Thomas Willeboirts Bosschaert - mmeri Cupid n'etiti ihe nnọchianya nke nka na agha - ọmarịcha nka.

Ozi mgbakwunye site na webụsaịtị ihe ngosi nka (© Nwebiisinka - National museum Stockholm - www.nationalmuseum.se)

English: In the seventeenth century there was a palpable desire to master and explain one’s surroundings. Reality was to be conquered, measured, calculated, and understood. But the understanding of the world, and humankind’s place in it, also brought with it a deep crisis when the religious worldview was shaken by new theories. In this painting the god of love is seated among scientific instruments, artistic attributes, and symbols of war. The image can be interpreted to mean that love conquers all. Under 1600-talet fanns en påtaglig önskan att bemästra och förklara omvärlden. Verkligheten skulle erövras, mätas, beräknas och förstås. Men förståelsen av världen, och av människans plats i den, innebar också en djup kris när den religiösa världsbilden skakades av nya teorier. I denna målning sitter kärleksguden Amor bland vetenskapliga instrument, konstnärliga attribut och krigiska symboler. Bilden kan tolkas som att den eviga kärleken övervinner allt.

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The artpiece "Triumphant Cupid among Emblems of Art and War" was created by the painter Thomas Willeboirts Bosschaert. The original version has the following size Height: 169 cm (66,5 ″); Width: 242 cm (95,2 ″) Framed: Height: 191 cm (75,1 ″); Width: 263 cm (103,5 ″); Depth: 10 cm (3,9 ″). Moveover, this piece of art belongs to the Nationalmuseum Stockholm's digital collection. We are pleased to state that this ngalaba ọha masterpiece is supplied with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.Creditline of the artwork: . In addition to this, the alignment of the digital reproduction is landscape with a side ratio of 1.4: 1, meaning that the length is 40% longer than the width. Thomas Willeboirts Bosschaert was a male painter, whose art style was primarily Baroque. The Baroque painter was born in the year 1613 in Bergen op Zoom and deceased at the age of 41 in 1654.

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• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster is a printed canvas paper with a fine surface structure. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the print motif in order to facilitate the framing with your custom frame.
• Ihe odide acrylic glass: The acrylic glass print, which is often referred to as a print on plexiglass, will transform your favorite original work of art into brilliant wall décor. The artwork is being printed thanks to modern UV direct print technology. The acrylic glass protects your chosen fine art print against light and external influences for many decades.
• Mbipụta kanvas: A canvas print, not to be confused with a canvas painting, is a digital image printed onto canvas. Canvas Prints have the advantage of being low in weight. That means, it is quite simple to hang up the Canvas print without the help of any wall-mounts. Canvas prints are suitable for all types of walls.
• Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an outstanding depth - for a modern look and a non-reflective surface structure. For your Print On Aluminum Dibond, we print your favorite work of art onto the aluminium composite surface.

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Nkwupụta iwu: We try whatever we can in order to describe our art products as accurately as possible and to showcase them visually. At the same time, the tone of the printed materials, as well as the imprint may vary marginally from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed 100% realistically. Because all our art reproductions are printed and processed manually, there might as well be slight deviations in the motif's exact position and the size.

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