Nicolas Poussin, 1640 - Ụzọ na-eduga n'ime mkpocha ọhịa - mbipụta nka mara mma

Nchịkọta edemede

In 1640 Nicolas Poussin painted this 17th narị afọ artwork. The original creation has the size: 38,6 x 24,6 cm. Pen and brown ink and brown wash was used by the French painter as the technique for the masterpiece. Today, the work of art is in the the Ụlọ ihe ngosi nka nke J. Paul Getty nchịkọta. Site n'ikike nke - Ụlọ ihe ngosi nka nke J. Paul Getty (ikikere: ngalaba ọha).In addition, the artwork has the creditline: . On top of that, alignment is portrait and has an aspect ratio of 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. The painter Nicolas Poussin was a European artist from France, whose style can be classified as Baroque. The Baroque artist lived for 71 afọ - a mụrụ n'afọ 1594 in Les Andelys, Normandie, France and died in the year 1665 in Rome, Roma province, Lazio, Italy.

Nkọwa zuru oke sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka J. Paul Getty - Ụlọ ihe ngosi nka nke J. Paul Getty)

Nicolas Poussin is primarily known as a painter of history subjects, but he was also an accomplished landscapist. He probably made this drawing for its own sake, rather than as a study for a painting.

Poussin probably made this view on the spot. He captured the atmosphere of a wooded path opening onto a grassy clearing, with sunlight streaming through a thicket of trees. With vivid touches of his pen and brush, he skillfully suggested the deep shadows on the trunks of the trees and the sunlight penetrating their foliage.

Nkọwa nka ahaziri

Tebụl onye na-ese ihe

Họrọ ihe ngwaahịa gị

Maka mbipụta nka ọ bụla, anyị na-enye ụdị nha & ihe dị iche iche. Nhọrọ ndị a dị maka n'otu n'otu:

• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often referenced as a print on plexiglass, changes the original into magnificient home decoration. Your artwork is being manufactured with the help of state-of-the-art UV printing technology. The great advantage of a plexiglass fine art copy is that contrasts and also image details will be visible thanks to the precise gradation. The plexiglass with real glass coating protects your selected fine art print against sunlight and external influences for many decades.
• Kwaaji: The UV printed canvas applied on a wood stretcher frame. Canvas prints are relatively low in weight. This means, it is easy to hang up the Canvas print without any wall-mounts. Hence, canvas prints are suitable for any kind of wall.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster is a printed sheet of canvas paper with a slight surface structure. Please bear in mind, that depending on the size of the poster print we add a white margin of around 2-6cm round about the artwork to facilitate the framing.
• Aluminom ihe eji eme ihe: An Aluminium Dibond print is a print material with an impressive depth effect. The Aluminium Dibond Print is your ideal start to art reproductions produced with aluminum. For the Aluminium Dibond option, we print your chosen work of art right onto the surface of the white-primed aluminum. The white & bright components of the artpiece shimmer with a silky gloss but without glow. Colors are luminous in the highest definition, the details appear crisp.

Nkọwa ngwaahịa ahaziri ahazi

Nkwupụta iwu: We try the best we can in order to describe the art products as clearly as it is possible and to demonstrate them visually on the product detail pages. At the same time, the tone of the printing material and the imprint might vary slightly from the representation on the monitor. Depending on your settings of your screen and the condition of the surface, colors might not be printed one hundret percent realistically. Given that our are processed and printed manually, there might as well be slight differences in the motif's size and exact position.

© Nwebiisinka nke - Artprinta.com