Rembrandt van Rijn, 1631 - Nwoke ochie na ejiji agha - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ngwaahịa
Na 1631 onye na-ese ihe Rembrandt van Rijn made the masterpiece. This work of art forms part of the collection of Ụlọ ihe ngosi nka nke J. Paul Getty, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. The classic art ngalaba ọha a na-enye ọrụ nka site n'ikike nke Ụlọ ihe ngosi nka nke J. Paul Getty.Ebe E Si Nweta nke ihe osise:. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ bụ Eserese na a akụkụ ruru nke 3: 4, which means that the length is 25% shorter than the width. Rembrandt van Rijn was a male painter, whose art style can be classified as Baroque. The Baroque artist was born in 1606 na Leiden ma nwụọ mgbe ọ dị afọ 63 na 1669 na Amsterdam.
Họrọ ụdị ngwa ngwaahịa ịchọrọ
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta enyo acrylic: A glossy print on acrylic glass, often labelled as a print on plexiglass, will transform the original artwork into stunning décor. Your own replica of the artwork is made with the help of modern UV direct printing technology. This creates the effect of vibrant, deep colors.
- Mbipụta kanvas: The printed canvas material mounted on a wood stretcher frame. A canvas print produces a lovely and pleasing effect. How can I hang a canvas print on my wall? The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang your Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.
- Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a UV printed sheet of canvas paper with a slightly roughened surface structure, that reminds the original artwork. The poster print is optimally designed for placing the art print with a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the artwork in order to facilitate the framing with a custom frame.
- Mbipụta nke aluminom: An Aluminium Dibond print is a material with a true depth. For our Direct Print On Aluminum Dibond, we print your work of art on the aluminium white-primed surface. The bright & white components of the artwork shimmer with a silk gloss, however without any glow. The colors of the print are luminous, fine details of the print are clear and crisp. The direct UV print on aluminium is the most popular entry-level product and is a truly stylish way to display art, as it puts the viewer’s focus on the whole artwork.
Nkwupụta iwu: We try whatever we can to depict the products as precisely as possible and to exhibit them visually on the different product detail pages. Nevertheless, some pigments of the print materials and the printing might vary slightly from the image on the device's screen. Depending on the screen settings and the nature of the surface, color pigments may not be printed one hundret percent realistically. Bearing in mind that all are printed and processed by hand, there may as well be minor variations in the motif's size and exact position.
Ozi ederede ahaziri
Nkewa edemede: | ezi nka mmeputakwa |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV / dijitalụ |
Ihe ngosi: | German mere |
Ụdị ngwaahịa: | na mmepụta ihe |
A na-atụ aro iji ngwaahịa eme ihe: | Ụlọ ihe ngosi nka, mgbidi gallery |
Ndepụta: | nhazi ihe osise |
Oke akụkụ: | 3: 4 ogologo ruo obosara |
Nsonaazụ: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mpempe akwụkwọ Dibony (ihe alumnium) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mbipụta nka: | enweghị etiti |
Ozi ndabere gbasara nka
Aha nke ihe nka: | "An Old Man in Military Costume" |
Nhazi nka: | sere |
Category: | nka ochie |
Time: | 17th narị afọ |
Emepụtara n'afọ: | 1631 |
Ogologo afọ nka nka: | 380 afọ |
Ụlọ ihe ngosi nka / ebe: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Ebe ngosi nka: | Los Angeles, California, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke J. Paul Getty |
Tebụl nchịkọta ihe nkiri
Ihe nkiri: | Rembrandt van Rijn |
okike nke onye nka: | nwoke |
Nationality: | Dutch |
Ọrụ: | onye na-ese ihe |
Obodo onye nka: | mba netherland |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Oge ndu: | 63 afọ |
A mụrụ: | 1606 |
Ebe amụrụ onye: | Leiden |
Afọ ọnwụ: | 1669 |
Nwuru na (ebe): | Amsterdam |
© echekwabara ikike nwebiisinka, Artprinta.com
Original information about the work of art from The J. Paul Getty Museum (© Nwebiisinka - Ụlọ ihe ngosi nka J. Paul Getty - www.getty.edu)
The subject, who appears in different guises in several other paintings by Rembrandt van Rijn and his contemporaries, wears a plumed hat and metal breastplate. His military costume may symbolize Dutch strength and patriotism during the struggle for independence from Spain. Although he faces front, the man's torso is turned in a three-quarter view; his watery eyes gazing off to the side give the image a sense of immediacy.
Rembrandt deftly captured the contrasting textures of materials: the downiness of the ostrich feather, the velvety softness of the cap, and the smooth coldness of the metal breastplate. The furrowed skin around the bridge of the man's nose, the moistness of his eyes, and the wispiness of his mustache and beard map out the physical process of aging.