Domenichino, 1610 - Ụzọ na Calvary - ọmarịcha nka

What does the website of the The J. Paul Getty Museum state about this artwork from the painter Domenichino? (© Copyright - The J. Paul Getty Museum - Ụlọ ihe ngosi nka nke J. Paul Getty)

The cross pins Christ to the ground under its weight as he struggles on the way to his Crucifixion. With his mouth parted as if to speak, Christ looks sorrowfully out at the viewer. The large figures and compressed composition enhance the sense of his oppression under the massive cross and the cruelty of his tormentors.

Domenichino paid particular attention to individualized types; the attendant soldiers and executioners seem studiously painted from individual models. A Roman soldier in armor and sandals leads the procession and gestures with a baton at Simon of Cyrene, who tries to assist Christ. Behind them, another soldier tugs sharply on the rope tied around the body of Christ and raises his right arm as if to strike. Shocked faces from the civilian throng that accompanied Christ to Calvary are visible between his legs. In the background are various figures: a man in a fringed red hat carrying a ladder on his shoulders and two more soldiers, one on horseback and another on foot.

The painting's coloring has retained its strong impact because of the superior preservative qualities of oil on a copper surface.

a nka ochie sere The Way to Calvary e kere ya Dominchino n'afọ 1610. Ihe gafere 410 e mere ụdị izizi nke afọ dị na nha: 55,2 × 67,6 cm (21 3/4 × 26 5/8 na) and was painted on the medium oil on copper. The artpiece belongs to the art collection of Ụlọ ihe ngosi nka nke J. Paul Getty in Los Angeles, California, Njikota Obodo Amerika. Anyị na-enwe obi ụtọ ikwu na nke a artwork, nke bụ nke ngalaba ọha a gụnyere ya na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke J. Paul Getty.Besides, the work of art has the following creditline: . On top of that, alignment of the digital reproduction is in odida obodo format na nwere akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. Domenichino was a male painter from Italy, whose artistic style can mainly be classified as Baroque. The Baroque painter lived for 60 years, born in 1581 ma nwụọ na 1641.

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• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a UV printed canvas with a slightly rough surface structure. Please bear in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm around the artwork to facilitate the framing with your custom frame.
• Kwaaji: A canvas print is a printed canvas mounted on a wooden stretcher. How do I hang a canvas print on the wall? Canvas Prints have the great advantage of being low in weight, which means that it is easy and straightforward to hang your Canvas print without additional wall-mounts. Canvas prints are suited for any type of wall.
• Aluminom ihe eji eme ihe: This is a metal print manufactured on aluminium dibond material with an impressive effect of depth. Its non-reflective surface make a fashionable impression. For our Direct Aluminium Dibond option, we print your artpiece onto the surface of the aluminum material.
• Mbipụta enyo acrylic: An print on acrylic glass, which is often labelled as a UV print on plexiglass, will transform your selected original into home décor and is a viable alternative to canvas or aluminium dibond art prints. The acrylic glass protects your chosen art print against light and external influences for decades.

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Nkwupụta iwu: We try to depict the art products as exact as possible and to showcase them visually. At the same time, the tone of the printed materials and the imprint can differ slightly from the image on your device's monitor. Depending on your settings of your screen and the quality of the surface, not all colors can be printed 100% realistically. Given that all are printed and processed by hand, there may also be minor deviations in the size and exact position of the motif.

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