Gilbert Stuart, 1800 - Eserese nke William Phillips (njedebe 1700s - mmalite 1800s) - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkwupụta
Portrait of William Phillips (late 1700s - early 1800s) was by Gilbert Stuart. The original was painted with the size: 17,8 x 14,9 cm (7 x 5 7/8 na.) na e mere ya na Usoro oil on panel. The artpiece can be viewed in in the Ụlọ ihe ngosi nka RISD digital collection, which is one of the most important art museums in the United States. With courtesy of RISD Museum, Providence, RI (ikike ngalaba ọha). Creditline of the artwork: bequest of Isaac C. Bates. In addition to this, the alignment is portrait and has a side ratio of 1: 1.2, which implies that the length is 20% shorter than the width. Gilbert Stuart was a painter from United States, whose style can primarily be assigned to Rococo. The North American artist was born in 1755 in North Kingstown, Washington county, Rhode Island, United States and deceased at the age of 73 in 1828.
Data nka ahaziri
Akụkụ nka: | "Portrait of William Phillips (late 1700s - early 1800s)" |
Nhazi: | sere |
Otu sara mbara: | nkà nke oge a |
Century: | 19th narị afọ |
Ekepụtara: | 1800 |
Afọ nka: | ihe karịrị 220 afọ |
Ọkara nke ihe osise izizi: | mmanụ na panel |
Akụkụ ihe osise izizi: | 17,8 x 14,9 cm (7 x 5 7/8 na.) |
Ụlọ ihe ngosi nka / mkpokọta: | Ụlọ ihe ngosi nka RISD |
Ebe ebe ngosi nka: | Providence, Rhode Island, Njikota Obodo Amerika |
ibe weebụ: | Ụlọ ihe ngosi nka RISD |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | RISD Museum, Providence, RI |
kreditline ọrụ nka: | bequest of Isaac C. Bates |
Banyere onye na-ese ihe
Aha onye nka: | Gilbert Stuart |
Aha ndị ọzọ: | Stuart Gilbert Charles, G. Stuart, Stuart Gilbert, American Stuart, Stewart Gilbert, Stuart, American Stewart, Stewart, stuart g., Gilbert Stuart |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | United States |
Nhazi nke onye nka: | omenkà nke oge a |
Ụdị nka: | Rococo |
Afọ ọnwụ: | 73 afọ |
Afọ amụrụ: | 1755 |
Amụrụ na (ebe): | North Kingstown, Washington County, Rhode Island, Njikota Obodo Amerika |
Afọ nwụrụ: | 1828 |
Nwụrụ na (ebe): | Boston, Suffolk County, Massachusetts, Njikota Obodo Amerika |
Họrọ ngwa ngwaahịa gị
Maka mbipụta nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha dị iche iche. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Ebipụta akwụkwọ mmado na ihe akwa akwa: Our poster print is a printed flat canvas with a slightly rough texture on the surface, which resembles the original version of the work of art. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the painting, which facilitates the framing with a custom frame.
- Kwaaji: The UV printed canvas applied on a wooden stretcher frame. A canvas has a distinctive effect of three-dimensionality. Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Therefore, canvas prints are suited for all types of walls.
- Mbipụta ọla (aluminium dibbond): This is a metal print manufactured on aluminium dibond material with an impressive effect of depth. A direct Direct Print on Aluminum Dibond is your perfect start to fine art reproductions made on aluminum. For our Print On Aluminum Dibond, we print your chosen artwork right on the surface of the aluminum material. The bright & white components of the original work of art shine with a silk gloss, however without glare. Colors are bright and luminous in the highest definition, fine details of the print appear clear and crisp, and there’s a matte appearance you can literally feel.
- Mbipụta enyo acrylic: An print on acrylic glass, which is often referenced as a plexiglass print, will transform an artwork into magnificient décor. Your favorite artwork is being custom-made with state-of-the-art UV print technology. The major advantage of a plexiglass art print is that sharp contrasts and details become identifiable with the help of the precise gradation.
Banyere akụkọ
Bipụta ngwaahịa: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo |
Mmalite ngwaahịa: | emepụtara na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | ihe ndozi ụlọ, mkpokọta nka (mmepụta) |
Nhazi nka nka: | nhazi ihe osise |
Oke akụkụ: | 1: 1.2 - ( Ogologo: obosara) |
Mmetụta akụkụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ site na: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ mbipụta aluminom: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | na-enweghị etiti |
Ederede iwu dị mkpa: We try all that we can to depict our art products as clearly as possible and to showcase them visually in our shop. Still, the tone of the printed materials and the printing may diverge marginally from the image on the screen. Depending on your settings of your screen and the condition of the surface, not all color pigments can be printed as exactly as the digital version depicted here. Bearing in mind that all the fine art prints are printed and processed manually, there might as well be slight deviations in the size and exact position of the motif.
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