Hubert Robert, 1795 - Nri oriri na mkpọmkpọ ebe nke ụlọ nsọ - ọmarịcha nka

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

The piece of art was created by the French artist Hubert Robert in 1795. The over 220 years old original was painted with the size - etinyere: 110,49 x 95,885 cm (43 1/2 x 37 3/4 na) enweghị okpokolo agba: 100,01 x 86,04 cm (39 3/8 x 33 7/8 na). Oil on canvas was applied by the French artist as the technique for the artwork. Furthermore, the piece of art is included in the Yale University Art Gallery's digital collection. The artwork, which is in the public domain is being supplied, courtesy of Artlọ Osisi Mahadum Yale. Moreover, the artpiece has the following creditline: Lent by Dr. and Mrs. Herbert Schaefer. The alignment of the digital reproduction is Eserese and has a ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Hubert Robert was a curator, painter, whose artistic style was primarily Rococo. The French painter lived for a total of 75 years - born in 1733 na Paris, Ile-de-France, France na nwụrụ anwụ na 1808 na Paris, Ile-de-France, France.

Nkọwa nka ahaziri

Aha nka nka: "A Banquet in the Ruins of a Temple"
Nhazi nka: sere
Okwu nche anwụ: nka ochie
Nhazi oge: 18th narị afọ
Year: 1795
Afọ nka: ihe dị ka afọ 220
Agba na: mmanụ na kwaaji
Akụkụ izizi nka: etinyere: 110,49 x 95,885 cm (43 1/2 x 37 3/4 na) enweghị okpokolo agba: 100,01 x 86,04 cm (39 3/8 x 33 7/8 na)
Ụlọ ihe ngosi nka / mkpokọta: Artlọ Osisi Mahadum Yale
Ebe ngosi nka: New Haven, Connecticut, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: Artlọ Osisi Mahadum Yale
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Artlọ Osisi Mahadum Yale
kreditline ọrụ nka: Binye ya site na Dr. na Oriakụ Herbert Schaefer

Tebụl onye na-ese ihe

aha: Hubert Robert
Aha ndị ọzọ: Robarts Hubert, Robert Hubert des Ruines, Robert Hubert, Roberts Hubert, Robert des Ruines, Robart Hubert, Hubert Robert
Gender: nwoke
Nationality: French
Ọrụ nke onye na-ese ihe: curator, onye na-ese ihe
Country: France
Nhazi nke onye nka: nna ukwu ochie
styles: Rococo
Nwụrụ na afọ nke: 75 afọ
Afọ amụrụ: 1733
Obodo amụrụ: Paris, Ile-de-France, France
Nwụrụ n'afọ: 1808
Nwụrụ na (ebe): Paris, Ile-de-France, France

Akụrụngwa ndị ahịa anyị nwere ike ịhọrọ

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a UV printed flat canvas paper with a slightly roughened surface structure. A poster is appropriate for putting your art print with the help of a personal frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the print motif in order to facilitate the framing with your custom frame.
  • Bipụta na enyo acrylic: An print on acrylic glass, which is sometimes described as a UV print on plexiglass, makes the original work of art into brilliant décor. The work of art will be custom-made with the help of modern UV printing machines. The great advantage of a plexiglass fine art copy is that contrasts as well as small details become exposed due to the subtle tonal gradation in the picture.
  • Kwaaji: The UV printed canvas mounted on a wooden stretcher frame. A canvas generates the extra impression of three dimensionality. The printed canvas makes a soft and positive atmosphere. A canvas print has the advantage of being low in weight, which means that it is easy to hang the Canvas print without the use of extra wall-mounts. Therefore, canvas prints are suitable for all types of walls.
  • Mbipụta aluminom (aluminium dibbond): These are metal prints on aluminium dibond material with an outstanding depth - for a modern impression and a non-reflective surface structure. For the Direct Aluminium Dibond option, we print the chosen artwork onto the surface of the aluminum composite. Colors are luminous, the details appear clear and crisp. This direct UV print on Aluminum Dibond is the most popular entry-level product and is an extremely sophisticated way to display artworks, as it puts the viewer’s focus on the replica of the artwork.

Banyere edemede a

Nkewa ngwaahịa: ọmarịcha nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Nlụpụta: arụpụtara na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: mgbidi mgbidi, ụlọ mmepụta nka nka
Nhazi: nhazi ihe osise
Oke akụkụ: 1: 1.2 - ( Ogologo: obosara)
Akụkụ onyonyo pụtara: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ ihe dị: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ.
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe akwụkwọ Dibony (ihe alumnium) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mbipụta nka: adịghị

Important information: We try our best in order to describe our products as accurately as possible and to exhibit them visually. Although, the colors of the print products and the printing can differ somehwat from the image on the screen. Depending on your screen settings and the quality of the surface, not all colors can be printed as realistically as the digital version depicted here. Given that all fine art prints are processed and printed by hand, there might as well be slight variations in the exact position and the size of the motif.

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