John Singleton Copley, 1769 - Jeremiah Lee - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ndị ọzọ sitere na The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
The sitter (1721-1775) commissioned this piece at the same time that Copley was painting full-length oil portraits of him and his wife, Martha Swett, for their home in Marblehead, Massachusetts (Wadsworth Athenaeum, Hartford). Another version of the miniature is owned by the Museum of Fine Arts, Boston.
In 1769 John Singleton Copley painted the work of art "Jeremiah Lee". Ụdị nke ihe nka tụrụ nha: 1 1/2 x 1 1/4 na (3,8 x 3,2 cm). Watercolor na ọdụm was used by the artist as the technique for the artwork. It is in the the art collection of The Metropolitan Museum of Art in New York City, New York, Njikota Obodo Amerika. a nka ochie ngalaba ọha a na-enye mpempe nka site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1939. : Harris Brisbane Dick Fund, 1939. Furthermore, alignment of the digital reproduction is portrait with a ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. John Singleton Copley was a male artist, painter, whose style can mainly be classified as Romanticism. The North American artist lived for 77 years - born in 1738 na Boston, Suffolk County, Massachusetts, United States wee nwụọ n'afọ 1815.
Nye iwu ihe kacha amasị gị
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often denoted as a UV print on plexiglass, changes your favorite artwork into marvellous décor. The work of art is printed thanks to the help of state-of-the-art UV print technology. The result of this are impressive, vibrant colors. The major benefit of an acrylic glass fine art copy is that contrasts plus small details will be more identifiable with the help of the precise gradation of the print. The plexiglass with real glass coating protects your chosen art replica against light and heat for many years to come.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The Artprinta poster is a UV printed sheet of canvas paper with a slight surface texture, which reminds the actual work of art. It is particularly designed for placing your fine art print with a custom-made frame. Please note, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm around the print motif in order to facilitate the framing with your custom frame.
- Mbipụta kanvas: A canvas print is a printed cotton canvas mounted on a wood stretcher. What is more, printed canvas produces a homelike, positive look. Canvas Prints have the advantage of being low in weight, which means that it is quite simple to hang your Canvas print without additional wall-mounts. A canvas print is suited for any type of wall.
- Mbipụta nke aluminom: These are metal prints on aluminium dibond material with a true depth effect. The Aluminium Dibond Print is your excellent introduction to the sophisticated world of fine art prints with alu. The bright & white parts of the artpiece shine with a silky gloss, however without the glow. Colors are bright and luminous in the highest definition, the fine details of the print appear clear and crisp, and there’s a matte appearance that you can literally feel. This UV print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase artworks, as it draws focus on the image.
Ose okwu
Aha onye nka: | John Singleton Copley |
Aha ndị ọzọ: | Copley, Copley R.A., copley john s., copley j.s., Copley R. A., J.S. Copley R.A., Copley John Singleton, copley j.s., j.s. copley, John Singleton Copley, John Singleton Cropley, J. S. Copley, Cropley, copley john, john s. copley, J. S. Copley R. A. |
okike nke onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe, onye na-ese ihe |
Mba onye si: | United States |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Ihunanya |
Nwụrụ anwụ: | 77 afọ |
Afọ ọmụmụ: | 1738 |
Ebe omuma: | Boston, Suffolk County, Massachusetts, Njikota Obodo Amerika |
Nwụrụ n'afọ: | 1815 |
Nwuru na (ebe): | London, Greater London, England, United Kingdom |
Data ndabere gbasara nka nka pụrụ iche
Aha eserese: | "Jeremiah Lee" |
Nhazi: | sere |
Nhazi nka: | nka ochie |
oge: | 18th narị afọ |
Emepụtara na: | 1769 |
Ogologo afọ nka nka: | 250 afọ |
Ọkara nke ihe osise izizi: | agba mmiri na ọdụm |
Ogo nke ọrụ nka izizi: | 1 1/2 x 1 1/4 na (3,8 x 3,2 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
website: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1939 |
Ebe E Si Nweta: | Harris Brisbane Dick Fund, 1939 |
Nkọwapụta ngwaahịa
Nkewa bipụta: | mmepụta nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV / dijitalụ |
Mmalite ngwaahịa: | arụpụtara na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
A na-atụ aro iji ngwaahịa eme ihe: | mgbidi mgbidi, foto mgbidi |
Nhazi nka nka: | usoro eserese |
Njikwa oyiyi: | ogologo: obosara - 1: 1.2 |
Nsonaazụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ụdị ihe dị iche iche dị: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | mmeputakwa na-enweghị isi |
Disclaimer: We try what we can in order to depict the products in as much detail as possible and to illustrate them visually in our shop. At the same time, the tone of the printed materials and the printing can diverge marginally from the representation on your screen. Depending on the screen settings and the quality of the surface, color pigments might not be printed as exactly as the digital version on this website. Since our are processed and printed manually, there may as well be slight differences in the motif's exact position and the size.
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