Francesco Guardi, 1770 - Agwaetiti San Michele, Venice - ọmarịcha nka

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In 1770 Francesco Guardi made this baroque work of art. The artpiece measures the size: 19 × 30 3/4 na (48,3 × 78,1 cm). Oil on canvas was used by the European artist as the technique for the artwork. What is more, the work of art forms part of the digital collection of Museumlọ ihe ngosi nka nke Obodo. a ngalaba ọha Ibé nka na-gụnyere na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Oriakụ Charles Wrightsman, 2019. : Arịrịọ nke Oriakụ Charles Wrightsman, 2019. Na mgbakwunye na nke ahụ, nhazi ahụ dị na odida obodo format ma nwee oke akụkụ nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Francesco Guardi was a painter of Italian nationality, whose art style was primarily Baroque. The Baroque painter was born in 1712 in Venice, Venezia province, Veneto, Italy and died at the age of 81 in the year 1793.

Ozi nkowa mgbakwunye sitere na webụsaịtị museum (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Guardi’s views of Venice differ from those of Canaletto in that they are less about a detailed description of individual buildings than an attempt to convey the magic of the city, enveloped—as here—in a diaphanous, silvery light. This view shows the cemetery island of San Michele with its early Renaissance church, designed by Mauro Codussi in 1469, flanked, on one side, by the domed Cappella Emiliani and the Gothic belltower and, on the other, by the (former) Camaldolensian monastery.

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In the product dropdown menu you can pick the material and sizeaccording to your preferences. We allow yout to choose among the following variants:

• Aluminom ihe eji eme ihe: These are metal prints on aluminium dibond with an outstanding depth effect. The Direct Print on Aluminum Dibond is your excellent introduction to fine reproductions made on aluminum. For our Print On Aluminum Dibond, we print the artpiece right on the aluminium composite white-primed surface. The white and bright parts of the original work of art shine with a silky gloss, however without any glare. The colors are vivid and luminous, the details appear very clear.
• Mbipụta enyo acrylic: An acrylic glass print, often referred to as a fine art print on plexiglass, transforms the original work of art into beautiful home decoration and makes a viable alternative option to canvas or dibond prints. Your own version of the artwork is printed thanks to state-of-the-art UV direct print technology. This makes stunning, vivid colors. With an acrylic glass fine art print sharp contrasts as well as small details will be more visible because of the precise gradation. Our acrylic glass protects your chosen art replica against light and external influences for between 40-60 years.
• Mpempe akwụkwọ (ihe kwaaji): The Artprinta poster print is a printed canvas with a granular finish on the surface, that resembles the actual masterpiece. Please keep in mind, that depending on the size of the poster we add a white margin between 2 - 6cm round about the painting to facilitate the framing.
• Mbipụta kwaaji: A printed canvas, which should not be confused with a canvas painting, is a digital copy printed on a canvas material. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang your Canvas print without the help of any wall-mounts. Canvas prints are suitable for all types of walls.

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Nkwupụta iwu: We try our best in order to describe our art products as closely as possible and to display them visually on the various product detail pages. However, the tone of the print products and the imprint may diverge somehwat from the image on your screen. Depending on the screen settings and the quality of the surface, color pigments may not be printed one hundret percent realistically. Bearing in mind that all the are processed and printed by hand, there might as well be minor differences in the exact position and the size of the motif.

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