Wenceslaus Hollar, 1649 - Latona na ndị ọrụ ugbo Lycian - mbipụta nka mara mma.

39,99 €

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N'elu 370 afọ masterpiece e sere site Wenceslaus Hollar. Ihe gafere 370 year old original version was made with the following size of Sheet: 6 3/4 × 9 1/8 in (17,1 × 23,2 cm) and was painted with the Usoro of etching, naanị steeti. The work of art is included in the art collection of The Metropolitan Museum of Art. With courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Ịzụta, Joseph Pulitzer Bequest, 1917 (ọha na eze). In addition, the artwork has the following creditline: Purchase, Joseph Pulitzer Bequest, 1917. Moreover, alignment of the digital reproduction is in odida obodo format with a side ratio of 4 : 3, which implies that the length is 33% longer than the width. Wenceslaus Hollar was a male illustrator, cartographer, printmaker, whose artistic style was primarily Baroque. The Baroque painter lived for 70 afọ - a mụrụ n'afọ 1607 in Prague, Praha, Hlavni Mesto, Czech Republic and passed away in 1677.

Họrọ ihe ị ga-ekwu

The product dropdown menu gives you the possibility to choose the size and materialaccording to your individual preferences. Select your preferred size and material between the following alternatives:

  • Bipụta na enyo acrylic: An acrylic glass print, often referenced as a print on plexiglass, will convert your chosen original into amazing décor. In addition to that, the acrylic print is a viable alternative option to canvas and aluminidum dibond prints. Your artwork is being made thanks to modern UV direct printing machines. The major upside of an acrylic glass art print is that contrasts and smaller painting details will be more identifiable with the help of the fine gradation of the picture. Our real glass coating protects your selected art replica against sunlight and heat for many years.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a UV printed sheet of flat canvas paper with a nice structure on the surface. The poster print is excellently suited for placing your art copy in a custom frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm around the work of art in order to facilitate the framing with your custom frame.
  • Mbipụta kwaaji: The UV printed canvas material mounted on a wooden stretcher frame. What is more, canvas print generates a nice and comfy impression. Your printed canvas of this artwork will let you turn your fine art print into a large size collection piece. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without the support of additional wall-mounts. A canvas print is suited for all kinds of walls.
  • Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are prints on metal with a true depth. The Direct Print on Aluminum Dibond is the ideal start to art replicas made with aluminum. The bright and white parts of the original work of art shine with a silky gloss, however without the glare.

Disclaimer: We try what we can to depict our products as accurately as possible and to illustrate them visually on the different product detail pages. However, the pigments of the print materials and the print result may differ to a certain extent from the image on the device's screen. Depending on the settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Considering that all our art reproductions are processed and printed manually, there may as well be minor discrepancies in the exact position and the size of the motif.

Banyere akụkọ

Nkewa ngwaahịa: mmepụta nka
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro nhazi: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: Germany
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa emebere: ime ụlọ, ịchọ mma mgbidi
Ndepụta: usoro odida obodo
Njikwa oyiyi: 4: 3
Pụtara nha akụkụ onyonyo: ogologo bụ 33% ogologo karịa obosara
Akwa mmeputakwa dị: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhọrọ nha mbipụta aluminom: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
ụba: ngwaahịa anaghị emebi emebi

Iberibe ozi nka

Aha nka: "Latona and the Lycian peasants"
nhazi ọkwa: sere
Otu izugbe: nka ochie
Century: 17th narị afọ
Emepụtara n'afọ: 1649
Afọ nka: ihe karịrị 370 afọ
Ọkara nke ihe osise izizi: etching, naanị steeti
Ogo nke ọrụ nka izizi: Mpempe akwụkwọ: 6 3/4 × 9 1/8 inch (17,1 × 23,2 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Ebe nrụọrụ weebụ ihe ngosi nka: www.metmuseum.org
Ụdị nka nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Ịzụta, Joseph Pulitzer Bequest, 1917
Ebe E Si Nweta: Ịzụta, Joseph Pulitzer Bequest, 1917

Nchịkọta ihe nkiri

Ihe nkiri: Wenceslaus Hollar
Aha nka ndị ọzọ: Hollar Weneeslas Von Pracha, Hollar Václav, Vaclav Wenzel, Hollar Vinceslas Allemand, Hollar, Hollar Wenceslas, Wenceslas von Pracha, Hollar Wenzel, wenzel holler, Holar Václav, Winceslaus Hollar, Wenceslaus Hollar, Hollar Wenceslaus, Hollard, Hollar Wenceslaus von Prachna, Holar Wenceslaus, Hollar Winceslaus, Hollar W., W. Hollar, Wenzel Hollar, Vincestaus Hollard, Hollar Wen.
okike nke onye nka: nwoke
Ọrụ nke onye na-ese ihe: illustrator, cartographer, printmaker
Nhazi nke onye nka: nna ukwu ochie
styles: Baroque
Afọ ọnwụ: 70 afọ
Afọ ọmụmụ: 1607
Ebe omuma: Prague, Prague, Hlavni Mesto, Czech Republic
Afọ ọnwụ: 1677
Ebe ọnwụ: London, Greater London, England, United Kingdom

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Ozi ndị ọzọ artwork from The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Landscape with Latona; a woman holding two children seated on the right at the edge of a pool, two figures dip their hands into the water, a third gesticulates to the right. After a painting on copper by Elsheimer in the Wallraf-Richartz Museum, Cologne.

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