William Luson Thomas, 1863 - La Toilette des Morts, sitere na Akụkọ London Illustrated - ọmarịcha nka.

Nkọwapụta nka nka izizi dịka ụlọ ngosi nka weputara (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Charlotte Corday, who murdered the Jacobin Jean-Marie Marat, is seen here imprisoned in the Conciergerie (a medieval palace in Paris) awaiting execution. An artist who has just finished her portrait packs away his paints, and a jailor who wears a Cap of Liberty cuts Charlotte's hair to prepare her for the guillotine. The print is based on a painting shown at the Royal Academy in 1863 titled "Charlotte Corday–Her last toilette before her execution." The image offers a grim variation on a woman's dressing ritual, with the jailor replacing a hairdresser, and the canvas taking the place of a mirror.

Nchịkọta nke ngwaahịa ebipụta

La Toilette des Morts, fromIllustrated London News is an artpiece made by William Luson Thomas in 1863. Ọkachamara ahụ nwere akụkụ ndị a: Onyonyo: 11 1/8 × 9 3/16 na (28,3 × 23,4 cm) Mpempe akwụkwọ: 11 5/8 × 9 5/8 na (29,5 × 24,5 cm) and was painted with the medium wood engraving. Furthermore, this piece of art is included in the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta nka, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke ọdịbendị ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Ọrụ nka nka. , nke bụ nke ngalaba ọha is supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of Donato Esposito, 2015. : Onyinye nke Donato Esposito, 2015. Ọzọkwa, alignment bụ Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Akụrụngwa ndị ahịa anyị nwere ike ịhọrọ

Maka mbipụta nka ọ bụla anyị na-enye ihe & nha dị iche iche. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Ebipụta akwụkwọ mmado na ihe akwa akwa: The poster print is a UV printed sheet of canvas paper with a nice finish on the surface. It is particularly suited for framing the art replica with a special frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm around the artwork, which facilitates the framing.
• Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true effect of depth. For our Print On Aluminum Dibond, we print the selected work of art on the surface of the aluminum. The white & bright parts of the artpiece shimmer with a silky gloss but without any glow.
• Mbipụta kwaaji: The canvas direct print is a printed cotton canvas mounted on a wood frame. A canvas creates the typical look of three-dimensionality. Also, a canvas print makes a attractive and enjoyable atmosphere. A canvas print has the advantage of being low in weight, which means that it is quite simple to hang the Canvas print without the help of any wall-mounts. A canvas print is suitable for all kinds of walls.
• Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often referenced as a fine art print on plexiglass, makes your chosen artwork into beautiful wall décor. In addition, the acrylic art print makes a distinct alternative option to aluminium and canvas fine art replicas. The artwork is being made with the help of state-of-the-art UV direct printing technology. With an acrylic glass fine art print contrasts and details will be more recognizeable because of the very subtle tonal gradation.

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Ederede iwu: We try everythig possible to depict the art products as accurately as possible and to display them visually on the different product detail pages. Still, the tone of the print products and the imprint may diverge marginally from the presentation on your device's screen. Depending on the settings of your screen and the quality of the surface, not all colors will be printed as exactly as the digital version on this website. Since all the are processed and printed manually, there may also be minor deviations in the size and exact position of the motif.

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