Joshua Shaw, 1813 - Iju mmiri ahụ dị nso - mbipụta nka mara mma

About the artpiece, which has the title "The Deluge towards Its Close"

Nke a kariri 200 afọ masterpiece The Deluge towards Its Close e sere ya Joshua Shaw. The 200 year-old version of the masterpiece measures the size of 48 1/4 x 66 in (122,6 x 167,6 cm). Mmanụ na kwaaji was applied by the North American painter as the medium of the artwork. Furthermore, this artpiece can be viewed in in the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This nkà nke oge a artwork, nke bụ nke ngalaba ọha is included with courtesy of The Metropolitan Museum of Art, New York, Gift of William Merritt Chase, 1909. : Gift of William Merritt Chase, 1909. Nhazi nke mmepụta dijitalụ dị na odida obodo format na nha nke 1.4: 1, nke pụtara na ogologo ya dị 40% ogologo karịa obosara.

Akụrụngwa ndị ahịa anyị nwere ike iburu

Maka akwụkwọ nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond with an outstanding depth effect. For our Print On Aluminum Dibond, we print your selected work of art on the surface of the aluminum composite. Colors are luminous, the fine details of the print appear very clear, and you can perceive a matte appearance of the art print surface. The direct print on aluminium is the most popular entry-level product and is a truly stylish way to display fine art prints, because it draws attention on the whole artwork.
• Mbipụta kanvas: The canvas direct print is a printed cotton canvas mounted on a wood frame. It creates the typical look of three-dimensionality. Your canvas print of this work of art will allow you to transform your into a large size work of art. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without the support of extra wall-mounts. Therefore, canvas prints are suitable for all kinds of walls.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: Our poster print is a UV printed sheet of canvas paper with a granular surface texture, that resembles the actual work of art. The poster print is suited for putting the fine art print with a customized frame. Please note, that depending on the size of the poster we add a white margin 2-6cm around the print to facilitate the framing with your custom frame.
• Glass acrylic ebipụtara (nke nwere ezigbo mkpuchi iko n'elu): A glossy acrylic glass print, often labelled as a print on plexiglass, makes an original into beautiful décor.

Legal disclaimer: We try all that we can in order to depict our products in as much detail as possible and to illustrate them visually. Still, the colors of the print products, as well as the print result can differ somehwat from the presentation on your device's screen. Depending on your settings of your screen and the condition of the surface, color pigments may not be printed 100% realistically. Bearing in mind that all art reproductions are processed and printed by hand, there may also be minor differences in the motif's exact position and the size.

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Edochiri ederede a site na nwebiisinka © | www.artprinta.com (Artprinta)

Nkọwa ihe osise nke Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Representations of the Flood, described in Genesis as the overwhelming punishment for humanity’s flagrant sins, go back to the early Renaissance. In Shaw’s day, J. M. W. Turner and Benjamin West also painted this subject. In the Museum’s terrifying depiction of the darkness and desolation, painted about 1813, Shaw is indebted to West’s treatment of the theme, adopting for the foreground of his own painting West’s uprooted tree, which lies diagonally on the earth, surrounded by the ghastly bodies of the drowned, and festooned with the limp carcass of a gigantic snake. West seems not to have minded Shaw’s borrowing and wrote to him in high praise of this powerfully romantic and emotional picture. Joshua Shaw was an English artist who was forty when he came to this country, four years after painting "The Deluge". He had been well trained and enjoyed considerable success in the field of landscape painting.