Henri Fantin-Latour, 1885 - Eserese nwanyị - mbipụta nka mara mma

Akụrụngwa ị nwere ike isi na ya nweta

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche & nha. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a printed flat canvas with a slightly roughened structure on the surface, that resembles the original masterpiece. It is optimally suited for framing the fine art print with a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the painting in order to facilitate the framing with your custom frame.
• Kwaaji: A printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital image printed on an industrial printing machine. Your canvas of this artpiece will provide you with the unique chance to transform your art print into a large size work of art as you would see in a gallery. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without any wall-mounts. A canvas print is suited for any type of wall.
• Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with a true depth. For our Aluminium Dibond print, we print the selected work of art onto the surface of the aluminum composite. The white & bright parts of the original work of art shimmer with a silky gloss but without any glare. The colors are luminous, the fine details appear crisp, and the print has a a matte look that you can literally feel.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is sometimes described as a print on plexiglass, makes an original into beautiful wall décor. Moreover, the acrylic art print makes a good alternative option to dibond and canvas art prints. The artwork is being manufactured with state-of-the-art UV direct printing machines. With an acrylic glass art print contrasts and also granular color details will be more exposed with the help of the delicate gradation. The real glass coating protects your chosen art replica against sunlight and heat for many years to come.

Disclaimer: We try everything in order to depict our art products with as many details as possible and to showcase them visually on the various product detail pages. However, the colors of the printing material and the printing might diverge slightly from the presentation on your device's screen. Depending on the screen settings and the quality of the surface, not all color pigments are printed as realisitcally as the digital version on this website. Considering that the fine art prints are printed and processed by hand, there might as well be minor differences in the exact position and the size of the motif.

Nkọwa ndị ọzọ sitere na webụsaịtị ihe ngosi nka (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

A notebook kept by Fantin’s wife is said to record the circumstances surrounding this picture. The sitter called herself Mme Leroy, a name the artist suspected was false; and she insisted on paying for her portrait in advance. She was accompanied to some of her sittings by an American named Becker, who also commissioned a likeness of himself from Fantin, dated the following year (Smith College Museum of Art, Northampton, Mass.). The couple’s full identities, and the nature of their relationship, remain unknown.

Ozi zuru ezu gbasara ngwaahịa nka

"Portrait of a Woman" is a piece of art painted by Henri Fantin-Latour in 1885. The original measures the size 39 1/2 x 32 inch (100,3 x 81,3 cm) and was crafted on the medium oil on canvas. What is more, the artwork can be viewed in in the The Metropolitan Museum of Art's digital art collection, which is located in New York City, New York, Njikota Obodo Amerika. Site n'ikike nke - The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1910 (ọha na eze). Additionally, the artwork has the creditline: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1910. In addition to that, the alignment of the digital reproduction is in Eserese usoro na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Henri Fantin-Latour was a painter, graphic artist, botanical illustrator, lithographer of French nationality, whose style can mainly be assigned to Realism. The French artist was born in the year 1836 na Grenoble, Auvergne-Rhone-Alpes, France wee nwụọ mgbe ọ dị afọ 68 N'afọ 1904 na Basse-Normandie, France.

Nkọwa nka ahaziri

Product nkọwa

Onye na-ese ihe

Enwere ikike nwebiisinka © | www.artprinta.com (Artprinta)