Bernardino Mei, 1655 - Kraịst na-asachapụ ụlọ nsọ - mbipụta nka mara mma

Artwork description by The J. Paul Getty Museum website (© - Ụlọ ihe ngosi nka nke J. Paul Getty - Ụlọ ihe ngosi nka nke J. Paul Getty)

Upon seeing the Temple of Jerusalem turned into a marketplace by moneychangers and traders in sacrificial animals, the whip-carrying Jesus bursts out in anger. With an animated composition laid out on diagonals, and monumental figures reeling, Bernardino Mei's canvas aptly portrays Christ's righteous fury.

Mei borrowed the half-length figures and their unique, unidealized faces from Caravaggio's naturalistic followers. From the Baroque whirls of Gian Lorenzo Bernini's sculpture, he took the multiple twisting movements, then added a silvery light to harmonize the colors.

Baroque artists often painted this subject because of its tumultuous action and intense emotion. Italians of the 1600s tended to interpret the theme as symbolic of the contemporary reform of the Catholic Church.

In 1655 the Italian painter Bernardino Mei made this artpiece. The work of art is in the the Ụlọ ihe ngosi nka nke J. Paul Getty collection. With courtesy of: The J. Paul Getty Museum (nwere ikike - ngalaba ọha).Ihe kredit nke ọrụ nka bụ: . Ọzọkwa, itinye n'usoro odida obodo format ya na oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Bernardino Mei was a engraver, painter, whose art style can mainly be classified as Baroque. The European artist lived for 64 afọ - a mụrụ n'afọ 1612 in Siena, Siena province, Tuscany, Italy and died in 1676.

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