François Boucher, 1765 - Nzipu nke ozi - mbipụta nka mara mma

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ozi nkowa mgbakwunye from The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

At the Salon of 1765, this painting was exhibited with three others, to form a narrative. A second oval depicted the arrival of the dove carrying a love letter. In one of the two rectangular canvases, the shepherdess read the letter to her confidante, and the other showed the meeting of the lovers.Diderot, a harsh critic of Boucher, praised the four paintings as "a charming little poem," but he condemned the falsity of the genre, comparing it to country life as represented in French opera.

Ozi ndabere na nka pụrụ iche

Aha nke ọrụ nka: "The Dispatch of the Messenger"
nhazi ọkwa: sere
Nhazi nka: nka ochie
Century: 18th narị afọ
Ekepụtara: 1765
Afọ nka: ihe karịrị 250 afọ
Agba na: mmanụ na kwaaji
Akụkụ izizi: Oval, 12 5/8 x 10 1/2 inch (32,1 x 26,7 cm)
Ụlọ ihe ngosi nka / ebe: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Ebe nrụọrụ weebụ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Gift of Mrs. Joseph Heine, in memory of her husband, I. D. Levy, 1944
Ebe kredit nke ọrụ nka: Gift of Mrs. Joseph Heine, in memory of her husband, I. D. Levy, 1944

metadata omenka ahaziri ahazi

aha: François Boucher
Gender: nwoke
Nationality: French
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Mba onye si: France
Nkewa onye nka: nna ukwu ochie
Ụdị nke onye na-ese ihe: Rococo
Nwụrụ na afọ nke: 67 afọ
Afọ amụrụ: 1703
Afọ ọnwụ: 1770
Obodo ọnwụ: Paris

Nkọwapụta ngwaahịa

Bipụta ụdị ngwaahịa: ezi nka mmeputakwa
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: mbipụta dijitalụ
Mmalite nke ngwaahịa a: German mere
Stockdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: nka mgbidi, mkpokọta nka (mmeputakwa)
Ndozi onyonyo a: usoro eserese
Oke akụkụ: ogologo: obosara 1:1.2
Mmetụta akụkụ onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ nha nha nke aluminom dibond (ihe aluminom): 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi nke nka nka: ngwaahịa anaghị emebi emebi

Ngwa ngwaahịa ị nwere ike ịhọrọ

Maka mbipụta nka ọ bụla mara mma anyị na-enye ụdị nha na ihe dị iche iche. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often labelled as a an art print on plexiglass, changes your favorite original work of art into brilliant décor and offers a great alternative option to dibond and canvas art prints. Your work of art is made with the help of state-of-the-art UV printing machines. The effect of this are sharp, intense colors. The acrylic glass protects your custom art print against light and external influences for several decades.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a UV printed canvas with a slightly rough surface texture, which reminds the original artwork. Please note, that depending on the size of the poster we add a white margin of around 2-6cm round about the artwork, which facilitates the framing.
  • Mbipụta kwaaji: A canvas direct print is a printed cotton canvas stretched on a wooden frame. Your canvas of your favorite masterpiece will provide you with the opportunity of transforming your personal into a large collection piece like you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without the use of additional wall-mounts. Because of thatcanvas prints are suitable for any type of wall.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a material with a true effect of depth - for a modern impression and a non-reflective surface. The Direct Print on Aluminum Dibond is the excellent start to the sophisticated world of fine art reproductions produced on aluminum. Colors are bright and vivid, the details of the print appear crisp and clear. The direct UV print on Aluminum Dibond is one of the most popular entry-level products and is a modern way to display art reproductions, since it puts 100% of the viewer’s attention on the artwork.

"The Dispatch of the Messenger"si François Boucher dị ka ihe osise gị pụrụ iche

a nka ochie eserese aha ya The Dispatch of the Messenger mere site François Boucher n’afọ 1765. Nke kariri 250 onye afọ mbụ nwere nha ndị a - Oval, 12 5/8 x 10 1/2 inch (32,1 x 26,7 cm) e jikwa ya see ya mmanụ na kwaaji. Taa, a na-ahụ ọrụ nkà a na nchịkọta nkà nke Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka nke gbasara puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke - The Metropolitan Museum of Art, New York, Gift of Mrs. Joseph Heine, in memory of her husband, I. D. Levy, 1944 (public domain). Additionally, the artpiece has the following creditline: Gift of Mrs. Joseph Heine, in memory of her husband, I. D. Levy, 1944. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ dị n'ime Eserese usoro na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter François Boucher was a European artist, whose art style was primarily Rococo. The French artist lived for a total of 67 afọ - amuru n'ime 1703 ma nwụọ na 1770 na Paris.

Ederede iwu: We try everythig possible in order to depict our art products as accurate as possible and to display them visually in our shop. Nonetheless, some pigments of the printing material and the imprint can diverge slightly from the representation on your monitor. Depending on your screen settings and the nature of the surface, color pigments may not be printed as realisitcally as the digital version on this website. Because all art reproductions are printed and processed by hand, there may also be slight differences in the motif's size and exact position.

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