Dirck Hals, 1628 - Nri oriri - mbipụta nka mara mma

29,99 €

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Nchịkọta edemede

Oriri is an artpiece made by the baroque artist Dirck Hals. The version of the painting was made with the size: 16 x 26 in (40,6 x 66 cm). Mmanụ na osisi was used by the European painter as the technique for the masterpiece. It is included in the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The ngalaba ọha work of art is provided with courtesy of The Metropolitan Museum of Art, New York, Purchase, 1871. In addition to that, the artpiece has the following creditline: Ịzụta, 1871. N'elu nke ahụ, nhazi bụ odida obodo ma nwee oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Dirck Hals was a male painter, whose style was primarily Baroque. The Baroque painter lived for a total of 65 years - born in the year 1591 na Haarlem, North Holland, Netherlands wee nwụọ na 1656 na Haarlem, North Holland, Netherlands.

Họrọ ụdị ihe ebipụta nka

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

  • Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are metal prints with a true depth effect. Colors are bright and vivid, fine details are very clear, and you can truly feel the matte appearance of the fine art print.
  • Mbipụta kwaaji: A UV printed canvas material mounted on a wooden frame. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang your Canvas print without the support of additional wall-mounts. A canvas print is suitable for any kind of wall.
  • Ihe odide acrylic glass: The acrylic glass print, which is often referred to as a plexiglass print, will turn the original artwork into décor and makes a viable alternative option to canvas and aluminidum dibond art prints. With an acrylic glass fine art print contrasts as well as smaller details will be exposed with the help of the delicate gradation. The plexiglass with real glass coating protects your custom art print against light and external influences for up to six decades.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a UV printed sheet of canvas with a fine finish on the surface. The print poster is excellently suited for placing your fine art print in a personal frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6 cm round about the print motif, which facilitates the framing with a custom frame.

Ihe dị mkpa: We try everything in order to depict the art products as exact as we can and to exhibit them visually in our shop. Please keep in mind that the tone of the printed materials, as well as the printing might diverge to a certain extent from the presentation on your monitor. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed as realisitcally as the digital version. Because our art reproductions are printed and processed manually, there might as well be slight variations in the exact position and the size of the motif.

Tebụl edemede

Nkewa ngwaahịa: mmepụta nka
Usoro mmeghari: mmeputakwa n'ụdị dijitalụ
Production usoro: Mbipụta UV ozugbo
Production: emepụtara na Germany
Stockdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: mgbidi gallery, mgbidi ịchọ mma
Nhazi onyonyo: nhazi odida obodo
Njikwa oyiyi: ogologo: obosara - 3: 2
Akụkụ akụkụ pụtara: ogologo bụ 50% ogologo karịa obosara
Nhọrọ dị: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ.
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Ụdị mbipụta aluminom: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
ụba: na-enweghị etiti

Iberibe nkọwa nka

Aha nka nka: "A Banquet"
Nhazi: sere
Nhazi nka: nka ochie
Nhazi oge: 17th narị afọ
Emepụtara n'afọ: 1628
Ogologo afọ nka nka: gbara afọ 390
Agba na: mmanụ n'elu osisi
Akụkụ nke ọrụ nka mbụ: 16 x 26 n'ime (40,6 x 66 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
website: Museumlọ ihe ngosi nka nke Obodo
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Ịzụta, 1871
kreditline ọrụ nka: Ịzụta, 1871

Tebụl nchịkọta ihe nkiri

Aha onye nka: Dirck Hals
Aha ndi ozo: D. Hals, D. Halls, Derick Hals, Derick. Hals., D Hals, drick hals, Hals Dirk, Dirck Hals, Direk Hals, Hals Dirck, Dirk Hals, Dirk Hales, Hals Thierry, Hals, Dirick Hals, Dirck Halls, Dirk Halls
okike nke onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo obibi: mba netherland
nhazi ọkwa: nna ukwu ochie
Ụdị nka: Baroque
Akwụsị: 65 afọ
A mụrụ: 1591
Ebe omuma: Haarlem, North Holland, Netherlands
Nwụrụ n'afọ: 1656
Ebe ọnwụ: Haarlem, North Holland, Netherlands

© Nwebiisinka - ikike ọgụgụ isi nke - Artprinta.com

Original artwork specifications as provided by The Metropolitan Museum of Art (© Copyright - The Metropolitan Museum of Art - www.metmuseum.org)

Frans Hals's younger brother Dirck probably studied with him and perhaps with the Rotterdam genre painter Willem Buytewech (1591/92–1624), who worked in Haarlem about 1612–17. Like Buytewech, Dirck was a specialist in depicting small figures, often with close attention to fashionable costume details. His colorful and painterly technique owed a great deal to his more gifted older brother, whose style and subjects are studied in the Museum's current exhibition, "Frans Hals in the Metropolitan Museum" (July 26–October 10, 2011). The present painting is generally abraded by cleaning in the past; wood grain is visible throughout the thinned paint layers, especially in the lighter passages.

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