Jan van Huchtenburg, 1706 - Agha na Ramillies n'etiti French na Allied - ọmarịcha nka.

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Ihe nka nke narị afọ nke 18 a The Battle at Ramillies between the French and the Allied kere site na Dutch onye na-ese ihe Jan van Huchtenburg. N'ịgafe, ọrụ nka bụ nke nchịkọta nka dijitalụ nke Rijksmuseum, nke bụ nnukwu ihe ngosi nka maka nka na akụkọ Dutch site na Middle Ages ruo ugbu a. Site n'ikike nke Rijksmuseum (ikike ngalaba ọha) .Ebe kredit nke ọrụ nka: . Nhazi ahụ bụ odida obodo na a akụkụ ruru nke 4: 3, which implies that the length is 33% longer than the width. The painter Jan van Huchtenburg was a European artist from the Netherlands, whose art style was primarily Baroque. The Baroque artist lived for a total of 86 afọ - amuru n'ime 1647 ma nwụọ na 1733.

Họrọ ụdị ihe dị iche iche

For every product we offer a range of different materials and sizes. Thus, we allow you to choose among the following options:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes named as a an art print on plexiglass, will change the original artwork into great décor and is a viable alternative option to aluminium or canvas fine art prints. With a glossy acrylic glass art print contrasts and also granular color details become visible thanks to the precise tonal gradation in the print.
  • Poster (akwa akwa akwa): The Artprinta poster print is a printed canvas paper with a granular surface structure, that reminds the original version of the work of art. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the painting to facilitate the framing with your custom frame.
  • Kwaaji: A canvas print, which should not be confused with a painting on a canvas, is a digital image printed on a cotton canvas. Canvas prints are relatively low in weight, which implies that it is easy to hang the Canvas print without the use of extra wall-mounts. Because of thata canvas print is suitable for any kind of wall.
  • Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond with an outstanding effect of depth. A non-reflective surface creates a fashionable impression. The Aluminium Dibond Print is your excellent start to art prints with alu. The colors of the print are bright and vivid in the highest definition, details of the print are clear and crisp, and you can feel a matte appearance of the art print surface.

Disclaimer: We try whatever we can in order to depict the products as accurate as possible and to exhibit them visually on the respective product detail pages. Nevertheless, the colors of the print products and the imprint may diverge somehwat from the image on the monitor. Depending on your screen settings and the quality of the surface, not all colors are printed as exactly as the digital version depicted here. Since all are printed and processed by hand, there may as well be minor deviations in the motif's exact position and the size.

Product ọmụma

Nkewa ngwaahịa: ezi nka mmeputakwa
Usoro mmeghari: dijitalụ mmeputakwa
Production usoro: mbipụta dijitalụ
Production: emere na Germany
Stockdị ngwaahịa: na mmepụta ihe
A na-atụ aro iji ngwaahịa eme ihe: ime ụlọ, nka mgbidi
Nhazi nke ihe nka: nhazi odida obodo
Njikwa oyiyi: 4:3- (ogologo: obosara)
Ntụgharị nkọwa akụkụ: ogologo bụ 33% ogologo karịa obosara
Ngwa ngwaahịa dị: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nha ebipụta aluminom: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi mbipụta nka: biko buru n'uche na emebeghi mmeputakwa a

Nkọwa gbasara ọrụ nka

Aha ọrụ nka: "The Battle at Ramillies between the French and the Allied"
Nhazi nka: sere
Nhazi nka: nka ochie
Time: 18th narị afọ
Emepụtara na: 1706
Afọ nka: karịa afọ 310
Ụlọ ihe ngosi nka / ebe: Rijksmuseum
Ebe ngosi nka: Amsterdam, Netherlands
Weebụsaịtị nke ihe ngosi nka: www.rijksmuseum.nl
Licensedị ikike: ngalaba ọha
Site n'aka: Rijksmuseum

Nchịkọta dị mkpirikpi nke onye na-ese ihe

Ihe nkiri: Jan van Huchtenburg
Gender: nwoke
Nationality: Dutch
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo obibi: mba netherland
nhazi ọkwa: nna ukwu ochie
styles: Baroque
Nwụrụ anwụ: 86 afọ
A mụrụ: 1647
Afọ nwụrụ: 1733

© nwebiisinka, Artprinta.com

(© nwebiisinka - Rijksmuseum - www.rijksmuseum.nl)

Battle of Ramillies on May 23 1706 between the allied forces under Marlborough and commado Nassau-Ouwerkerk against the united French, Spanish and Bavarian troops under the command of Marshal Villeroy. Left some tall trees, right on the third plan the ridge, which Folx-les-Caves and Jandreouille and are in the offing in the middle of the plateau of Mont St. André. In the foreground a rider fight, which took place on the left side of the Allies against the right of Villeroy. Right in the corner with a staff presumably portrait of Marlborough on a black horse. The rider on the back of view, perhaps Major General Murray. He looks more like a citizen might be Sicco Goslinga, the the allied army added deputy of the parliament. Left of center, right behind the big equestrian fight, run and allied cavalry charge against the infantry of the two crowns, which await them felled peaks. Further back is the main force of the Allies, under the command of Lord Orteney, the center of the French-Spanish Bavarian lines, including Villeroy and Elector Maximilian Emanuel of Beiren, in which at Ramillies and further north, at Offus and Autreglise (Other Church) were prepared.

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