Lawrence Alma-Tadema, 1894 - Mmiri - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
a nkà nke oge a kere artwork Lawrence Alma-Tadema. The version of the work of art has the following size: 178,4 x 80,3 cm (70 1/4 x 31 5/8 in). Mmanụ na kwaaji was used by the European artist as the technique for the piece of art. The artwork is part of the collection of Ụlọ ihe ngosi nka nke J. Paul Getty. Site n'ikike nke: Ụlọ ihe ngosi nka nke J. Paul Getty (ikike ngalaba ọha).Also, the artwork has the creditline: . The alignment is portrait with an aspect ratio of 2: 5, nke pụtara na ogologo bụ 60% mkpụmkpụ karịa obosara. The painter Lawrence Alma-Tadema was an artist from the Netherlands, whose artistic style can primarily be assigned to Romanticism. The Romanticist painter lived for 76 afọ, amuru na afo 1836 in Dronrijp, Friesland, Netherlands and deceased in 1912.
Nye iwu ihe ị ga-achọ inwe
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Metal (aluminium debond mbipụta): Aluminium Dibond prints are prints on metal with a true depth. This direct print on Aluminum Dibond is the most popular entry-level product and is a truly sophisticated way to display fine art reproductions, as it puts the viewer’s focus on the artwork.
- Kwaaji: The printed canvas, which shall not be mistaken with a painting on a canvas, is a digital copy applied onto canvas material. A canvas makes a extra effect of three-dimensionality. Canvas prints are relatively low in weight, which implies that it is easy to hang up your Canvas print without the help of any wall-mounts. Canvas prints are suited for all types of walls.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: A poster print is a UV printed flat canvas paper with a slightly rough texture on the surface, which reminds the actual version of the masterpiece. It is best designed for putting the art copy with the help of a customized frame. Please note, that depending on the absolute size of the poster we add a white margin of around 2-6cm round about the print, which facilitates the framing with your custom frame.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes described as a an art print on plexiglass, will convert the original into marvellous décor. Above all, the acrylic fine art print offers a good alternative option to canvas or dibond fine art replicas. With an acrylic glass art print contrasts plus granular artwork details will be more recognizeable thanks to the precise gradation of the print. The acrylic glass protects your custom art replica against light and heat for up to 60 years.
Nkwupụta iwu: We do the best we can to describe our art products with as many details as we can and to showcase them visually. However, the pigments of the printed materials, as well as the print result may differ marginally from the presentation on your device's screen. Depending on your screen settings and the quality of the surface, colors may not be printed one hundret percent realistically. Since all the fine art prints are printed and processed manually, there may also be minor discrepancies in the motif's exact position and the size.
data ndabere ngwaahịa
Ụdị edemede: | ọrụ mgbidi |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Usoro nhazi: | UV kpọmkwem obibi |
Ihe ngosi: | emere na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ojiji ngwaahịa: | ihe ndozi mgbidi, gallery mmeputakwa nka |
Ndozi onyonyo a: | nhazi ihe osise |
Oke akụkụ onyonyo: | 2: 5 ogologo ruo obosara |
Oke onyonyo pụtara: | ogologo bụ 60% mkpụmkpụ karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 20x50cm - 8x20", 40x100cm - 16x39", 60x150cm - 24x59", 80x200cm - 31x79" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 20x50cm - 8x20", 40x100cm - 16x39" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x100cm - 16x39" |
Mbipụta nke aluminom (ihe aluminom): | 20x50cm - 8x20", 40x100cm - 16x39" |
Igwe onyonyo: | adịghị |
Data nka ahaziri
Aha nka: | "mmiri" |
Nhazi nka nka: | sere |
Otu izugbe: | nkà nke oge a |
Time: | 19th narị afọ |
Emepụtara na: | 1894 |
Afọ nka: | ihe karịrị afọ 120 |
Ihe osise izizi: | mmanụ na kwaaji |
Ogo nke ọrụ nka izizi: | 178,4 x 80,3 cm (70 1/4 x 31 5/8 na) |
Ụlọ ihe ngosi nka: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Ebe ngosi nka: | Los Angeles, California, Njikota Obodo Amerika |
weebụsaịtị nke Museum: | www.getty.edu |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Banyere onye na-ese ihe
Aha onye nka: | Lawrence Alma-Tadema |
Aha utu aha: | אלמה-טדמה סר לורנס, Alma Tadema, Sir Laurence Alma Tadema, Alma-Tadema Lawrence, Laurens Alma Tadema, Alma-Tadema Sir Lawrence, Sir Lawrence Alma Tadema, Lawrence Alma-Tadema Sir, Alma Tadema Sir, alma tadema l. sir, Tadema, sir l. alma tadema, Alma-Tadema Laurence Sir, Alma Tadema Laurens, Lawrence Alma-Tadema, Alma-Tadema L., sir alma tadema, Alma-Tadema Sir Laurence, Alma-Tadema Lawrence Sir, Tadema Lawrence Alma-, l. alma tadema, Alma Thadéma, Alma Tadema Lourens, Alma-Tadema, Alma-Tadema Sir |
okike onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | mba netherland |
Otu nka: | omenkà nke oge a |
Ụdị nka: | Ihunanya |
Afọ ọnwụ: | 76 afọ |
Afọ ọmụmụ: | 1836 |
Ebe amụrụ onye: | Dronrijp, Friesland, Netherlands |
Afọ nwụrụ: | 1912 |
Nwuru na (ebe): | Wiesbaden, Hessen State, Germany |
Copyright right, Artprinta (www.artprinta.com)
Ozi izugbe sitere na webụsaịtị ihe ngosi nka (© - nke J. Paul Getty Museum dere - www.getty.edu)
A procession of women and children descending marble stairs carry and wear brightly colored flowers. Cheering spectators fill the windows and roof of a classical building. Lawrence Alma-Tadema here represented the Victorian custom of sending children into the country to collect flowers on the morning of May 1, or May Day, but placed the scene in ancient Rome. In this way, he suggested the festival's great antiquity through architectural details, dress, sculpture, and even the musical instruments based on Roman originals.
Alma-Tadema's curiosity about the ancient world was insatiable, and the knowledge he acquired was incorporated into over three hundred paintings of ancient archaeological and architectural designs. He said: "Now if you want to know what those Greeks and Romans looked like, whom you make your masters in language and thought, come to me. For I can show not only what I think but what I know."
Alma-Tadema's paintings also enjoyed popularity later, when his large panoramic depictions of Greek and Roman life caught the attention of Hollywood. Certain scenes in Cecil B. DeMille's film Cleopatra (1934) were inspired by the painting Spring.