twin columns of the Piazzetta, and the patterned brickwork façade of Palazzo Ducale. The painting is a fairly early example of Guardi’s work in this specialized genre.

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Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

• Ugogbe acrylic ebipụtara: An acrylic glass print, which is sometimes described as a print on plexiglass, will change the artwork into beautiful décor and is a viable alternative option to canvas and aluminidum dibond art prints.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a printed canvas with a slightly roughened surface finish. It is optimally qualified for putting the art print with a personal frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the artwork in order to facilitate the framing with your custom frame.
• Kwaaji: A canvas print, not to be mistaken with a painting on a canvas, is a digital replica applied directly on cotton canvas. How can I hang a canvas print on my wall? Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang up the Canvas print without the help of extra wall-mounts. A canvas print is suitable for all types of walls.
• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true effect of depth, which creates a fashionable look by having a non-reflective surface structure. For your Aluminium Dibond option, we print the selected artwork onto the surface of the aluminum composite. The bright & white parts of the original artwork shimmer with a silky gloss but without the glow. The colors are luminous in the highest definition, the fine details of the print are clear and crisp, and the print has a a matte look you can literally feel.

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Ozi dị mkpa: We try all that we can in order to depict our art products as closely as possible and to showcase them visually on the product detail pages. At the same time, the tone of the printed materials and the printing may differ marginally from the presentation on the screen. Depending on the screen settings and the quality of the surface, not all colors will be printed 100% realistically. In view of the fact that our are printed and processed manually, there might also be minor variations in the size and exact position of the motif.

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