Hubert Robert, 1760 - The Old Bridge - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Data ndabere na ọrụ nka
Aha nke ihe nka: | "The Old Bridge" |
Nhazi nka: | sere |
Otu sara mbara: | nka ochie |
Time: | 18th narị afọ |
Afọ nka: | 1760 |
Ogologo afọ nka nka: | 260 afọ |
Agba na: | mmanụ na kwaaji |
Ogo nke ọrụ nka izizi: | emebereghị: 76,2 x 100,3 cm (30 x 39 1/2 na) emebere: 98,4 x 121,8 cm (38 3/4 x 47 15/16 na) |
Ụlọ ihe ngosi nka / ebe: | Artlọ Osisi Mahadum Yale |
Ebe ebe ngosi nka: | New Haven, Connecticut, Njikota Obodo Amerika |
Ụlọ ihe ngosi nka webụsaịtị: | Artlọ Osisi Mahadum Yale |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Artlọ Osisi Mahadum Yale |
Ebe E Si Nweta: | Gift of Mary C. and James W. Fosburgh 1933, 1935 |
Ozi izugbe na onye na-ese ihe
Aha onye nka: | Hubert Robert |
Aha ndị ọzọ: | Roberts Hubert, Hubert Robert, Robert des Ruines, Robart Hubert, Robarts Hubert, Robert Hubert des Ruines, Robert Hubert |
okike nke onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ onye na-ese ihe: | onye ese, curator |
Mba onye si: | France |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nka: | Rococo |
Nwụrụ anwụ: | 75 afọ |
Afọ ọmụmụ: | 1733 |
Ebe omuma: | Paris, Ile-de-France, France |
Afọ ọnwụ: | 1808 |
Nwuru na (ebe): | Paris, Ile-de-France, France |
Ngwaahịa a
Nkewa edemede: | ezi nka mmeputakwa |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | Mbipụta UV / dijitalụ |
Production: | emepụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | nka mgbidi, art mmeputakwa gallery |
Nhazi nke ihe nka: | usoro odida obodo |
Oke akụkụ: | 4: 3 |
Akụkụ onyonyo pụtara: | ogologo bụ 33% ogologo karịa obosara |
Nhọrọ dị: | Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Mbipụta nke aluminom (ihe aluminom): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Igwe onyonyo: | agunyeghi |
Nhọrọ ihe enwere ike
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are prints on metal with an outstanding depth effect. For our Direct Aluminium Dibond print, we print the favorite work of art onto the aluminium composite white-primed surface. The colors are vivid and luminous in the highest definition, details are crisp, and there’s a matte look that you can literally feel. This direct print on aluminium is one of the most demanded entry-level products and is a truly modern way to display fine art prints, since it puts 100% of the viewer’s focus on the image.
- Mbipụta kwaaji: The printed canvas material stretched on a wooden stretcher frame. It makes the plastic look of three-dimensionality. Canvas prints are relatively low in weight. This means, it is easy to hang up your Canvas print without the use of extra wall-mounts. A canvas print is suited for all kinds of walls.
- Mbipụta enyo acrylic: An print on acrylic glass, often referenced as a print on plexiglass, changes the original work of art into beautiful décor. The major benefit of a plexiglass fine art copy is that sharp contrasts plus smaller painting details become more exposed because of the granular tonal gradation.
- Akwụkwọ mmado ebipụtara (ihe kwaaji): A poster print is a UV printed cotton canvas paper with a fine surface texture. Please note, that depending on the size of the poster we add a white margin between 2 - 6cm round about the print to facilitate the framing with your custom frame.
Nkọwa ngwaahịa
The 18th narị afọ work of art was created by Hubert Robert. The original had the size: emebereghị: 76,2 x 100,3 cm (30 x 39 1/2 na) emebere: 98,4 x 121,8 cm (38 3/4 x 47 15/16 na). Mmanụ na kwaaji was applied by the artist as the medium of the masterpiece. Besides, the artwork can be viewed in in the digital art collection of Yale University Art Gallery, which belongs to Yale University and is the oldest art museum of a university in the western hemisphere. With courtesy of: Artlọ Osisi Mahadum Yale (ikike ngalaba ọha). : Gift of Mary C. and James W. Fosburgh 1933, 1935. What is more, the alignment of the digital reproduction is in odida obodo usoro ma nwee oke akụkụ nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Hubert Robert was a male curator, painter, whose art style was mainly Rococo. The French artist lived for 75 afọ and was born in the year 1733 in Paris, Ile-de-France, France and deceased in the year 1808 in Paris, Ile-de-France, France.
Ederede iwu dị mkpa: We try what we can in order to describe the products as accurate as possible and to demonstrate them visually on the respective product detail pages. Nevertheless, the colors of the printing material, as well as the print result can diverge slightly from the representation on your device's monitor. Depending on your screen settings and the nature of the surface, not all colors can be printed as exactly as the digital version depicted here. Given that all art reproductions are printed and processed manually, there may also be slight deviations in the motif's exact position and the size.
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