Edward Mitchell Bannister, 1880 - Nwanyị guzo n'akụkụ ọdọ mmiri - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa edemede
This 19th century artpiece was painted by the master Edward Mitchell Bannister in the year 1880. The version of the piece of art was made with the following size: 16 1/4 x 22 1/4 na (41,3 x 56,5 cm) agbaziri: 21 1/2 x 27 1/2 x 2 1/8 na (54,6 x 69,9 x 5,4 cm) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. What is more, the work of art is in the the digital collection of Saint Louis Art Museum, which is a world renowned fine arts museum known for its outstanding and comprehensive collection spanning 5000 years of cultures and genres. The nkà nke oge a artwork, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Saint Louis Art Museum, Missouri, Museum Minority Artists Purchase Fund. The creditline of the artpiece is the following: Museum Minority Artists Purchase Fund. In addition to this, the alignment is in odida obodo format ya na oke nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara.
Ihe di
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:
- Mbipụta kwaaji: A printed canvas, which shall not be mistaken with a real artwork painted on a canvas, is a digital image printed from an industrial printer. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up the Canvas print without extra wall-mounts. Canvas prints are suitable for any type of wall.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a UV printed sheet of cotton canvas with a slightly rough surface texture. It is excellently designed for putting your art print using a custom-made frame. Please note, that depending on the size of the poster print we add a white margin 2-6cm around the artwork, which facilitates the framing with a custom frame.
- Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding depth. Colors are bright and vivid, the fine details are crisp and clear, and there’s a matte appearance that you can literally feel.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An acrylic glass print, which is often referenced as a an art print on plexiglass, makes the original work of art into stunning décor. The major advantage of a plexiglass fine art copy is that contrasts and also smaller artwork details become more recognizeable with the help of the subtle gradation. Our real glass coating protects your chosen art replica against light and heat for many years to come.
Nkwupụta iwu: We try all that we can in order to describe the art products as accurately as possible and to exhibit them visually on the product detail pages. Nonetheless, the tone of the printing material and the print result may differ to a certain extent from the representation on your device's monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as exactly as the digital version. Given that all our fine art prints are processed and printed manually, there may as well be slight differences in the exact position and the size of the motif.
Ozi ederede
Bipụta ngwaahịa: | ọmarịcha nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Production: | emere na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | art mmeputakwa gallery, ụlọ imewe |
Nhazi nke ihe nka: | usoro odida obodo |
Oke akụkụ onyonyo: | (ogologo: obosara) 1.4: 1 |
Mmetụta ihe onyonyo: | ogologo bụ 40% ogologo karịa obosara |
Ụdị ihe dị iche iche: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 70x50cm - 28x20", 140x100cm - 55x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 70x50cm - 28x20" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 70x50cm - 28x20", 140x100cm - 55x39" |
Igwe onyonyo: | mbipụta nka na-enweghị isi |
Nkọwa nka ahaziri
Aha ọrụ nka: | "Woman Standing near a Pond" |
Nhazi nka: | sere |
Otu izugbe: | nkà nke oge a |
oge: | 19th narị afọ |
Emepụtara n'afọ: | 1880 |
Ogologo afọ nka nka: | karịa afọ 140 |
Ihe osise izizi: | mmanụ na kwaaji |
Nha izizi (ọrụ nka): | 16 1/4 x 22 1/4 na (41,3 x 56,5 cm) agbaziri: 21 1/2 x 27 1/2 x 2 1/8 na (54,6 x 69,9 x 5,4 cm) |
Ụlọ ihe ngosi nka / ebe: | Ụlọ ihe ngosi nka nke Saint Louis |
Ebe ngosi nka: | Louis, Missouri, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Ụlọ ihe ngosi nka nke Saint Louis |
License: | ngalaba ọha |
Site n'aka: | Saint Louis Art Museum, Missouri, Museum Minority Artists Purchase Fund |
Ebe E Si Nweta: | Museum Minority Artists Purchase Fund |
metadata nka nka
Aha onye nka: | Edward Mitchell Bannister |
Aha ndị ọzọ: | Edward Mitchell Bannister, Bannister Edward Mitchell |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ nke onye na-ese ihe: | painter, visual artist |
Obodo obibi: | United States |
Nhazi nke onye nka: | omenkà nke oge a |
Nwụrụ anwụ: | 73 afọ |
Amụrụ n'afọ: | 1828 |
Afọ ọnwụ: | 1901 |
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