Henri Fantin-Latour, 1903 - Pansies - mbipụta nka mara mma
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Product nkọwa
Pansies bụ site na French onye na-ese ihe Henri Fantin-Latour. Ihe gafere 110 year-old original creation was painted with the following size: 9 x 11 1/8 na (22,9 x 28,3 cm). Mmanụ na kwaaji was applied by the artist as the technique for the masterpiece. Today, this work of art is part of the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta dị na New York City, New York, Njikota Obodo Amerika. Site n'ikike nke: The Metropolitan Museum of Art, New York, Gift of Paul O. Fabri, 1996 (licensed: public domain). : Gift of Paul O. Fabri, 1996. What is more, the alignment is in odida obodo format and has a side ratio of 1.2 : 1, which means that the length is 20% longer than the width. The painter, graphic artist, botanical illustrator, lithographer Henri Fantin-Latour was an artist, whose art style can primarily be attributed to Realism. The Realist artist lived for a total of 68 afọ a mụrụ ya n'afọ 1836 na Grenoble, Auvergne-Rhone-Alpes, France wee nwụọ n'afọ 1904.
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- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a UV printed sheet of canvas with a slightly rough surface finish. The poster print is suited for putting the art print with the help of a customized frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the artwork in order to facilitate the framing with a custom frame.
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- Mbipụta kwaaji: A printed canvas, which shall not be mistaken with a canvas painting, is an image printed on a cotton canvas fabric. In addition to that, a printed canvas produces a lively and pleasing impression. How can I hang a canvas print on the wall? The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without the help of any wall-mounts. Canvas prints are suitable for any type of wall in your home.
- Mbipụta enyo acrylic: The acrylic glass print, which is often described as a plexiglass print, will convert the original into brilliant décor. In addition to that, it forms a viable alternative option to canvas and aluminidum dibond fine art prints. The artwork is made with the help of modern UV print technology. It creates intense and impressive colors. The major benefit of an acrylic glass print is that contrasts as well as painting details will be more visible thanks to the very fine gradation. The acrylic glass protects your chosen fine art print against light and external influences for many years.
Ederede iwu dị mkpa: We try to depict the products as accurately as possible and to display them visually. Although, the tone of the printed materials, as well as the imprint can differ slightly from the representation on the screen. Depending on your screen settings and the condition of the surface, not all color pigments can be printed as realisitcally as the digital version on this website. Since all art reproductions are printed and processed by hand, there may as well be minor differences in the exact position and the size of the motif.
Nkọwa edemede
Bipụta ngwaahịa: | nka nka |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Production usoro: | UV kpọmkwem obibi |
Mmalite ngwaahịa: | emere na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ojiji ngwaahịa: | ihe ndozi mgbidi, ime ụlọ |
Ndozi onyonyo a: | nhazi odida obodo |
Oke akụkụ: | ogologo ruo obosara 1.2: 1 |
Mmetụta akụkụ: | ogologo bụ 20% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ site na: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhazi mmeputa nka nka: | biko buru n'uche na nnomi nka enweghi fremu |
Ozi nka ahaziri
Aha nka: | "Pansies" |
Nhazi nke ihe nka: | sere |
Okwu nche anwụ: | nkà nke oge a |
Century: | 20th narị afọ |
Afọ nka: | 1903 |
Afọ nka: | gbara afọ 110 |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Nha ihe osise izizi: | 9 x 11 1/8 na (22,9 x 28,3 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Gift of Paul O. Fabri, 1996 |
Ebe E Si Nweta: | Gift of Paul O. Fabri, 1996 |
Tebụl nyocha nke onye na-ese ihe
Aha onye nka: | Henri Fantin-Latour |
Aha ndị ọzọ: | Henri-Théodore Fantin-Latour, Ignace Henri Jean Theodore Fantin-Latour, h.j.t. fantin latour, I. H. J. Th. Fantin-Latour, latour fantin, Fantin-Latour Henri-Théodore, Fantin, Fantin-Latour Ignace-Henri Jean Theodore, Fantin Latour, fantin latour henri, Fantin-Latour Henri, h.j.t.f. latour, Fantin-Latour Ignace Henri, Fantin-Latour Ignace Henri Jean Theodore, Fantin-Latour Ignace-Henri-Jean-Théodore, Fantin-Latour J.-H., fantin latour h.j.t., H. Fantin-Latour, Henri Fantin-Latour, J. Th. fantin-latour, פנטין לאטור אנרי, Latour Henri Fantin-, Ignace Henri J. Th. Fantin-Latour, fantin latour henri, latour henri fantin, Fantin-Latour, H. Fantin Latour |
okike onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ: | lithographer, painter, botanical illustrator, graphic artist |
Obodo onye nka: | France |
nhazi ọkwa: | omenkà nke oge a |
styles: | Ihe ngosi |
Akwụsị: | 68 afọ |
Afọ ọmụmụ: | 1836 |
Obodo amụrụ: | Grenoble, Auvergne-Rhone-Alpes, France |
Afọ nwụrụ: | 1904 |
Nwụrụ na (ebe): | Basse-Normandie, France |
Enwere ikike nwebiisinka © - Artprinta.com
Nkọwa mgbakwunye nke Ụlọ ihe ngosi nka nke Obodo ukwu (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
This study of pansies in a basket was painted the year before the artist's death. Although the motif is reprised from his larger and more highly finished composition of 1874, Still Life with Pansies (66.194), these flowers were probably painted from life, which is consistent with Fantin's practice.