Claude Lorrain, 1645 - Nleba anya n'ụsọ oké osimiri na mpụ nke Europa - mbipụta nka mara mma

Ọkachamara nke narị afọ nke 17 nwere aha Coast View with the Abduction of Europa kere site na Baroque onye na-ese ihe Claude Lorrain in 1645. It is part of the collection of Ụlọ ihe ngosi nka nke J. Paul Getty, nke bụ akụkụ nke ntụkwasị obi J. Paul Getty na bụ otu n'ime ụlọ ọrụ nka kacha ukwuu n'ụwa niile. Ọ na-achọ ịkpali ọchịchọ ịmata ihe gbasara, na ịnụ ụtọ na nghọta nke nka a na-ahụ anya site n'ịchịkọta, ichekwa, igosipụta na ịkọwa ọrụ nka nke àgwà pụtara ìhè na mkpa akụkọ ihe mere eme.. Site n'ikike nke Ụlọ ihe ngosi nka nke J. Paul Getty (license - public domain).The creditline of the artwork is the following: . Furthermore, alignment of the digital reproduction is landscape and has a side ratio of 4: 3, which implies that the length is 33% longer than the width. Claude Lorrain was a male painter, whose artistic style can primarily be classified as Baroque. The painter lived for a total of 82 years, born in the year 1600 in Champagne, Auvergne-Rhone-Alpes, France and deceased in the year 1682 in Rome, Roma province, Lazio, Italy.

Original information about the work of art from the museum's website (© Copyright - by The J. Paul Getty Museum - Ụlọ ihe ngosi nka nke J. Paul Getty)

The maiden Europa rests atop a white bull, unaware it is the god Jupiter in disguise. According to the tale in Ovid's Metamorphoses, soon the animal will abduct her across the waves. Until then, she and her attendants festoon the seemingly innocent beast with flowers, while her blue drapery flutters in the breeze. In the upper right corner, a hazy poetic light illuminates her home city of Tyre, further evoking an idyllic antique world.

Claude Lorrain is known for painting complicated images that achieve a tranquil balance. This scene appears bucolic, but his composition and details also hint of impending danger. Beyond the field of delicate flowers, for example, a craggy tower looms. The women fail to notice that the bull is poised in anticipation, already straightening one of his legs for flight. Whitecaps gather behind them on the darkening sea, the backdrop to Europa's fate.

Even in his day, Claude was known for developing a style called the Ideal Landscape, in which nature on the canvas surpasses the real thing in its beauty, harmony, and refinement. Here he balances formal elements, like the upright trees, ship, and towers, against the open expanse of sea and sky. Offshore, he juxtaposes the huge galleon and all its impeccable detail in the rigging and carved decoration, with Europa still on land. The maritime theme also had a deeper resonance for Claude's contemporaries, as in art criticism, the abduction of Europa was compared to a ship leaving shore.

French by birth, and working in Rome, Claude often went into the countryside to do studies of nature. One of his hallmarks is the use of a unifying light, which gives this work a kind of gentle glow. The romance is punctuated by long shadows coming in from the left, distinctive of his favorite afternoon light, which help frame the drama at center stage.

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• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster print is a UV printed canvas paper with a nice surface texture. Please note, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the painting in order to facilitate the framing with your custom frame.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often named a plexiglass print, will convert the original into great home decoration. Your favorite work of art is being made with the help of modern UV direct printing technology. The image effect of this are deep and vivid colors. Our real glass coating protects your selected fine art print against light and heat for between 40-60 years.
• Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print material with an impressive depth. The non-reflective surface make a contemporary look. The Direct Print on Aluminum Dibond is your ideal start to fine art replicas on aluminum. For our Direct Print On Aluminum Dibond, we print your chosen artwork onto the surface of the white-primed aluminum composite. The bright components of the original artpiece shimmer with a silky gloss, however without any glare.
• Mbipụta kwaaji: The printed canvas, which should not be confused with a painting on a canvas, is a digital copy printed on a cotton canvas material. Hanging a canvas print: A canvas print has the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without the help of any wall-mounts. A canvas print is suited for any type of wall.

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Nkwupụta iwu: We try our best in order to depict our art products with as many details as possible and to demonstrate them visually on the respective product detail pages. Nevertheless, the colors of the print materials, as well as the printing can differ to a certain extent from the presentation on your device's screen. Depending on your screen settings and the nature of the surface, color pigments might not be printed as exactly as the digital version. Because all our art prints are processed and printed manually, there may as well be minor variations in the size and exact position of the motif.

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